Results
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£45.00Steps to Success (Concert Band - Score and Parts) - Benson & Swearingen
Are you searching for a quick, yet highly efficient warm-up routine for your younger players? Then search no more. In less than five minutes, lip slurs, mini-scales, intervals, rhythm patterns and chorales can all be addressed. Using these exercises will instill a lifelong understanding of why warming up is important. In addition, students will instantly become more focused as you transition into your valuable rehearsal/teaching time. Kim Benson and James Swearingen, two well-respected music educators, have teamed up to make your instruction more effective, your musicians stronger and your program highly successful. A must-have for today's approach to teaching instrumental music! Duration: 2.15
Estimated dispatch 7-14 working days
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£84.99Star Trek, Theme from (Concert Band - Score and Parts) - Courage, Alexander - Doss, Thomas
Who doesn't know the famous introduction "To boldly go where no man has gone before" at the beginning of each Star Trek sequel? Many generations grew up with Star Trek - one of the most iconic Sci-Fi series ever written. The original theme is as iconic as the opening line. A great warm up for the next Star Trek series in 2017, arranged by Thomas Doss. Duration: 3.45
Estimated dispatch 7-14 working days
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£82.95Volatus (Concert Band - Score and Parts) - Beck, Brian
From the Latin word for flight, Volatus captures the art of soaring above the clouds. The higher one climbs, the more there is to see. Lift-off begins with stately brass motives and sparkling percussion, then it is up, up, and away with woodwind flourishes. With angular harmonies, driving rhythms in mixed meters, and static percussive effects, this piece has something for everyone to enjoy.Duration: 2:40
Estimated dispatch 7-14 working days
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£119.99Right Here Right Now (Concert Band - Score and Parts) - Oswald, Gerald
This energetic and rhythmical piece from Gerald Oswald depicts the frivolous spirit of young people. The middle section contains a short contemplative section symbolising the youngsters' search for balance and inner peace. After this section the beginning section returns in an even more energetic way, summarising the essence of life: live up to every moment, live 'here and now'! This energetic and rhythmical piece from Gerald Oswald depicts the frivolous spirit of young people. The middle section contains a short contemplative section symbolising the youngsters' search for balance and inner peace. After this section the beginning section returns in an even more energetic way, summarising the essence of life: live up to every moment, live 'here and now'!Duration: 7:45
Estimated dispatch 7-14 working days
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£122.50Golden Winds (Concert Band - Score and Parts) - Sparke, Philip
This contrasting work builds up twice from quiet relaxation or meditative calm to a climax for the entire ensemble, before the main section, a rhythmic vivo, begins. Golden Winds ensures truly precious moments in your concert right up to the last note!Duration: 6:15
Estimated dispatch 7-14 working days
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£134.99Mountain Lake (Concert Band - Score and Parts) - Pallhuber, Hermann
Fantasy on a Wild and Romantic Alpine LandscapeWho among us hasn't experienced the great power that lies in the tranquillity and beauty of the mountains: wide meadows, rugged cliffs, wild, romantic gorges, thundering waterfalls and idyllic mountain lakes? Mountain Lake emphasizes particular aspects of this landscape: the calm, the majesty and depth of the water and all the dreamlike secrets of a mountain lake. Gentle melodies and mysterious sounds lead us to a powerful, peaceful mountain lake that shimmers in splendour the morning light. Its water glitters and sparkles, and you can hear the movement of the waves on the wind. A majestic chorale rises up from the depths of the lake and brings up unexpectedly seductive secrets to bear. The solo passages in saxophone, flute and trumpet are like water creatures dancing in pulsating rhythms that transport us to an alpine dream world. As if from afar, like a hymn to the beauty of the lake the chorale melody returns again and again with driving energy before it leads us back to the endless peace of the mountains and dissipates into silence.Duration: 8:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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