Results
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£134.99Winds on Fire - Bert Appermont
This work was commissioned by two fanfare bands from Loksbergen and Kortenaken in Belgium, that have merged to form one single ensemble. This festive work has been constructed using two contrasting elements: a rhythmic, fast theme full of character, combined with a melodic, sensitive and slow theme. The title refers to the enthusiastic, fiery character of the opening passage, the fast section, and the renewed passion and drive that has been created due to the merging of the two bands.
Estimated dispatch 7-14 working days
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£74.99Duet From The Pearl Fishers - Georges Bizet
Les pcheurs de perles (The Pearl Fishers) is an opera in three acts by French composer Georges Bizet, who particularly made his fame with his opera Carmen. The friendship duet Au fond du temple saint, generally known as ThePearl Fishers Duet, is one of the best known in the opera literature. This arrangement for two trombones was written for and dedicated to trombone legends Joseph Alessi and Jrgen van Rijen. It serves as a possible encore piece in combinationwith Two-Bone Concerto, which was also written for them. The duet can also be performed by two euphoniums, or as the original vocal duet for tenor and baritone voice.
Estimated dispatch 7-14 working days
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£77.50Duet from The Pearl Fishers (Trombone or Euphonium Duet with Concert Band - Score and Parts) - Bizet, Georges - De Meij, Johan
Les Pecheurs de Perles (The Pearl Fishers) is an opera in three acts by French composer Georges Bizet, who particularly made his fame with his opera Carmen. The friendship duet Au fond du temple saint, generally known as The Pearl Fishers Duet, is one of the best known in the opera literature. This arrangement for two trombones was written for and dedicated to trombone legends Joseph Alessi and Jorgen van Rijen. It serves as a possible encore piece in combination with Two-Bone Concerto, which was also written for them. The duet can also be performed by two euphoniums, or as the original vocal duet for tenor and baritone voice. Duration: 4.30
Estimated dispatch 7-14 working days
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£129.99Aquarium - Johan de Meij
The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.
Estimated dispatch 7-14 working days
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£128.00Aquarium (Concert Band - Score and Parts) - De Meij, Johan
The Suite Aquarium is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and describes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements. The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.Duration: 9.00
Estimated dispatch 7-14 working days
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£106.95
The Masks - Ronald Lo Presti
The Masks was composed in 1955 as a two movement orchestral suite that was part of the American Composers' Edition series produced by Eastman in conjunction with Carl Fischer music publishers. Lo Presti, a student of Howard Hanson is perhaps best known for his Elegy for a Young American written for concert band. Indeed, The Masks is reminiscent of the Elegy in its romantic style with rich contemporary harmonies. There is no programmatic significance to the title, according to Lo Presti, other than the fact that the two movements are in contrasting moods, much like the Greek masks of comedy and drama. Gregory Rudgers transcription is authentic to the orginal piece and gives bandseverywhere a new LoPresti piece of significance.
Estimated dispatch 7-14 working days
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£110.99Second to None - Philip Sparke
Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!
Estimated dispatch 7-14 working days
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£110.99Second to None (Concert Band - Score and Parts) - Sparke, Philip
Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!Duration: 6:45
Estimated dispatch 7-14 working days
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£89.00Symphony No. 3
The largest of David Maslanka's wind symphonies in scale and duration, Symphony No. 3 was commissioned by the University of Connecticut Symphonic Wind Ensemble, Gary Green, conductor, and premiered by them in 1991. It is in five movements and lasts nearly 50 minutes. The moderate tempo and forceful character of the first movement contrast with the serene "nature" music of the second movement. The third movement, a fast and bristling scherzo largely in A Minor, is followed by two slower movements, both labeled "lament." The composer characterizes the music of these movements as both sorrowful and joyful. The fifth movement, in particular, has the lamenting character overcome by an ecstatic vision of natural beauty and the life force. Symphony No. 3 is arguably Maslanka's most profound and satisfying large-scale work, and it ends in an unequivocal A Major that has the feeling of a benediction. Large score and parts are available on rental.
Estimated dispatch 12-14 working days
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£244.00Anemoia - Gauthier Dupertuis
Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.
Estimated dispatch 7-14 working days
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