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£75.00
Vranjanka - Kenneth Hesketh
Vranjanka (pronounced VRAHN-yahn-kah) means "From Vranje," a town in southern Serbia. It is loosely based on the traditional folksong ano Duo. The melody is extant in two versions, one in 7/8 and one in 3/4. The musical form of the piece starts with a fairly slow introductory section, a faster second section cast in a set of variations on the folksong. Vranjanka was commissioned by Timothy and Hilary Reynish in memory of their son William.
In stock: Estimated delivery 1-3 days
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£45.00
London Eye - Nigel Hess
'London Eye' is an incredibly large rotating wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of that view.This piece is the second movement of Nigel Hess' 'New London Pictures' which represents elements of London in the 21st Century.
In stock: Estimated delivery 1-3 days
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£45.00
The Catskills - Nigel Hess
In upstate New York lie the Catskills Mountains - an extraordinary combination of tranquillity and power, peace and majesty. Once seen, they call you back again and again. The Catskills forms the second movement of East Coast Pictures, commissioned by the British Youth Wind Orchestra with funds from the National Westminster Bank plc. It is a suite of three short 'pictures' that were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people.
In stock: Estimated delivery 1-3 days
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£67.29Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£39.58Fantasa Espaola - Wind Band (Andrew E. Lawson)
VIEW SCORE PDF This celebratory Latin-flavored item by award-winning American composer Andrew E. Lawson will be an exciting addition to your band's concert programme. The composer writes: 'The Phrygian mode is one of my favorite modes in music. In Fantasa Espaola you will hear a slightly altered form of the traditional mode, using a lowered second and raised third. It is the fifth mode of the harmonic minor scale and can be heard in music from all over the world. Fantasa Espaola, translated as Spanish Fantasy, is inspired by traditional Spanish music and culture, but with a twist of my own.' PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Advanced Instrumentation: Piccolo Flute 1-2 Oboe Bassoon 1 Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-3 Bass Trombone Euphonium Tuba Timpani Percussion 1-5
In stock: Estimated dispatch 1-3 days
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£88.00Euphonium Music - Brian Bowen
Something of a classic in its brass band and piano versions! We are delighted, at last, to make this work available ith wind band accompaniment by the composer. Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the composer - 'The Eyes of God' - and affords lyrical and richly expressive playing that is typically euphonium. Movement three follows without a break - a capricious movement which ends triumphantly. Now available in versions for piano, brass band, wind band, and orchestra, Euphonium Music can be seen as a major contribution to the literature for the instrument. Duration: 15 minutes USA Grade 5 An orchestral version is available on hire.
Estimated dispatch 7-14 working days
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£76.00The New Corn Palace - Karl L. King
The New Corn Palace is a famous attraction in Mitchell, SD. Originally built to house the annual community harvest festival, the new ornate building opened in 1921 and became a premier venue for area symphonies and concert bands. Fort Dodge (IA) Band rang in the inaugural celebration, under the direction of Karl King, who composed this work for the occasion.In keeping with King's circus march tradition, a bold D minor introduction and first strain leads to a contrasting F major second strain, lyrical trio, and minor key break strain. This new edition condenses the five original trumpet parts into three parts, and re-scores the saxophones to meet modern standards, with additional percussion editing.
Estimated dispatch 12-14 working days
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£42.00The Warrior's Path
Playable by as few as 5 winds and 4 percussion, this beginning band piece depicts a lone warrior beginning a journey across an ancient land. This solitary warrior is joined by others on the way, and together they defend those who cannot defend themselves. Less than two minutes long and using only the first 6 notes of the Bb concert scale, this is a great choice for a second semester concert and for bands with limited instrumentation. Use this piece to develop articulation technique and listening skills between the ensemble's sections. A great choice for concert and contest.
Estimated dispatch 12-14 working days
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£60.00Tropanka and Patsh Tantz
This two-movement work is sure to be a hit at your next concert! The first movement, Tropanka (pronounced "tro-PAHN-kuh"), translates as "stomping dance" and originated in Bulgaria. One can hear two repeated notes at the end of each phrase - this is where the dancers stomp! The second movement, Patsh Tantz (pronounced "PAHTSH tahnts") is a classic example of Klezmer, or Eastern European Jewish folk music. The title of this movement is Yiddish for "clapping dance", and all the players get the chance to clap at certain points in their individual parts. Both movements should be played rhythmically; adding weight to many of the downbeats will help bring out the "earthy" character of the music.
Estimated dispatch 12-14 working days
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£60.00Many Moons
A poignant balladic description of a memory of a New Mexico night sky, this lyrical piece encapsulates the feeling of wonder and humility felt when we stare out at a sky seemingly filled with hundreds of little moons. Beginning with subtle percussion and a cross-cued euphonium solo, a wistful theme is developed and passed throughout the ensemble. Multiple expressive demands related to phrasing, balance, listening, and tone let you teach these in a composition that sounds harder than it is. Use this ballad as a contrast to your opener in concert or as a second selection in festival or contest performances.
Estimated dispatch 12-14 working days
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