Results
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£104.99Orbis (Concert Band - Score and Parts) - Houben, Kevin
The word orbis means an orbit or a path, and in this case represents the direction of three wind ensembles as they join together. A triumphant opening to Orbis alludes to the history of these three ensembles, before a heroic theme is played that symbolises their strong future. The middle section is based on a charming melody that represents the three individual ensembles growing together. Orbis is a piece that musicians, as individuals and as a group, can identify with!Duration: 5:15
Estimated dispatch 7-14 working days
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£41.50Two Modal Episodes (Concert Band - Score and Parts) - O'Reilly, John
The first modal episode begins with a chant-like melody in G Aeolian mode (natural minor) that is reminiscent of early medieval music. The full brass section answers with simple block chords that accentuate the modal tonality. The Allegro that follows is set in B-flat Mixolydian mode (major scale with a flatted seventh). A dance-like melody dominates this episode and the percussion section is featured in a simple question-and-answer exchange.Duration: 2.30
Estimated dispatch 7-14 working days
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£44.50Night (Concert Band - Score and Parts) - Fitzpatrick, Craig
Night is the result of a collaborative project between the composer and the 6th grade beginning band directed by his wife in Morton, Illinois. The students in her band class each write an eight-measure melody as a composition project which is part of the beginning band curriculum. These melodies each start and end on concert B-flat and use only the notes the students have learned on their instruments. The class voted on the best melody, and the winner was "Majestic Night, Oh Winter Night" by Sarah Gunter. The students then observed how this melody was developed by the composer into a concert band piece that they would perform later that year. Compositional terms such as repetition, fragmentation, and augmentation could then be taught to the 6th graders in a piece for young band that was written just for them. Duration: 2.30
Estimated dispatch 7-14 working days
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£56.50Metrix (Concert Band - Score and Parts) - Sheldon, Robert
Metrix is a multi-meter, jazz inspired composition. The infectious rhythms and tuneful melodies are highlighted by the driving percussion riffs that propel the music through a variety of styles, moods, and textures. The title is a play on words combining the word "matrix" that refers to a mathematical array of numbers, and "metric" that relates to the variety of meters used in the piece.Duration: 3.15
Estimated dispatch 7-14 working days
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£41.50Fantastic Foster (Concert Band - Score and Parts) - Foster, Stephen C. - Harnsberger, L. C.
During his short life (1826-1864), Stephen C. Foster wrote over 200 songs, including some that are still extremely popular today. A few of his songs are so well known that many believe they are American folk songs. In this arrangement, three of his most popular songs are arranged for young band. The entire band shares the melody of "Camptown Races," which is followed by a tender setting of "My Old Kentucky Home" featuring the woodwinds and bells. Everything comes to a rousing conclusion with Foster's first big hit, "Oh! Susanna," that lets the entire band shine.Duration: 2.10
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£77.50One Thousand Cranes (Concert Band - Score and Parts) - Sheldon, Robert
An ancient Japanese legend promises that folding 1,000 origami cranes will make your wish come true. If those cranes are folded in honour of someone, it shows that person is held in high esteem.The composition is an elegy that begins with a four-note theme. This motive is used in various ways throughout the piece as a unifying factor. Although its initial appearance is somewhat haunting, the motive becomes quite comforting by the end of the piece. References to cranes in flight are frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan.Duration: 6.45
Estimated dispatch 7-14 working days
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£56.50Triumphs! (Concert Band - Score and Parts) - Hinkel, Joshua
Everyone has experienced defining moments where they have been faced with what seemed to be insurmountable challenges. We are often defined by how we succumbed to the challenge or rose to meet it. Inner strength and spirit powers us to triumph over all who might seek to test us or divert us from our desired path. Teachers know that many of these triumphs go unrecognised, but can have a significant and resounding impact on our students, community, and ourselves. Triumphs! is a symbolic work that serves to celebrate these successes that occur every day in every walk of life.Duration: 3.00
Estimated dispatch 7-14 working days
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£98.00Brazil: Ceremony, Song and Samba (Concert Band - Score and Parts) - Smith, Robert W.
At long last, Robert W. Smith continues his musical journey that began in western Africa years ago and now takes us to Brazil. Based upon authentic Afro-Brazilian percussion grooves, "Brazil: Ceremony, Song and Samba" is comprised of three musical sections illustrating the impact of the African experience on music of this part of the world. Beginning in northern Brazil with the Ceremony, the piece transitions to Rio di Janiero and the smooth sounds of the bossa nova that has become so popular throughout the world. The piece concludes with the exciting sounds of Carnaval and the Samba Schools that fill the streets during the annual celebration. Exciting, musically rewarding and extremely effective in any concert setting!Duration: 6.30
Estimated dispatch 7-14 working days
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