Results
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£99.99REUNION AND FINALE (Crabtree Band) - Duncan, Andrew
from 'Gettysburg'.. Duration: 5:00 American Grade 4
Estimated dispatch 7-14 working days
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£127.95SYMPHONY No. 5 - Finale (Boosey & Hawkes) - Shostakovich, Dmitri - Righter, Charles B.
A full listing of Boosey & Hawkes Wind Band Archive titles is available - click the B& H symbol on the home page.
Estimated dispatch 7-14 working days
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£118.50SYMPHONY No.3 (Organ Symphony) Finale (Concert Band) - Saint-Saens, Camille - Lorriman, Howard
Estimated dispatch 7-14 working days
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£135.00Symphony No.5, Finale from (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Chudy, Karel
Duration: 6.30
Estimated dispatch 7-14 working days
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£19.95Finale for Band (Concert Band - Score and Parts) - Smith, Peter B.
This set is March Card Sized
Estimated dispatch 7-14 working days
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£19.95The Royal Fireworks Music, Finale from (Concert Band - Score and Parts) - Handel, George Frideric
This set is March Card Sized
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£13.95
Chivalry
1Forgotten Heroes - Concert MarchNigel ClarkeRoyal Northern College of Music Wind Orchestra9.062-5In the Realm of the Sun GodKit TurnbullRoyal Northern College of Music Wind Orchestra I. At Dead of Night 1.32 II. The Ascension of the Sun God 3.06 III. Rite of Sacrifice 3.18 IV. The Rebirth of the Sun God 1.496-10Tales from AndersenMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Overture - The Steadfast Tin Soldier 1.58 II. Soliloquy - The Little Match Girl 2.08 III. Scherzo - The Emperor's New Clothes 1.16 IV. Idyll - The Snow Queen 1.42 V. Finale and Chorale - The Red Shoes 2.2211-14Partita for Concert BandDarrol BarryRoyal Northern College of Music Wind Orchestra I. Introit 4.07 II. Impromptu 2.23 III. Elegy (31/12/04) 4.53 IV. Finale 4.1415-17Three Paintings by LautrecLaurie JohnsonRoyal Northern College of Music Wind Orchestra I. At the Circus - The Equestrian 2.27 II. The Girld with Red Hair 2.46 III. Chocolat - Dancing 2.1018Chivalry - Symphonic Tone Poem for Brass, Wind and PercussionMartin EllerbyRoyal Northern College of Music Wind Orchestra14.0519Skyrider - Concert MarchPhilip SparkeRoyal Northern College of Music Wind Orchestra3.40
Estimated dispatch 7-14 working days
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£74.00Galop - Amilcare Ponchielli
La Gioconda, with a libretto by Arrigo Boito, is the most successful theatrical work by Amilcare Ponchielli (1844-1886). In this work there are two dance pieces: the Furlana at the conclusion of the 1st act and the Danza delle ore in the 3rd act. The Dance of the Hours has a precise choreographic outline: it is a masked ball which includes the "hours" of dawn, day, evening and night successively, and ends with a wild finale of galop. The latter is a sort of fast polka, in binary rhythm and unbridled pace. A French variant of it is the can-can. The finale in galop time of the Dance of the Hours recalls certain playful dances by the composer Jacques Offenbach, such as the famous Can-can that concludes the overture of the operetta Orphe au enfers.
Estimated dispatch 7-14 working days
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