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£89.99
The Meeting Place - Kristofferson
Canadian composer Kenley Kristofferson was commissioned to write "The Meeting Place," a work depicting the connection between people and the warmth and security of a shared space - in this case, the band room. The music celebrates these places which can feel like home, welcome all kinds of people, make them feel like a part of something bigger than themselves, and hold special power for us to feel safe and connected. With lush harmonies and song-like melodies, this ballad gives everyone in the band a chance to shine and contribute to a shared story about, for some of them, one of their most cherished spaces. Performers and audiences alike are sure to love this piece. Moving music!
Estimated dispatch 7-14 working days
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£52.99Tool Time Tango - Ed Huckeby
Written in a very playable and appealing "tango" style, Ed Huckeby's "Tool Time Tango" provides something uniquely special for both your audience and students. Using simple tools from the garage and the workshop to play bold but easy rhythms which add to the charm of the piece. There are even some optional spots for electric drills to add to the fun! Tool parts are easy enough to teach to teachers, janitors, principals, or "band moms or dads". Sure to be the hit of your concert!
Estimated dispatch 7-14 working days
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£49.50
March Of The Penguins - Phillips
There's no better way to start a concert than with a march, and there's no better way to get first-year band students engaged and excited about music than with something fun! "March of the Penguins" is just what you have been looking for! This fun, light-hearted march will amuse and excite your young learners and audiences of all ages. Great fun!
Estimated dispatch 7-14 working days
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£83.50
Integritas - Earl J. Fox
The big, brassy syncopated opening tells us something great is coming, and "Integritas" does not disappoint! A fast-driving "big tune" with an Adagio Cantabile section featuring beautiful solos for flute, oboe, trumpet, horn and trombone. All players are back for an "over-the-top" Finale. A noble concert opener or closer that shouts, "Integrity!"
Estimated dispatch 7-14 working days
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£49.50
Crimebusters - Jay Chattaway
Here's something totally different! It's a musical adventure into thematic contrast and development which features the musical triumph of the "good guys" over some rather unsavory characters. Cleverly conceived and skillfully written for younger bands, it's sure to be a real favorite!
Estimated dispatch 7-14 working days
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£65.99
Dance of the Inner Spirits - Steinberg
This original work will add depth to any of your concert or contest programs! Although its character is on the lighter side, the textures range from rather innocent to something just this side of sinister. High in musical appeal, this lively and interesting composition is impressive from the fanfare like introduction to its powerful conclusion.
Estimated dispatch 7-14 working days
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£134.30
Wellingtons Sieg - Ludwig van Beethoven
After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. The piece, 'Wellingtons Sieg' ('Wellington's Victory') was dedicated to the Prince Regent, later King George IV and first performed in Vienna on 8 December 1813 at a concert to benefit Austrian and Bavarian soldiers wounded at the 'Battle of Hanau', with Beethoven conducting. It was an immediate crowd-pleaser and met with much enthusiasm from early concertgoers and the piece proved to be a substantial money-maker for Beethoven. 'Wellingtons Sieg' is something of a musical novelty. Besides the orchestra, on stage there are two 'sides', British and French, both playing the same instruments: Trumpets, Snare Drums, 'Canon' and Ratchet. The work has two parts: the 'Battle' ('Schlacht') and the 'Victory Symphony' (Sieges Sinfonie). The first part is programme music describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses 'Rule Britannia' for the British side and 'Marlbrough s'en va-t-en guerre' for the French side. The 'Victory Symphony' exhibits some typical Beethoven composing techniques. It can be considered as a sonata form that, stripped of the development section, comes equipped with an extended coda. Dutch arranger Andreas van Zoelen transcribed 'Wellingtons Sieg' for Symphonic Band.
Estimated dispatch 7-14 working days
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£274.99The Big Bang - Bert Appermont
One very tiny "pop" in space resulted in one very big bang that created a vast amount of energy from which life eventually sprang. The Big Bang also starts with that, a big bang! The music then begins its journey through timbre andtone colours, starts developing melodies, complementing rhythms, and interesting chords that all represent the creation of something new. Strong dissonances hint at the turmoil that existed, while moments of beauty signify balance arriving at variousparts of the universe. These contrasting events create a very engaging and exciting musical montage of The Big Bang and what happened next.
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£89.99
Won't Be Missin' You - Hans Vansant
Hans Vansant wanted something different with this lively number. Instead of "I Will be Missin' You", he composed "I Won't be Missin' You!" After all, each end of a friendship is a new beginning.
Estimated dispatch 7-14 working days
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