Results
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£49.95SHINING SWORD (Programme Concert Band) - Wiffin, Rob
This extended fanfare was written for the Royal Air Force Bomber Command Commemorations in 2002. 'Shining Sword' was a term used to describe the Lancaster Bomber which played such a vital role in the Second World War. (Grade 2.5) Performance time 1'48" (Recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£239.99Sonata da Chiesa Wind Band Set (Score & Parts)
Sonata da Chiesa for organ and wind orchestra is a work in three movements. The first movement presents three melodic lines which are developed in turn. The second movement introduces a theme by Johann Pachelbel followed by several variations on the theme - a technique favoured by Kees Schoonenbeek. The third movement is a neo-Baroque rondo which introduces thematic elements from the first movement. This is a work rich in colour and sound. 0:14:00
Estimated dispatch 7-14 working days
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£47.52Sousa! Sousa! Sousa! (Concert Band - Score and Parts)
A terrific feature for young clarinet sections by noted film composer, Lennie Niehaus. The first clarinet parts (Gr.2 1/2) challenge your best young players while the second clarinet parts (Gr.2) build confidence in your weaker players by staying below the break. An appealing piece that will be a popular program number while creating big dividends for the future in your clarinet section.
Estimated dispatch 7-14 working days
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£74.95ST. CLEMENT'S PRELUDE (Programme Concert Band) - Wiffin, Rob
This prelude has allusions to the nursery rhyme Oranges and Lemons (The Bells of St. Clement's). Following the Second World War St. Clement's has been adopted as the Royal Air Force church, to which this work is dedicated. (Grade 3+) Performance time 4'28" (Recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£144.99Suite Marchigiana (Concert Band - Score and Parts)
According to a famous statement by Herder, folk songs represent the archives of a nation's knowledge, the expression of its heart and theimage that reflects its history and identity. Suite Marchigiana is a three movement piece, inspired by folk songs from the Marche in central Italy, a region with a very ancient and rich folkloristic heritage. The first movement elaborates on the well-known Pasquella. The Pasquella comes from a traditional winter begging ritual where a group of musicians go from house to house singing verses, wishing their audience good health, wealth and abundance, in return for small amounts of money, food and wine. The second movement is an Andante Triste inspired by an old song called Sona la mezzanotte (The Clock Strikes Midnight), a melancholic song that reminds us of unhappy love stories, bereavement, and so on. Luciano Feliciani concludes the suite with the Saltarello Marchigiano, which is bright and sparkling, and therefore in complete contrast with the previous movement. Although unproven, the Saltarello is thought to have its origins in the 'saltatio' (a latin dance). While the choreae were group dances, circular in structure and with a rhythmic progression, the saltationes were more lively in character. The fast, frenetic and joyous saltarello was without any doubt the most famous musical expression of rural central Italy in the nineteenth century. 10:20
Estimated dispatch 7-14 working days
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£34.95SURPRISE SYMPHONY, The (Simply Classics Concert Band) - Burton, Denis
Franz Joseph Haydn, a prolific composer, wrote over 100 symphonies. Many of these symphonies had nicknames, including 'The Drum Roll', The Military', and this, No.94, 'The Surprise'. History tells us that Haydn, wearied of audiences losing attention at his concerts, wrote in a 'surpirse', in the second, tranquil, movement with a sudden loud chord. No doubt Haydn held the audience's attention through the rest of the performance! American Grade 1 Duration 0:44
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£482.99
Symphony in Green (Concert Band - Score and Parts)
As with the first symphony, the second symphony is not programmatic as such, but also takes its inspiration from the confrontation of man with his role in nature. Dedicated to the 2011 National Garden Show in Upper Austria, this symphony earned its subtitle Symphony in Green and explores musically the connotation of this colour as the colour of nature, of life and of hope. 28:45
Estimated dispatch 7-14 working days
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£159.99
Tanczi Wind Band Set (Score & Parts)
This suite was written in the style of traditional Russian folk music, but does not use existing melodies or themes as its basis. The colourful and varied work contains a number of surprising turns, but also familiar sounds. After the introduction, a kind of Trepak follows ? a fairly quick dance with attractive themes. The second movement (Garovot) is predominantly slow and conveys some melancholy, although, during a more dynamic passage the passion flares up again. Finally, the Troika takes us along in a reindeer sleigh through a grand snowy landscape. This is a wonderful tribute to the music of Eastern Europe in the style of some of the great Russian masters. 0:13:30
Estimated dispatch 7-14 working days
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£144.99
The Bartered Bride Wind Band Set (Score & Parts)
The Bartered Bride (Czech: Prodan? nev??sta, The Sold Fianc?e) is the second opera, a comedy in three acts, by Bed?ich Smetana. The Czech libretto was written by Karel Sabina, who had also written the libretto for Brandenburgers in Bohemia. Composed in 1863-1866, the work was originally envisioned as an operetta, a light opera with spoken dialogue in place of sung recitatives. It was first performed in this form in 1866 in Prague. The definitive version of the work, now an opera buffa, was finished in 1870 and was performed the same year. The opera's overture and three dances are part of the orchestral repertoire. 06:30
Estimated dispatch 7-14 working days
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