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  • £52.99

    America the Beautiful On Parade - N. Alan Clark

    As the first musicians come into view the volume continues to grow and we hear many different layers of melody, counter-melody, and rhythm. Soon the band is upon us and we feel like we can almost reach out and touch the music. Then, the band passes and the full ensemble sound begins to retreat into the distance, the volume and complexity both diminish until we are once again left with the sound of retreating drums, and finally, silence.

    Estimated dispatch 7-14 working days

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  • £50.50

    Joyful Is The Morning Sun - Matt Conaway

    This exuberant and uplifting chorale by Matt Conaway will make bands of all ages sound fantastic. The melodies are simple and memorable, and the full, rich scoring will help even bands with reduced instrumentation sound warm and complete. An excellent addition to your next concert or festival program.

    Estimated dispatch 7-14 working days

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  • £65.99

    Hornpipe from the Water Music - Georg Friedrich Händel

    One of the most memorable themes in all of classical music history is captured in Scott Stanton's arrangement for the Build-A-Band Series. Will sound great with very small group and unusual instrumentations and includes optional guitar, piano and percussion parts which can further enhance the sound. Wonderful music!

    Estimated dispatch 7-14 working days

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  • £159.99

    Fantasia Per La Vita E La Morte - Bert Appermont

    The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...

    Estimated dispatch 7-14 working days
  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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  • £109.99

    Catedrales - Bert Appermont

    Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.

    Estimated dispatch 7-14 working days

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  • £59.95

    Gates Of Freedom - Robert Thurston

    Composer Robert Thurston has produced a rich sounding and colorful easy march that has the bright open "American" sound of a familiar piece without, in fact, actually quoting anything. The fresh sound, active percussion and idiosyncratic harmonies help make this selection perfect for stimulating beginning instrumentalists. Duration: 2' 30"

    Estimated dispatch 7-14 working days
  • £59.95

    Storm Chaser - Kevin Mixon

    Off in the distance we hear the storm begin, the thunder roar, and see the the lightning strike as we take off with this dramatic piece, depicting the sounds of a violent thunderstorm. Educator and composer Kevin Mixon gives us a bold new piece that includes the sound of finger snapping (to mimic rain and thunder) to add to the overall effectiveness of this dynamic piece. Students will love the angular, strong melody and will sound great in contest or festival.

    Estimated dispatch 7-14 working days
  • £59.95

    Gothic Cathedral - Joseph Compello

    This modal piece has a dark, other worldly sound that students love to play. It's as if it is from the past but also very much of the present-the type of music found in movies and video games. As a former band director, Joseph Compello has a knack for writing pieces that students clamor to rehearse. It is great for teaching about modes and will make your students sound their best.

    Estimated dispatch 7-14 working days
  • £67.95

    The Cliffs Of Mendocino - Alan Lee Silva

    The music of Alan Lee Silva is truly American in scope and sound, and his melodic touch makes his pieces sound effortless. This work is no exception and is a welcome addition to the repertoire for developing bands.

    Estimated dispatch 7-14 working days