Results
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£209.99Diamond Concerto (Euphonium Concerto No.3) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein. The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.Ocean Dream uses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.Blue Heart was written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Duration: 15:45
Estimated dispatch 7-14 working days
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£74.99
Heb je even voor mij Wind Band Set (Score & Parts)
Since his first successes in the 1990s the amiable popular singer Frans Bauer has grown into a megastar in the Netherlands. In Germany, too, he has a great number of fans. Although he is derided by many because of his schmalzy style, Frans Bauer sells CDs galore, attracts full houses everywhere and can be viewed in his own reality soap on television. In 2004 he was even awarded a Gouden Harp (Gold Harp), which is the most important prize within Dutch music. It is presented to artists and composers who have promoted Dutch light music in their own unique way during their career. The cheery singalong Heb je even voor mij (Got a Minute for Me) is a great top hit: a winner in every pub and at parties. This arrangement by Klaas van der Woude willput the musicians as well as the audience in a happy mood. 0:02:30
Estimated dispatch 7-14 working days
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£85.00
MOCKBEGGAR VARIATIONS (Concert Band) - Woolfenden, Guy
Includes: Prelude, Theme and Five VariationsUnlike my other pieces for concert band, Mockbeggar Variations has no roots in any of my work for the Royal Shakespeare Company, but resulted from a commission by Robert Roscoe for the Berkshire Youth Wind Orchestra, with funds provided by the Berkshire Young Musicians Trust. Robert, on learning that I was stuck for a suitable title, and noting my penchant for the unusual, suggested the address of the Trust - Mockbeggar House - might take my fancy.The Prelude hints at the melodic and harmonic material of the Theme, which appears in the thirty-first bar, distributed between various solo instruments and small groups of players. The five succeeding variations are contrasted in mood, tempo, style and instrumentation.A large part of the score was written in a chalet high in the Swiss Alps with a continual clangour of sixteen different pitches of cow bell constantly ringing in my ears. There is no Mahlerian hint of this in the music, nor was my wife, Jane, successful in shooing the cows away or muffling their bells.....! - GW
Estimated dispatch 7-14 working days
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£164.95Roman Trilogy (Prestige Concert Band - Score and Parts) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra).
Estimated dispatch 7-14 working days
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£37.95
Roman Trilogy (Prestige Concert Band - Score only) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£49.00Winter Adventure - Chris Ferguson
Winter Adventure is inspired by the many "made for TV" movies shown during the holiday season. Many of these films are enjoyed while wrapped in warm blankets with hot cocoa in hands. The light energetic motif in this piece captures this cozy winter mood, with chimes reflecting ringing church bells in the distance, sleigh bells portraying horse drawn sleighs in the snow, and even suspended cymbal rolls representing the icy winter winds.
Estimated dispatch 12-14 working days
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£148.99Joyride - Otto M. Schwarz
"Joyride" was composed on behalf of the city of Landeck in Austria to embody the spirit of adventure, flourishing development, and a promising future. It not only describes economic progress but also the cultural richness of a modern city of the future. The composition opens with a majestic fanfare seamlessly transitioning into a cheerful allegro in 7/8 time signature. Following a section steadily gaining momentum, a tranquil middle passage ensues, immersing the piece in a contemplative mood. The reprise reintegrates the opening motifs in varied forms. Joyride" provides an opportunity for all instrumental groups to showcase their abilities in the composer's characteristic musical language.
Estimated dispatch 7-14 working days
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£149.40Tenn Lys - Eyvind Skeie
"Candles in Advent" is a beautiful melody with great lyrics. It was originally written for an Norwegian Advent TV-series in 1985.In this arrangement, the oboe has some solo passages (cue notes in flute). I Have tried to vary the instrumentation without going beyond the beautiful Christmas mood.The harmonization is simple and functional. Let the soloists "speak" with good phrasing and focus also on harmony in the unison melody lines. Good balance and intonation in the accompaniment can make the performance a little gem on the Christmas concert.- Reid Gilje -
Estimated dispatch 7-14 working days
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£168.50Psalm for Band - Vincent Persichetti
Psalm for Band is a piece constructed from a single germinating harmonic idea. There are three distinct sections - a sustained chordal mood, a forward moving chorale, followed by a Paean culmination of the materials. Extensive use is made of separate choirs of instruments supported by thematic rhythms in the tenor and bass drums. Psalm was selected for performance at the CBDNA Convention in December 1952 as one of the eight most outstanding compositions for band written in the previous several years. Theodore Presser Company editor Daniel Dorff, on the new Centennial Edition, explains, "The 1954 Elkan-Vogel publication had a full score in a calligrapher's hand that was quiteaccurate, and a set of parts that was problematic in readability and accuracy. The present 2015 edition is faithful to and compatible with the original published score, with carefully and cleanly prepared parts bearing cues, easy page turns, and individual parts for each player."
Estimated dispatch 7-14 working days
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