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£104.99Ballabili (Concert Band - Score and Parts) - Verdi, Giuseppe - Van der Beek, Wil
Giuseppe Verdi's opera Macbeth was written in 1846/47 and premiered in Florence. It is based on Shakespeare's Macbeth and, unlike Verdi's other operas, had relatively little broad impact. This may be due to the difficulty of the singing voices, the lack of a love story or the dark mood, without humorous scenes.Musically, however, this opera is not uninteresting. Among other things, all the dramatic highlights culminate in artistically built ensembles. It also contains interesting instrumental effects, such as a wind orchestra under the stage in the witch scenes. This makes the witches and air spirits seem like from another world. In the 19th century opera, such a wind band, a so-called "banda" was not uncommon but an integral part of the scene.The Ballabili comes from Act III of Verdi's opera MacBeth. Ballabili is the plural of the Italian ballabile, meaning "danceable." It can also mean a dance performed by the corps de ballet, or by the chorus in an opera; or the music to accompany this dance.Duration: 2:15
Estimated dispatch 7-14 working days
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£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
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£105.00Danceries (Set I) (Concert Band - Score and Parts) - Hesketh, Kenneth
The term 'Danceries' can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping! The melodies themselves are a mixture of new and old--well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.Movement 1: Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay (first performed in 1728) under the title 'Would you have a young lady' (Air 21).Movement 2: Catching of Quails. A colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise!Movement 3: My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords.Movement 4: Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.Duration: 12.00
Estimated dispatch 7-14 working days
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£109.99Metalla Wind Band Set (Score & Parts)
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures in the brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. 0:05:15
Estimated dispatch 7-14 working days
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£113.80Ballade fra Fantasistykker for Piano op. 36 - Agathe Backer-Grøndahl
Agathe Backer Grndahl's 'Ballade' can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grndahl's production, several of these are grouped under the term 'fantasy pieces'. There are six collections with a total of 48 fantasy pieces on her opus list and 'Ballade' is from the first of these (Op. 36), published in 1895. 'Ballade' is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material.The arrangement is close to Backer Grndahl's original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands.
Estimated dispatch 7-14 working days
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£132.50Tenn Lys - Eyvind Skeie
"Candles in Advent" is a beautiful melody with great lyrics. It was originally written for an Norwegian Advent TV-series in 1985.In this arrangement, the oboe has some solo passages (cue notes in flute). I Have tried to vary the instrumentation without going beyond the beautiful Christmas mood.The harmonization is simple and functional. Let the soloists "speak" with good phrasing and focus also on harmony in the unison melody lines. Good balance and intonation in the accompaniment can make the performance a little gem on the Christmas concert.- Reid Gilje -
Estimated dispatch 7-14 working days
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£168.50Psalm for Band - Vincent Persichetti
Psalm for Band is a piece constructed from a single germinating harmonic idea. There are three distinct sections - a sustained chordal mood, a forward moving chorale, followed by a Paean culmination of the materials. Extensive use is made of separate choirs of instruments supported by thematic rhythms in the tenor and bass drums. Psalm was selected for performance at the CBDNA Convention in December 1952 as one of the eight most outstanding compositions for band written in the previous several years. Theodore Presser Company editor Daniel Dorff, on the new Centennial Edition, explains, "The 1954 Elkan-Vogel publication had a full score in a calligrapher's hand that was quiteaccurate, and a set of parts that was problematic in readability and accuracy. The present 2015 edition is faithful to and compatible with the original published score, with carefully and cleanly prepared parts bearing cues, easy page turns, and individual parts for each player."
Estimated dispatch 7-14 working days
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£84.99Hungarian Rondo - Árpád Balázs
The Hungarian Rondo by rpd Balzs is cheerful, good-humoured music, a finely formed work crafted withgreat professional skill. Its structure is clear: the double recurrence of the rondo theme results in a five-part form. The two episodes differ in character. The first consists of increasingly densely woven imitations that chase eachother playfully, the second evokes the mood of bagpipe tunes. In the latter, above the melody moving evenly in crotchets in the middle parts a pastel-tinted cloud of woodwind notes floats upwards, while the sound is extended downwards by the deep-toned brass stepping lower by semitones. A brilliant device by the composer! In thecourse of its repeats the rondo theme appears more and more richly garbed, particularly the sparkling semiquavers of the woodwind make it ever more decorative. The Hungarian Rondo is the kind of music that drives your cares away.
Estimated dispatch 7-14 working days
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£176.50Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
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£149.99A Nottingham Festival (Concert Band - Score and Parts) - Sparke, Philip
This celebratory work, which Philip Sparke wrote for the 20th anniversary of the Nottingham Concert Band, starts with a hymn-like theme played as a fanfare in the brass. With a change of mood from 'solemn' to 'merry' and back to 'majestic', together with an unusual orchestration, in which may different instruments feature and in which at points the entire wind orchestra shimmers in tutti passages, A Nottingham Festival is a real pleasure for musicians and public alike.Duration: 6:00
Estimated dispatch 7-14 working days
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