Results
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£99.99
March of the Robot Army (Concert Band - Score and Parts) - Sparke, Philip
March of the Robot Army was commissioned by Linda Anzolin and Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by Just Italia. Campobanda is an Italian summer music camp for 8 to 18 year olds which has a different theme every year. The theme for 2019 was science fiction, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromatic figures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change of key introduces a legato trio melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting the first two themes in new guises before finishing the march with a flourish.Duration: 5.00
Estimated dispatch 7-14 working days
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£137.99
Queen Symphonic Highlights (Concert Band - Score and Parts) - Sparke, Philip
The British rock band Queen, formed in 1970, are one of the most popular bands of all time. The music of Queen already exists in numerous instrumental arrangements at all kinds of levels. However, arranger Philip Sparke has taken a unique approach: he has created an exceptional medley in a challenging, symphonic style from four of their greatest hits: Bohemian Rhapsody; Bicycle Race; Who Wants to Live Forever; We Are the Champions.Duration: 8.15
Estimated dispatch 7-14 working days
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£99.99
Salutation (Concert Band - Score and Parts) - Sparke, Philip
Salutation was commissioned by Japanese conductor and broadcaster, Yutaka Nishida, a dear friend of the composer Philip Sparke. Salutation follows fairly conventional march form. A short fanfare introduces the main theme, played by clarinets and saxophones. A bridge passage, mainly in the brass, heralds a change of key and a legato second subject, again played initially by the clarinets, which leads to the conventional trio theme, which is then repeated by the full band. Sections of the second subject lead back to the home key and a return of the main theme, embellished with woodwinds.Duration: 4.45
Estimated dispatch 7-14 working days
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£106.99
White Light (Oboe Solo with Concert Band - Score and Parts) - Sparke, Philip
Composer Philip Sparke decided to use the idea of white to write a piece that was both bright and light in terms of harmony, colour and orchestration. He achieves this by using simple major and minor chords and emphasising the pure, transparent timbres of the upper woodwinds of the band. He was also keen to capture the essence and history of the oboe as a solo instrument. A perfect way to put your oboist in the spotlight.Duration: 5:45
Estimated dispatch 7-14 working days
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£271.99
Tuba Concerto (Tuba Solo with Concert Band - Score and Parts) - Sparke, Philip
When writing his tuba concerto, Philip Sparke wanted to create a work which explored the many aspects of the instrument's technical and vocal qualities but without resorting to caricature. The result is a concerto in two joined movements, which can both be programmed individually, that contains both many lyrical lines together with stunning virtuosic passages. An outstanding concerto that tuba players and band audiences alike will enjoy and applaud.Duration: 13:15
Estimated dispatch 7-14 working days
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£256.99
Clarinet Concerto (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Sparke, Philip
Mozart originally wrote this concerto for a clarinet with an extended lower range, compared to the conventional instrument. As early as 1802, published versions appeared with registral changes, which made the concerto playable on instruments without the extra keys. When producing an edition for the conventional clarinet there are two choices to be made about the 'extra' notes - is it better to maintain the musical line, and hence transpose whole phrases or passages up an octave, rather than single notes, or is the chalumeau tone more important, in which case it may possibly be better to alter one or two notes to keep the correct octave. In this edition Philip Sparke has usually gone for the former so the 'sequences' make musical sense, but have taken the second option in some places. This fantastic work will prove popular with soloist, band and audience alike.Duration: 28:30
Estimated dispatch 7-14 working days
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£84.95
A Tameside Overture (Concert Band - Score and Parts) - Sparke, Philip
A fanfare opening followed by the sonorous full band leads to a lively tuneful allegro. This is developed, with the occasional change of metre, before the fanfare returns, cleverly counterpointed against the music from the quicker section. This overture is yet another brilliant Philip Sparke work.
Estimated dispatch 7-14 working days
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£16.95
A Tameside Overture (Concert Band - Score Only) - Sparke, Philip
A fanfare opening followed by the sonorous full band leads to a lively tuneful allegro. This is developed, with the occasional change of metre, before the fanfare returns, cleverly counterpointed against the music from the quicker section. This overture is yet another brilliant Philip Sparke work.
Estimated dispatch 7-14 working days
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£110.99
Second to None (Concert Band - Score and Parts) - Sparke, Philip
Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!Duration: 6:45
Estimated dispatch 7-14 working days
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£76.99
A Christmas Processional (Personent Hodie) (Concert Band - Score and Parts) - Sparke, Philip
The melody of this Christmas carol comes originally from a Finnish songbook of 1582, containing a collection of 74 medieval songs together with Latin texts. The version arranged by Gustav Holst became very popular in the British Isles - with a text that links it to December 28, the Day of the Holy Innocents. Philip Sparke based his adaptation on Holsts powerful arrangement and has added various musical material himself.Duration: 2:30
Estimated dispatch 7-14 working days