Crater Lake Overture - John O'Reilly

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Crazy for Cartoons - Robert Sheldon

Not so long ago, a visit to any motion picture show always started with a classic cartoon that preceded the main event. These wonderful, wacky animated short features were accompanied by some of the most creative music of its time. "Crazy for Cartoons" reminds us of those simpler days, and the humor, drama, and action that were musically represented in those incredible soundtracks. Correlates to Book 2, Level 3 of . (2:09) This title is available in MakeMusic Cloud.

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Crazy in Love

This funky chart will add some spice to your pops concert. Once established, the driving rhythm will be a real practice incentive. Beyonc for your young band? You bet! (1:48)

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Creep It Real - Chris M. Bernotas

, by Chris M. Bernotas, is the perfect selection for your fall or Halloween concert! This creeptastic piece uses only the first few notes taught in most method books and will set a haunted mood by using minor-key modality and optional glissando effects for the trombones. (2:05) (Correlates to , Level 4).

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Creepers in the Castle - Ralph Ford

What would a creepy piece be if not in a minor key? Managed through the use of accidentals, this mysterious-sounding piece is actually in B-flat minor through a concert B-flat major key with the addition of accidentals. Great time to reinforce the concept that accidentals last a whole measure. With careful attention to dynamics and articulations, you're certain to have a spooktacular performance! (2:00)

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Creepy Crawlers - Robert E. Foster

Sinister, dark, and downright creepy... your beginners will love it! This piece uses nothing more complex than two eighth notes with no dotted notes or syncopations. The ranges are conservative so it can be ready to play on that very first fall concert.

Creepy Crawlies - Michael Story

Well, you've probably heard of tributes to almost everything, but how about a tribute to bugs? Yes, with tongue very much in cheek, Michael Story has penned this original novelty to bring more than just a snicker from your audiences. Hear the insect as it approaches (your trumpet section playing on mouthpieces) and a resounding "slap" as the culprit is sent to greener pastures. Add some visuals from the band as the insect "circles," and you have yourself a guaranteed successful concert moment. For you environmentalists: No harmful pesticides are included. (Oh my, that's "OFF"-ful!) (1:45)

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Crestar Overture - Paul Cook

This tasteful and dignified overture charms with a delightful palate of tonal colors and dynamic shadings. The introductory melodic line is punctuated with energetic rhythmic interludes, followed by a glorious conclusion. This charming variety of styles will display your ensemble's best abilities. (4:16)

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Critical Call - JaRod Hall

Opening with a musical idea derived from 9-1-1, this clever piece has a constant air of urgency, keeping the audience on the edge of their seats. Always forward moving, yet with an air of cool confidence, this piece is a fantastic change of pace for your next program.

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Critical Mass - Todd Stalter

is a scientific term that refers to the smallest amount of fissile material needed to sustain a nuclear chain reaction. This work begins with an explosion of sound, and then launches forward through small, ever-growing melodic fragments that expand outward and upward. (2:35) This title is available in MakeMusic Cloud.

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