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£89.99Let's Get Loud - Gloria Estefan
Jennifer Lopez caused a world-wide furore with this gigantic summer hit. What many people do not know is that this song was actually written by another pop diva, Gloria Estefan. Easy to play and masterfully arranged by our arranger, Steven Verhaert.
Estimated dispatch 7-14 working days
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£84.99The Soldier & The Princess - Bert Appermont
This work is based on the story of the soldier and the princess from the film Cinema Paradiso. The story is about a poor soldier who fell in love with a beautiful princess. He had nothing to offer her, but he managed to meet her and declared his love for her. Do you want to know what happens next...?
Estimated dispatch 7-14 working days
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£109.99La Boda De Luis Alonso - Gerónimo Giménez
The zarzuela" genre originated in Spain in the 17th century and can be described as a kind of comic opera. Unlike the similar Italian style, the opera buffa, the zarzuela developed further in a more popular direction: what you might call the Spanish operetta.Gernimo Gimnez (1854-1923) was one of the most popular composers of this genre. Jan Rypens has made a refreshingarrangement of the intermezzo from La Boda de Luis Alonso".
Estimated dispatch 7-14 working days
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£109.99
Remember The '80
This is the follow-up to Filip Sandras's top-selling hit Remember the 70s". He has arranged the following hits for this version: What's another year", popularised by the version by multiple Eurovision Song Festival winner Johnny Logan, Josephine" by Chris Rea, Alive and Kicking" by the Simple Minds and Freedom" by 80s superband Wham!
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£89.99
Toy Symphony - Leopold Mozart
Leopold Mozart (1719-1787), an Austrian composer-violinist of German extraction, was the father of the famous Wolfgang Amadeus Mozart. Leopold Mozart was a creditable composer in his own right, as the "Toy Symphony" amply demonstrates. Bo S. Aers has given the piece a more modern feel and we wonder what Leopold Mozart would make of it now...
Estimated dispatch 7-14 working days
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£106.95
Dream, Imagine, Live - Larry Clark
The inspiration for this piece comes from one of Henry David Thoreau's most famous quotes - Go confidently in the direction of your dreams! Live the life you've imagined. It was Thoreau's vision that we contemplate a simpler life and be deep thinkers about what we want our lives to be. The piece is divided into three distinct sections based on the same three-note motive. The first section is intense and bold, the second is introspective and lyrical and the third is dance-like, almost reminiscent of a Celtic folk song, in lilting in 6/8. This perfect contest or festival selection will highlight your band's strengths.
Estimated dispatch 7-14 working days
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£94.99
In Praise of Freedom - Warren Barker
Ponder for a moment the lengths to which people have gone, the trials they have endured, and the risks they have taken while fighting to gain or preserve their freedom. After all, without freedom, what do you have?The opening of IN PRAISE OF FREEDOM introduces a sense of patriotism and independence. The Brass, Woodwinds, and Percussion take turns sharing the "spotlight" throughout this uplifting piece. A final fanfare praises the progress of the relentless development of freedom for all mankind.
Estimated dispatch 7-14 working days
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£42.50
Blazon - James Curnow
Subtitled "Prelude Brillante," this forceful concert opener is just what you need to begin your next program! Full of strong marcato brass statements, accents and sforzandos, your students will be ablaze with energy and excitement when they play this superb piece!
Estimated dispatch 7-14 working days
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£67.50
Christmas Trilogy - Elliot Del Borgo
Here's a solidly sparkling medley that's just what you need for your holiday concert! Hark, The Herald Angels Sing; Away In A Manger and Deck The Halls are presented in a traditionally styled offering that captures the spirit of this joyous season.
Estimated dispatch 7-14 working days
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