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  • £211.80

    Karneval i Paris - Johan S. Svendsen

    Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -

    Estimated dispatch 7-14 working days

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  • £159.99

    Resurrection - Kevin Houben

    "Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."

    Estimated dispatch 7-14 working days
  • £59.95

    Where Eagles Sing - Paul Lovatt-Cooper

    The inspiration for this piece came when the composer visited Florida and the Bird Sanctuary in Walt Disney World's Animal Kingdom. He was in the audience to see the rare bird show where he witnessed some fabulous looking and endangered...

    Estimated dispatch 5-7 days
  • £129.99

    Star Wars Saga (Concert Band - Score and Parts) - Williams, John - De Meij, Johan

    John Williams (February 8, 1932) has composed some of the most popular, recognisable and critically acclaimed film scores in cinema history. Williams has won 25 Grammy Awards, five Academy Awards, seven British Academy Film Awards, and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema. His work has influenced many other composers of film, popular, and contemporary classical music. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest film score of all time. In this newly revised arrangement from 1986, arranger Johan de Meij has used themes from Star Wars: A New Hope and The Empire Strikes Back.

    Estimated dispatch 7-14 working days

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  • £119.99

    Hermitage (Concert Band - Score and Parts) - De Haan, Jan

    Concertante Variations on an original theme after Pyotr Ilyich TchaikovskyJan de Haan drew inspiration for this work from five paintings exhibited in The Hermitage in Saint Petersburg, one of the largest and most versatile museums in the world. He used the melodious Andante cantabile from the String Quartet Op. 11 by the Russian composer Pyotr Ilyich Tchaikovsky as its starting point. Thus, he created his own musical painting, which is just as varied as the underlying canvases, from Cheerful Company by Dirck Hals to Dance II by Henri Matisse. A true work of art!Duration: 13.30

    Estimated dispatch 7-14 working days

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  • £91.00

    The End of a Love Affair (Flexible Instrument Solo with Concert Band - Score and Parts) - Grottum, Kare - Kjaernes, Bjorn Morten

    Kare Grottum is known to most as a pianist and producer by NRK. He was involved in numerous TV productions, both as producer, musician, composer, and arranger. This tune is taken from a CD released in 1992, Fra en musikers dagbok where he brings with him several Norwegian soloists of international class. It is Erling Wicklund who does a brilliant solo on Flugabone which has also used as a starting point for the written improvisation. The arrangement should be played in a slightly swinging way, but not as much as a jazz waltz. Play with the straight eighths and then let it flow, with a faint two against three feeling, which clearly shows up in some places. If you do not have bassoon and oboe, let alto sax and tenor sax make up the duet from 9. Enjoy! Solo Options: C BC Instruments; Bb TC Instruments; Eb TC Instruments. Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £77.00

    Adagio (from Clarinet Concerto No.1) (Clarinet Solo with Flexible Ensemble - Score and Parts) - Crusell, Bernhard - Esplo, Haakon

    The Finnish-Swedish clarinetist and composer Bernhard Crusell (1775-1838) was born in Nystad in a poor family of bookbinders. He started studying clarinet in Stockholm at a young age and established himself as a clarinet soloist and was appointed director of the regimental band as a 16-year-old. The following year he became a solo clarinetist in the Royal Court Orchestra, which was conducted by his composition teacher Abb? Vogler. Crusell was offered positions as a musician in other orchestras in Europe, but King Gustav IV Adolf wanted to keep him in the Royal Orchestra and gave the job as chief conductor of the bodyguard regiment's band. Bernhard Crusell composed a lot of music for both orchestra, ensembles and singers. This beautiful adagio is from his first of a total of three clarinet concerts. Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £104.99

    Latin Pop Special (Concert Band - Score and Parts) - Myokoin, Masato

    At the end of the nineties Porto Rican born singer Ricky Martin started a new trend in the world of pop music - Latino-pop. In 1996 he conquered the world with his catchy single Livin la vida loca, which went to number one in many countries, including five weeks at the top spot in the USA. Today he has sold more than 48 million albums making him one of the most successful pop artists of recent times. Latin Pop Special combines two of the most popular songs from this superstar of Latin music!Duration: 5:30

    Estimated dispatch 7-14 working days

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  • £111.00

    Dance of the Amazon (Concert Band - Score and Parts) - Lyadov, Anatoly - De Meij, Johan

    The Russian composer Anatoly Lyadov was one of Rimski-Korsakov's talented students and was also a respected conductor. Lyadov's compositions are relatively few, as he did not complete many of his works. One of the pieces he did complete was called Dance of the Amazon, which was written for the dancer Ida Rubinstein. Johan de Meij's arrangement makes this charming work, based on two Greek folk melodies, accessible to concert bands for the first time ever! Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £44.95

    Slaidburn (March) (Concert Band - Score and Parts) - Rimmer, William - Brand, Michael

    For many, Lancastrian William Rimmer is Britain's 'March King.' His marches are wonderful, every one with its own unique personality and form. Like Sousa, he also created and played a vast catalogue of band music ranging from waltzes and solos to great selections from the masters, but it is for his marches that he is remembered today. Slaidburn is a village in the county of Lancashire, England, but was originally part of the West Riding of Yorkshire. Rimmer composer this easy but effective and much-loved march for the village band.

    Estimated dispatch 7-14 working days