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  • £99.99

    Jazz Suite No. 2 - Finale - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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  • £72.99

    Copland Finale - Aaron Copland

    The brass section announces the beginning of this production/closer with a powerful 6/8 fanfare. The pace then quickens with the energetic main theme, followed by a feature for percussion and woodwinds. The final segment that evolves provides a breathtaking and exuberant finishing statement.

    Estimated dispatch 7-14 working days
  • £162.95

    Finale from Symphony in F Minor No. 4 - Pyotr Ilyich Tchaikovsky

    Based on the Safranek transcription, this revised edition by Ragsdale of the Tchaikovsky classic is sure to be a staple on state and festival lists.

    Estimated dispatch 7-14 working days
  • £184.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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  • £44.95

    PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol

    This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35

    Estimated dispatch 7-14 working days

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  • £13.95

    Chivalry

    1Forgotten Heroes - Concert MarchNigel ClarkeRoyal Northern College of Music Wind Orchestra9.062-5In the Realm of the Sun GodKit TurnbullRoyal Northern College of Music Wind Orchestra I. At Dead of Night 1.32 II. The Ascension of the Sun God 3.06 III. Rite of Sacrifice 3.18 IV. The Rebirth of the Sun God 1.496-10Tales from AndersenMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Overture - The Steadfast Tin Soldier 1.58 II. Soliloquy - The Little Match Girl 2.08 III. Scherzo - The Emperor's New Clothes 1.16 IV. Idyll - The Snow Queen 1.42 V. Finale and Chorale - The Red Shoes 2.2211-14Partita for Concert BandDarrol BarryRoyal Northern College of Music Wind Orchestra I. Introit 4.07 II. Impromptu 2.23 III. Elegy (31/12/04) 4.53 IV. Finale 4.1415-17Three Paintings by LautrecLaurie JohnsonRoyal Northern College of Music Wind Orchestra I. At the Circus - The Equestrian 2.27 II. The Girld with Red Hair 2.46 III. Chocolat - Dancing 2.1018Chivalry - Symphonic Tone Poem for Brass, Wind and PercussionMartin EllerbyRoyal Northern College of Music Wind Orchestra14.0519Skyrider - Concert MarchPhilip SparkeRoyal Northern College of Music Wind Orchestra3.40

    Estimated dispatch 7-14 working days
  • £104.00

    Impresario (Concert Band - Score and Parts) - Schwarz, Otto M.

    Impresario is a solemn concert march by Otto M. Schwarz, equally suitable as a work to open a concert or indeed as a finale. The main theme of the first section is processed in different harmonic and rhythmic variations and finally leads to a trio with numerous technical refinements and a catchy melody. This somewhat out-of-the-ordinary concert march in Otto M. Schwarz' well-known style ends with a frenzied finale.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £100.80

    Symphonic Dimensions (Concert Band - Score and Parts) - Schwarz, Otto M.

    Symphonic Dimensions is a powerful opening piece with a continually recurring motif. Beginning with a festive fanfare in which the leitmotif is heard for the first time, it continues in a buoyant 12/8 meter. The themes alternate again and again, in various instrumentations, and end in an epic finale. Symphonic Dimensions can equally be played at the end of a concert as a rousing finale.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £224.99

    Glorioso (Concert Band - Score and Parts) - Van der Roost, Jan

    Glorioso was commissioned by, and is dedicated to, the Siena Wind Orchestra. The work opens after a short aleatoric intro, with an energetic and brassy one tone fanfare. The note F acts as an omnipresent note, and is also used as a bridge into the second, rather static movement. A noble sounding theme leads to an impressive climax, shortly followed by the spectacular and virtuoso finale, which is built on the musical elements that have been heard before. Stylistically, this sparkling finale is clearly influenced by Dmitri Shostakovich, hence the use of the famous signature used by the Russian Master: C, D, E flat, B (or C flat). A glorious finish to a special work that highlights various facets of the modern concert band.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £86.50

    The Complete Harry Potter (Concert Band - Score and Parts) - Brubaker, Jerry

    Themes from all eight moviesThe wizard lives on! Some of the most beautiful and exciting themes from all of the Harry Potter movies are beautifully arranged into one manageable work. Over a ten-year period, four different composers contributed poignant and truly magical scores to eight award-winning films. In less than 12 minutes the listener can experience "Hedwig's Theme," Nimbus 2000," "Hogwarts," "Quidditch," "Harry's Wondrous World," "Fawkes the Phoenix," "Harry in Winter," "Dumbledore's Farewell," "Voldemort", and the intense "Elder Wand" theme where Voldemort wickedly thrusts Dumbledore's Wand to the sky! More themes abound including the mysterious "Lily's Theme", "The Friends," "The Weasly Stomp," and "Obliviate." A fitting finale, John Williams' compelling "Family Portrait" theme is used in the finale of the final film to send off future wizards as they board Hogwarts Express.Duration: 11:45

    Estimated dispatch 7-14 working days

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