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  • £71.95

    Viva Italia! (Concert Band - Score and Parts) - Bullock, Jack

    Much of the music of Italy is as rich and vibrant as the collective personality of its people. Five melodies, "O Sole Mio," "Tarantella," Prelude to Act III of La Traviata," "The Carnival of Venice," and "Funiculi, Funicula," are combined to give your audience the flavour, charm and zest of a magnificent land, its people and their culture. Capriciously entertaining!Duration 4:30

    Estimated dispatch 7-14 working days

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  • £42.50

    Blazon (Concert Band - Score and Parts) - Curnow, James

    Subtitled Prelude Brillante, this forceful concert opener is just what you need to begin your next program! Full of strong marcato brass statements, accents and sforzandos, your students will be ablaze with energy and excitement when they play this superb piece!Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £76.95

    Three Chorale Preludes (Concert Band - Score and Parts) - Latham, William

    Three Chorale Preludes epitomises the perfect teaching piece and performance work. Although based on familiar chorale melodies, the work is an original. Each prelude reflects contrasting tempi and textures, and although each one stands alone, the overall emotional effect is heightened with a continuous performance of all three. Every player of a band instrument should experience this work. Duration: 8.15

    Estimated dispatch 7-14 working days

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  • £44.95

    Starbound (Concert Band - Score and Parts) - Fraser, Bruce

    Starbound is a strong, driving piece and relies on good rhythmic playing from the bass instruments. It is a good introduction to playing triplets for all sections of the band and this could be introduced in the preliminary exercise. The trumpet solo could be played by the whole section if preferred.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45

    Estimated dispatch 7-14 working days

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  • £44.95

    Totally Tropical! (Concert Band - Score and Parts) - Barry, Darrol

    Totally Tropical! is in bright Caribbean mood and will benefit from good, rhythmic playing. Flutes, oboes, clarinets and trumpets all have to play the little chromatic figure that starts the main tune and this may need slow practice to become fluent. Additional percussion instruments may be added to give a 'Calypso' sound.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45

    Estimated dispatch 7-14 working days

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  • £44.95

    Whirlwind (Flute Solo with Concert Band - Score and Parts) - Fraser, Bruce

    Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £44.95

    Windfall (Concert Band - Score and Parts) - Fraser, Bruce

    Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £44.95

    Yo, Bro! (Concert Band - Score and Parts) - Barry, Darrol

    Yo, Bro! has a Latin feel about it which requires good rhythmic playing with a strong beat supplied by the percussion.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £104.95

    A Downland Suite (Concert Band - Score and Parts) - Ireland, John - Steadman-Allen, Ray

    A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.

    Estimated dispatch 7-14 working days
  • £20.95

    A Downland Suite (Concert Band - Score Only) - Ireland, John - Steadman-Allen, Ray

    A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.

    Estimated dispatch 7-14 working days