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£53.95
Boss Battle - Bankston
Looking for something a little different? Here is a chart geared for younger musicians that will have them looking forward to band. This dark, ominous piece combines a driving tempo and exciting rhythmic patterns for a momentum that delivers a powerful punch. This one will stretch your students' ears and offers many teaching opportunities. Stun your crowd with this suspenseful piece at your next performance.
Estimated dispatch 7-14 working days
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£134.30
Wellingtons Sieg - Ludwig van Beethoven
After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. The piece, 'Wellingtons Sieg' ('Wellington's Victory') was dedicated to the Prince Regent, later King George IV and first performed in Vienna on 8 December 1813 at a concert to benefit Austrian and Bavarian soldiers wounded at the 'Battle of Hanau', with Beethoven conducting. It was an immediate crowd-pleaser and met with much enthusiasm from early concertgoers and the piece proved to be a substantial money-maker for Beethoven. 'Wellingtons Sieg' is something of a musical novelty. Besides the orchestra, on stage there are two 'sides', British and French, both playing the same instruments: Trumpets, Snare Drums, 'Canon' and Ratchet. The work has two parts: the 'Battle' ('Schlacht') and the 'Victory Symphony' (Sieges Sinfonie). The first part is programme music describing two approaching opposing armies and contains extended passages depicting scenes of battle. It uses 'Rule Britannia' for the British side and 'Marlbrough s'en va-t-en guerre' for the French side. The 'Victory Symphony' exhibits some typical Beethoven composing techniques. It can be considered as a sonata form that, stripped of the development section, comes equipped with an extended coda. Dutch arranger Andreas van Zoelen transcribed 'Wellingtons Sieg' for Symphonic Band.
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£89.99
Won't Be Missin' You - Hans Vansant
Hans Vansant wanted something different with this lively number. Instead of "I Will be Missin' You", he composed "I Won't be Missin' You!" After all, each end of a friendship is a new beginning.
Estimated dispatch 7-14 working days
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£76.99
Bagatelle - Ben Haemhouts
Bagatelle means something like "triviality" or "small matter". Despite the constantly varying times this composition - based on a single theme - sounds particularly light. The theme is introduced in its natural form first, followed by some variations that lead to an uncomplicated canon. This charming interlude is fitting for every concert programme.
Estimated dispatch 7-14 working days
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£95.95
Rifle Regiment - John Philip Sousa
When you hear the names John Phillip Sousa and Andrew Balent, you know they have to do with something great! Balent takes one of Sousa's most popular marches and works it down to keep some of the technical demands in check for most younger bands. Sousa wrote this march in 1886 to commemorate The Third Infantry, known as "The Old Guard."
Estimated dispatch 7-14 working days
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£95.95
It Came Upon A Coventry Carol - Bill Calhoun
Composer Bill Calhoun combines two popular Christmas carols into one sophisticated concert-style piece. It is bold and serious, containing shifting modalities and moves effortlessly from major to minor, and back again, many times throughout this effective setting. If you want to play something stunning and unexpected for your next holiday concert, then this is one that deserves serious consideration.
Estimated dispatch 7-14 working days
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£106.95
With Visions of Tomorrow - Brant Karrick
With Visions of Tomorrow is homage to the human spirit and its desire to learn, achieve more, and work towards improving our societies. It also symbolizes hope for a prosperous and peaceful future. Each day mankind realizes amazing technological breakthroughs and new wonders of science, arts and industry. With this in mind, the piece contains something for everyone, an eclectic barrage of musical ideas and style woven together with the hope for the future, and finishing, as it began, with a lively fanfare.
Estimated dispatch 7-14 working days
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£106.95
Legacy of Honor - Larry Clark
This piece drives from the start with bold trumpet flourishes and interjections from the rest of the band. After the exciting first section, a lyrical second theme departs to something beautiful and lush in harmonic structure. The development section is based on the opening theme, eventually leading the piece back, followed by a dynamic brass flourish in the coda. A solid choice by a known composer for contests and festivals.
Estimated dispatch 7-14 working days
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£140.50
The Lake in the Sky - Alan Lee Silva
Inspired by the beautiful landscape around Lake Tahoe, this epic piece has something for everyone. It is lush and flowing, bold and dynamic, and full of interesting musical twists and turns. Composer Alan Lee Silva has a true cinematic sensibility to his music, and the piece conjures images of one of the most beautiful spots in the American West. The piece is just as magnificent as the landscape that it depicts.
Estimated dispatch 7-14 working days
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