Results
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£49.99Where Mountains Touch the Sky (Concert Band - Score and Parts) - Buckley, Robert
With sensitive scoring and use of colours and textures, this descriptive piece sounds more advanced and sophisticated than its grade level would suggest. Where Mountains Touch the Sky is a tone poem inspired by springtime in the alpine meadows of British Columbia. While the lofty peaks are still covered with snow, the rivers are flowing and the meadows are coming alive with wildflowers. This lyrical work begins quietly and peacefully, building steadily to a soaring climax before returning to a soft and reverent conclusion.Duration: 3:00
Estimated dispatch 7-14 working days
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£60.99Alpine Adventure (Concert Band - Score and Parts) - Oare, Michael
Portraying the thrill and speed of alpine skiers navigating the demanding Super-G (super giant slalom) downhill course, Alpine Adventure is composed using a single fast tempo and takes the listener through a variety of stylistic moods. The opening and closing segments feature a driving, syncopated style while the middle section features a more lyric melody in 3/4, but still at the energetic, fast pace. An exciting ride for players and listeners alike.Duration: 2:40
Estimated dispatch 7-14 working days
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£39.99Do You Want to Build a Snowman? (from Frozen) (Concert Band - Score and Parts) - Anderson-Lopez & Lopez - Vinson, Johnnie
One of the most popular songs from the hit movie Frozen, here is a skilfully arranged version for young players that's easy to learn and still maintains all the flavour and charm of the original.
Estimated dispatch 7-14 working days
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£69.95Triumphant! (Concert Band - Score and Parts) - Wiffin, Rob
This vivacious and tuneful overture was written for Rob Wiffin's friends in the Chiltern Concert Band. One of the tunes is actually based on the rhythm of the names of some of the stalwart members who were in the band when Rob Wiffin conducted it in the early 1990s and are still there now.In compositional terms this piece is in the light vein of Chase the Sun and High Spirits, featuring a fanfare opening that reappears towards the end, a slow middle section and a number of bright melodies, mostly built around the interval of a third.Duration: 7.20
Estimated dispatch 7-14 working days
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£51.95My Generation (Concert Band - Score and Parts) - Townshend, Peter - Wagner, Douglas E.
Written by Peter Townshend, guitarist and back-up vocalist for The Who, who are still performing this classic driving rock tune on every concert! From the 1965 album of the same name, this song has been recognized by Rolling Stone Magazine in eleventh place on their list of the "500 Greatest Songs of All Time." Good for many more generations, be sure to program this solidly scored classic tune on your next concert. Duration: 2.30
Estimated dispatch 7-14 working days
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£60.50Academic Festival Overture Op.80 (Concert Band - Score and Parts) - Brahms, Johannes - Story, Michael
Although conceived as a comical academic musical representation by its renowned composer, this overture is lyrical and exciting. There are opportunities for your students to present sudden stylistic changes and tempo shifts which permit for both performance and teaching. It is still used in a variety of settings (even in its comedic intent) in films and on the more serious concert stage. This arrangement includes generous cuing to accommodate incomplete instrumentations. Classic, familiar and even humorous, it is a sure winner for your developing band.Duration: 3:45
Estimated dispatch 7-14 working days
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£84.99Kein Schoner Land (Concert Band - Score and Parts) - Oswald, Gerald
Kein schner Land is surely one of the best-known of all German folk songs. The song recounts the story of a group of friends who spend a happy evening singing.The arrangement by Gerald Oswald begins with an evening mood, followed then by the theme in various instruments and in different forms. After a grandioso, the composition returns to the evening mood. Kein schoner Land is a timeless folk song that we still take to our hearts even today.Duration: 6:00
Estimated dispatch 7-14 working days
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£52.95With Thine Eyes (Concert Band - Score and Parts) - McWilliams, Rob
This delightful arrangement of the popular old English song Drink to Me Only with Thine Eyes provides younger symphonic bands with an opportunity to play lyrically while still sounding rich and mature. Plenty of variety in scoring and some jazzier harmonic twists make this piece perfect as a lovely change of pace for your next concert!Duration: 3:15
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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