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  • £84.99

    Kein Schoner Land (Concert Band - Score and Parts) - Oswald, Gerald

    Kein schner Land is surely one of the best-known of all German folk songs. The song recounts the story of a group of friends who spend a happy evening singing.The arrangement by Gerald Oswald begins with an evening mood, followed then by the theme in various instruments and in different forms. After a grandioso, the composition returns to the evening mood. Kein schoner Land is a timeless folk song that we still take to our hearts even today.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £52.95

    With Thine Eyes (Concert Band - Score and Parts) - McWilliams, Rob

    This delightful arrangement of the popular old English song Drink to Me Only with Thine Eyes provides younger symphonic bands with an opportunity to play lyrically while still sounding rich and mature. Plenty of variety in scoring and some jazzier harmonic twists make this piece perfect as a lovely change of pace for your next concert!Duration: 3:15

    Estimated dispatch 7-14 working days

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  • £225.00

    Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

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  • £85.00

    Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £85.00

    Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £85.00

    Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul

    The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.

    Estimated dispatch 7-14 working days

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  • £38.50

    Nearer, My God, to Thee (Concert Band - Score and Parts) - Mason, Lowell - Brown, Michael

    100 years after the sinking of the Titanic, we are still drawn in and touched by this tragic story. Reported as one of the last songs played by the music ensemble aboard the ship, this tender hymn capsulises the emotions of the event. Beautifully scored by Michael Brown for young bands

    Estimated dispatch 7-14 working days
  • £54.99

    Silver Bells (Flexible Ensemble - Score and Parts) - Evans & Livingston - Vinson, Johnnie

    First recorded in 1950, Silver Bells has remained one of the true classics of the holiday season. Johnnie's arrangement is scored for reduced instrumentation, but still sounds great

    Estimated dispatch 7-14 working days
  • £102.99

    I Just Can't Stop Loving You (Concert Band - Score and Parts) - Jackson, Michael - Hazama, Miho

    This number topped the U.S. chart as the lead release single from Bad. Siedah Garrett, who sang the duet, was a protg of Quincy Jones with whom Michael tag-teamed for three solos on Off the Wall. (Garrett is also renowned as one of the writers of the song Man in the Mirror," the fourth single which carries a strong message.) Japanese fans still remember this song being performed as an encore during the Bad World Tour in 1987. The straightforward, sweet love song starts out quietly and gradually takes on heat, unfolding a wonderful musical sentiment. The performance of the arranged version also strikes the audience with an imposing world of sound comparable to that of a full orchestra.Duration: 5:00

    Estimated dispatch 7-14 working days

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  • £84.99

    Laguna di Grado (Concert Band - Score and Parts) - De Haan, Jacob

    Picture yourself in the marvellous paradise of Italy's Grado Lagoon. The magnificent display of colour and the salty scent of sea air combine with the fragrant tamarisk to create a unique atmosphere. In this glorious haven time stands still - except for the flight of the seagulls and the slow flood tide. From a distance you hear an adagio coming through the air from a procession of boats. Its solemn tones dissipate into the landscape of the lagoon.Duration: 5:00

    Estimated dispatch 7-14 working days

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