Results
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£51.95My Generation (Concert Band - Score and Parts) - Townshend, Peter - Wagner, Douglas E.
Written by Peter Townshend, guitarist and back-up vocalist for The Who, who are still performing this classic driving rock tune on every concert! From the 1965 album of the same name, this song has been recognized by Rolling Stone Magazine in eleventh place on their list of the "500 Greatest Songs of All Time." Good for many more generations, be sure to program this solidly scored classic tune on your next concert. Duration: 2.30
Estimated dispatch 7-14 working days
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£60.50Academic Festival Overture Op.80 (Concert Band - Score and Parts) - Brahms, Johannes - Story, Michael
Although conceived as a comical academic musical representation by its renowned composer, this overture is lyrical and exciting. There are opportunities for your students to present sudden stylistic changes and tempo shifts which permit for both performance and teaching. It is still used in a variety of settings (even in its comedic intent) in films and on the more serious concert stage. This arrangement includes generous cuing to accommodate incomplete instrumentations. Classic, familiar and even humorous, it is a sure winner for your developing band.Duration: 3:45
Estimated dispatch 7-14 working days
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£84.99Kein Schoner Land (Concert Band - Score and Parts) - Oswald, Gerald
Kein schner Land is surely one of the best-known of all German folk songs. The song recounts the story of a group of friends who spend a happy evening singing.The arrangement by Gerald Oswald begins with an evening mood, followed then by the theme in various instruments and in different forms. After a grandioso, the composition returns to the evening mood. Kein schoner Land is a timeless folk song that we still take to our hearts even today.Duration: 6:00
Estimated dispatch 7-14 working days
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£52.95With Thine Eyes (Concert Band - Score and Parts) - McWilliams, Rob
This delightful arrangement of the popular old English song Drink to Me Only with Thine Eyes provides younger symphonic bands with an opportunity to play lyrically while still sounding rich and mature. Plenty of variety in scoring and some jazzier harmonic twists make this piece perfect as a lovely change of pace for your next concert!Duration: 3:15
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£38.50Nearer, My God, to Thee (Concert Band - Score and Parts) - Mason, Lowell - Brown, Michael
100 years after the sinking of the Titanic, we are still drawn in and touched by this tragic story. Reported as one of the last songs played by the music ensemble aboard the ship, this tender hymn capsulises the emotions of the event. Beautifully scored by Michael Brown for young bands
Estimated dispatch 7-14 working days
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£54.99Silver Bells (Flexible Ensemble - Score and Parts) - Evans & Livingston - Vinson, Johnnie
First recorded in 1950, Silver Bells has remained one of the true classics of the holiday season. Johnnie's arrangement is scored for reduced instrumentation, but still sounds great
Estimated dispatch 7-14 working days
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