Results
-
£72.99
Wild Rose Jamboree (Concert Band - Score and Parts) - Buckley, Robert
Wild Rose Jamboree conjures up the pioneer spirit and the big-sky panorama of Alberta, Canada's heartland. The cinematic approach to the music captures the essence of life in wild rose country - famous for its rodeos, warm-hearted people, majestic mountains and wide-open spaces. With a high-spirited hoedown and a rich, reverent theme that features a trumpet solo and a flute/clarinet duet, this composition could be a dynamic show opener or festival piece. Wild Rose Jamboree can be effectively performed by a mixed group (junior band and senior band, for example), the upper parts being at a medium level and the lower parts (flute 2, clarinet 3, alto saxophone 2, trumpet 3, horn 2 and trombone 2) at an easier level.Duration: 5:00
Estimated dispatch 7-14 working days
-
£52.95
Holiday Celebrations (Concert Band - Score and Parts) - Bernotas, Chris M.
Holiday Celebrations will put your students and audience right in the holiday spirit. It features three well known songs of the seasons: the joyous Jingle Bells, the hauntingly beautiful Coventry Carol, and the driving Oh Chanukah. Paying homage to both Christmas and Chanukah, your students can celebrate the holidays of the season with this exciting arrangement that will surely be a favourite on your next holiday concert.Duration: 3:15
Estimated dispatch 7-14 working days
-
£139.99
Incendium (Concert Band - Score and Parts) - Schwarz, Otto M.
On 11 March 1879 in the Austrian town of Neumarkt am Wallersee a huge fire broke out in a brewery, setting fire to at least 60 other houses within one hour. Due to poor equipment and a lack of water, nearly the entire city was burned to the ground. Only the church was spared. This epic piece musically depicts the events in a programmatic way starting from the inauspicious moments shortly before the disaster, throughout the fire, and the final reconstruction of the town with the help of the strong spirit and unity of the Salzburg community. An impressive work suitable for contests and promises to have a great impact on your audience.Duration: 7:45
Estimated dispatch 7-14 working days
-
£32.95
Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
-
£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
-
£72.99
Forever Free (Fanfare-Overture for Band) (Concert Band - Score and Parts) - Fuchs, Kenneth
Commissioned to celebrate the sesquicentennial of the state of West Virginia, Forever Free incorporates indigenous elements of the state's musical heritage, capturing a robust and celebratory spirit. Cast in a single movement in three sections, the title is inspired by the state motto, "Montani semper liberi" ("Mountaineeers forever free"). The work is unified at the outset and closing by a ceremonial fanfare that is based on thematic figures from the state song West Virginia Hills. A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence, before all thematic elements are combined for the buoyant and festive conclusion.Duration: 4:30
Estimated dispatch 7-14 working days
-
£72.99
Arctic Fire (Concert Band - Score and Parts) - Buckley, Robert
1st Movement of Portraits of the NorthThe cinematic approach to the music of Arctic Fire portrays many different images of the north - the crimson sunlight glinting off the icebergs, the radiance of the Northern Lights, the blaze of the red twig dogwood, the scarlet red sunsets, and the fiery spirit of the people who live there. The piece opens and closes with a series of dramatic musical snapshots. In between, the music evolves and transforms through a wide range of stylistic textures and moods. A brilliantly scored and effective setting for winds.Duration: 5:15
Estimated dispatch 7-14 working days
-
£79.50
Runway Five (Concert Band - Score and Parts) - Karrick, Brant
This piece pays homage to the tenacity of the human spirit and mankind's achievements of flight and space exploration. With main themes presented in minor keys, the asymmetric and odd meters, especially the 5/4, intend to give thrust and momentum to the music. The many changing meters of the piece are intended to give the listener a similar feeling that a pilot has while attempting to control an aircraft during a turbulent and bumpy flight.Duration: 6:00
Estimated dispatch 7-14 working days
-
£39.95
Over All Bridges (Concert Band - Score and Parts) - Lundkvist, Krister
Over all Bridges is an attractive composition in four distinct sections. The melodies in all sections should be prevalent at all times and presented with spirit. The first theme should be played with clarity and the woodwind triplets could be slurred if preferred by the conductor. The tempo must remain constant despite differing time signatures and the final tune should have breadth and line.
Estimated dispatch 7-14 working days
-
£7.95
Over All Bridges (Concert Band - Score Only) - Lundkvist, Krister
Over all Bridges is an attractive composition in four distinct sections. The melodies in all sections should be prevalent at all times and presented with spirit. The first theme should be played with clarity and the woodwind triplets could be slurred if preferred by the conductor. The tempo must remain constant despite differing time signatures and the final tune should have breadth and line.
Estimated dispatch 7-14 working days