Results
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£69.00Madonna of the Western Trail
Inspired by 12 monuments of the same name which exist along the Old Trail Road or National Road, this piece evolves as you follow the path of a traveling pioneer woman and her family. Featuring an expressive middle section inside two faster Spanish-influenced sections, this concert opener or contest and festival selection also features a short trumpet solo. Use this to teach about ABA compositional form or as an interdisciplinary lesson on the American West.
Estimated dispatch 12-14 working days
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£57.00Defenders Day
The march Defenders Day is named for the legal holiday in Maryland which commemorates the successful defense of the city of Baltimore on September 12, 1814 from an invading British force during the War of 1812. This event would lead to the writing of the United States of America's national anthem, "The Star-Spangled Banner." The form and style follow the standard American march format and is perfect for festival performance.
Estimated dispatch 12-14 working days
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£77.00Winter On Emerald Bay
Bold music in the Celtic style from composer Alan Lee Silva, Winter on Emerald Bay has a rollicking 12/8 feel with lots of shifting textures and timbres. Emotions go from aggressive fanfare-like figures to flowing woodwind lines, punctuated by unique percussion scoring. This definitely has contest/festival potential.
Estimated dispatch 12-14 working days
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£134.99Medelpadia (Concert Band - Score and Parts) - Van der Roost, Jan
In this varied suite, named after the Swedish region Medelpad, folk dances in a Swedish fashion take stage in diverse tempi, styles and atmospheres. For Medelpadia, Van der Roost used a combination of an existing theme and originally composed music with a folk-like feel. Fascinating folk music in a well-composed framework!Duration: 12.45
Estimated dispatch 7-14 working days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£70.00Music for a Darkened Theatre (Flexible Ensemble - Score and Parts) - Elfman, Danny - Brown, Michael
The Music of Danny ElfmanChilling and delightful, here is a medley of classic Danny Elfman themes in a flexible format. Includes themes from Edward Scissorhands, The Nightmare Before Christmas, Spider-Man, Beetlejuice, and Tales from the Crypt.Duration: 5.12
Estimated dispatch 7-14 working days
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£156.00Songs from the Lowlands (Recorder Quartet and Optional Choir with Concert Band - Score and Parts) - De Meij, Johan
Songs from the Lowlands is a collection of songs from the 16th and 17th centuries from my native country The Netherlands, formerly known as The Low Countries. They are, by turns, patriotic songs by Adriaen Valerius from the time when our country was occupied by Spain, naughty love songs and a drinking song, Peeckel-Haringh. Songs from the Lowlands was written for the farewell concert of my dear friend Jim Yarnell, who has been the director of bands at The American School of The Hague for four decades. Jim conducted the premire at his final concert, April 8, 2022, and now enjoys a well-deserved retirement.Duration: 12.00Songs from the Lowlands can be performed instrumental or with SATB choir (choral parts available separately).
Estimated dispatch 7-14 working days
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£28.99Songs from the Lowlands (SATB Choir - 25 Pack) - De Meij, Johan
Songs from the Lowlands is a collection of songs from the 16th and 17th centuries from my native country The Netherlands, formerly known as The Low Countries. They are, by turns, patriotic songs by Adriaen Valerius from the time when our country was occupied by Spain, naughty love songs and a drinking song, Peeckel-Haringh. Songs from the Lowlands was written for the farewell concert of my dear friend Jim Yarnell, who has been the director of bands at The American School of The Hague for four decades. Jim conducted the premiere at his final concert, April 8, 2022, and now enjoys a well-deserved retirement.Duration: 12.00
Estimated dispatch 7-14 working days
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£68.00Good 4 U (Concert Band - Score and Parts) - Bernotas, Chris M.
Good 4 U, the popular and upbeat song by superstar songwriter and performer Olivia Rodrigo, has topped the Billboard charts and appears on the artist's debut album Sour. She has been active as a professional singer and songwriter since she was 12 years old and can serve as an inspiration to young musicians. Like many pop songs, the care in performing syncopation and various articulations will provide a more authentic sound. Arranged by Chris M. Bernotas, the energetic music, powerful infectious chorus, and pure emotion will permeate the concert hall. Duration: 3.15
Estimated dispatch 7-14 working days
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£167.00Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45
Estimated dispatch 7-14 working days
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