Results
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£65.00Stay Tuned (Concert Band - Score and Parts) - Gassi, Vince
What would a piece for band entitled Stay Tuned sound like? How about one part tune up, one part driving energy, one part tuneful melody. Add to this that the tuning note is always present somewhere throughout (even in the lyrical section) whether sustained or rhythmically varied. Stay tuned with this great Vince Gassi original for audience fun! Duration: 3.00
Estimated dispatch 7-14 working days
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£68.00Good 4 U (Concert Band - Score and Parts) - Bernotas, Chris M.
Good 4 U, the popular and upbeat song by superstar songwriter and performer Olivia Rodrigo, has topped the Billboard charts and appears on the artist's debut album Sour. She has been active as a professional singer and songwriter since she was 12 years old and can serve as an inspiration to young musicians. Like many pop songs, the care in performing syncopation and various articulations will provide a more authentic sound. Arranged by Chris M. Bernotas, the energetic music, powerful infectious chorus, and pure emotion will permeate the concert hall. Duration: 3.15
Estimated dispatch 7-14 working days
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£126.50Beating Beats (Concert Band - Score and Parts) - Van der Roost, Jan
Beating Beats rhythmically is a rather special piece: more conventional metres are manipulated in such a way that the listener (without score) may be confused and even misled at various points! The 'regular four beat accents in a 4/4 measure for example are often not adhered to, giving the impression of a different metre altogether. However, at the same time it may be that some instruments do follow this "normal" 4/4 metre, thus confusing everyone - performers and listeners alike! On one hand, it is a "simple" piece with very playable and melodic themes, but their mysterious rhythmic makes it not only sound more complicated, but also makes for a greater challenge for both players and the conductor! As is mostly the case with Jan Van der Roost's works, the orchestration is both colourful and contrasting, with every section of the modern wind orchestra used equally. All in all, it's a work full of surprises with some unexpected harmonies and special melodic lines but above all, with metrical and rhythmical sure to catch you unawares! Duration: 7.00
Estimated dispatch 7-14 working days
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£53.95Operation Invictus (Concert Band - Score and Parts) - Webb, Amy
Operation Invictus is a rising band work that checks all the boxes: exciting parts for all players, commanding rhythms, and challenging, yet surmountable melodies that will leave your band feeling great about themselves and their performance. Each instrument gets to play snappy little licks that are so engaging they'll want to practice. Even the low brass gets some fanfare-like material that will sound powerful. The very word invictus is Latin for "undefeated." A tremendous piece at the easy level that can be played either at the beginning or end of your next concert or festival. Duration: 3.00
Estimated dispatch 7-14 working days
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£167.00Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45
Estimated dispatch 7-14 working days
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£159.99In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.
How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15
Estimated dispatch 7-14 working days
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£62.95Bandwidth (Concert Band - Score and Parts) - Gassi, Vince
Bandwidth, according to Webster's Dictionary, is the maximum data transfer rate of an electronic communications system. In Bandwidth by Vince Gassi, waves of sound and rhythmic energy (1.21 gigawatts to be exact) are transferred to you and your audiences. Right from the first measure this piece will power on and power you up. Syncopated figures contrast with legato lines while the momentum build throughout. Not too complicated, just fun to play and easy to listen to. Duration: 2.15
Estimated dispatch 7-14 working days
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£62.95Bahumba (Concert Band - Score and Parts) - Sciaino, Peter
Bahumba is a nonsense word but a no-nonsense selection for concert band. The word stems from a sound composer Peter Sciaino heard coming from an idling car. The engine, clearly having issues, had an "uneven" gate or pulse. He mindlessly heard the word "Bahumba" within the sounds emerging from the struggling motor. Just like an engine, an ensemble can attain a smooth groove even if "uneven" in terms of pulse. While the percussionists are often asked to provide this groove under the melodic lines, they ultimately break out with a feature that essentially places a percussion ensemble within the context of a concert band piece. Duration: 2.45
Estimated dispatch 7-14 working days
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£104.99The Flood (Concert Band - Score and Parts) - Ceunen, Filip
The Flood was commissioned by Music Society Maris Sonores from Biddinghuizen, the Netherlands, on the occasion of its 55th anniversary. In this colourful composition, the name of the society has been inventively woven into the music, Maris Sonores meaning sounds of the sea, by means of key clicks in the flutes and clarinets, wind effects in various brass and woodwind instruments along with timpani, as well as sound effects in the small percussion. In addition, the history of the town is also reflected musically. Many centuries ago, around the year 800, a hamlet by the name of Bidningahusum already existed; unfortunately, it fell victim to the water of the then Zuiderzee. Later, the catastrophic flood of 1170 dealt the final blow. In the 1960s, there was a call for pioneers to once more build a town carrying the name Biddinghuizen in the polder of Eastern Flevoland - and so it happened. This versatile work has been written in such a way that many bands will be able to play it. Each instrument group comes out well, so that The Flood will be a joy for players and listeners alike. Duration: 9.30
Estimated dispatch 7-14 working days
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£90.00Danza Sonora (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Danza Sonora can be defined as a pleasant-sounding dance. South American rhythms and melodies represent the inspiration behind this exciting work originally written for concert band. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians, providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.
Estimated dispatch 7-14 working days
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