Results
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£65.00Kehraus (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£75.00Molinasque (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£44.95Totally Tropical! (Concert Band - Score and Parts) - Barry, Darrol
Totally Tropical! is in bright Caribbean mood and will benefit from good, rhythmic playing. Flutes, oboes, clarinets and trumpets all have to play the little chromatic figure that starts the main tune and this may need slow practice to become fluent. Additional percussion instruments may be added to give a 'Calypso' sound.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£140.00GALLIMAUFRY (Concert Band) - Woolfenden, Guy
Gallimaufry (gali maw'fri): A medley; any confused jumble of things; but strictly speaking, a hotch potch made up of all the scraps of the larder. cf Shakespeare: The Winter's Tale: "a gallimaufry of gambols"I. Church and StateII. Inn and OutIII. Starts and FitsIV. Father and SonV. Advance and RetreatVI. Church and Status QuoGallimaufry was inspired by Shakespeare's Henry IV plays, and derives from music I composed for the Royal Shakespeare Company's production which opened the Barbican Theatre in 1982. The score is dedicated to Trevor Nunn, then Artistic Director of the RSC, with grateful thanks for his suggestion that I should expand and mould the music from these productions into a form suitable for concert performance.My thanks also to Timothy Reynish and the British Association of Symphonic Bands and Wind Ensembles who, with funds provided by North West Arts, commissioned the work and helped to ensure its first performance on September 24th 1983 with the Royal Northern College of Music Wind Orchestra.The work is continuous and the thematic material of each of the six sections closely related. The "establishment" - leadership, temporal and ecclesiastical power - are depicted in the stately march which opens the work. (Church and State)The second section, Inn and Out, in an energetic hemiola rhythm, is concerned with the stews and low-life revels at the Boar's Head Tavern. This is interrupted and finally integrated with the Tavern Brawl and Gadshill Ambush of Starts and Fits.The mood changes and the ambivalence of Prince Hal's relationship with his father and surrogate father, Falstaff, is portrayed in a serene cor anglais solo. (Father and Son)Advance and Retreat is a recruiting march, derived from the Tavern Tune and leads into the last movement, Church and Status Quo, which deals with the rejection of Falstaff and the crowning of Price Hal. Order is restored with a majestic affirmation of the opening material.
Estimated dispatch 7-14 working days
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£132.95MUSIC FOR AROSA (Prestige Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£37.95
MUSIC FOR AROSA (Prestige Concert Band - Score only) - Sparke, Philip
This work was commissioned in 1996 by the Arosa Cultural committee and first performed in Arosa in that year. The majestic introduction opens with trombones and euphonium, heralding a legato theme, chorale-like in character. A pair of flutes introduce a new theme. A trumpet introduces a series of highly syncopated solos, which feature many metre changes, and the tempo increases when playful motifs are exchanged between various sections of the band. A solo clarinet introduces an expressive tune. A brass chorale follows, with interruptions from the flute and bassoon, until the clarinet tune is played by the whole band. This reaches a climax and the mood subsides to reach a quiet horn chord. The broad legato tune returns and the excitement increases until the march theme triumphantly returns to full band. This leads to the coda which is based on the opening fanfare and closes the work emphatically. (Grade 5) Performance time 11'01" (Recorded on QPRM138D BREAKING THE CENTURY, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£52.95Gather Ye Rosebuds - Todd Stalter
takes its title from a line in a poem by Robert Herrick. The poem exhorts us to take advantage of the time we have been given, for all too soon it will be gone. The work opens with a bold statement in the winds, giving way to a plaintive melody in the flute. The music builds to a glorious climax using the power of the full sonority of the winds, and ends softly, in a reflective mood.
Estimated dispatch 3-5 working days
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£66.00Falling Water
This lyrical 6/8 piece, originally written for orchestra, has been thoughtfully arranged for concert band in the accessible key of B-flat Major. This energetic piece is fun to play, depicting relentless cascades of splashing water in a "risoluto" mood to begin. In the joyful middle section, lush scoring and rich harmonic textures allow players to practice various articulation and phrasing techniques. The percussion part adds a colorful energy to this sparkling concert selection.
Estimated dispatch 12-14 working days
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£64.95December Joy - Douglas E. Wagner
Arranged by Douglas E. Wagner, three well-known secular carol tunes are showcased in this big and brassy, bright and flashy seasonal extravaganza, especially suited as a concert opener. Beginning with a cascade of chimes, soaring woodwind runs, and bold brass lines, "Deck the Hall" and "Here We Come A-Caroling" are presented with dynamic flair, interspersed with brief fanfare-like episodes. The mood transitions to a jaunting sleigh ride across the winter landscape, partnering the second time through with "Jingle Bells," as the spirited celebration closes with a short coda, drawn from musical materials heard in the opening measures of the work. (2:55) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£159.99Carnival - Thomas Doss
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many 'carnivalesque' elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.
Estimated dispatch 7-14 working days
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