Results
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£48.00Camelia City March
Written to celebrate the "Camelia City" (Quitman, Georgia), this traditional style march is written in the style of Henry Fillmore. Starting with a light, happy woodwind melody with simple flourishes in the low brass, the march then moves through dynamic changes before a trio that features low clarinets and euphonium with a unique woodblock percussion accompaniment. Ending with a return to brass flourishes, this classic march is perfect for learning the traditional musical form.
Estimated dispatch 12-14 working days
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£55.00Many Moons
A poignant balladic description of a memory of a New Mexico night sky, this lyrical piece encapsulates the feeling of wonder and humility felt when we stare out at a sky seemingly filled with hundreds of little moons. Beginning with subtle percussion and a cross-cued euphonium solo, a wistful theme is developed and passed throughout the ensemble. Multiple expressive demands related to phrasing, balance, listening, and tone let you teach these in a composition that sounds harder than it is. Use this ballad as a contrast to your opener in concert or as a second selection in festival or contest performances.
Estimated dispatch 12-14 working days
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£106.99Fair Field Festival - Philip Sparke
Fair Field Festival opens with a brass fanfare under florid woodwind figuration. A noble chorale leads to a lively allegro vivo, which centres around a majestic horn and euphonium melody under chattering woodwinds. A second theme is first stated by trumpets and this leads to a central legato theme on horns and saxes, repeated by the trumpets. A brief allusion to the opening section leads to a full recapitulation and an energetic coda. A work filled with vitality!
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£206.99Omaggio - Philip Sparke
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Mlaga. The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, FANTASIA, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band (piano), which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, BALLAD, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, THE KING TRIUMPHANT, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name ('Rex' being Latin for 'king') as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£184.00Chasing Light - Harrie Janssen
Chasing Light is a one-part composition in 3 movements. The work opens with a slow introduction, dark in atmosphere, in which the main thematic ingredients are exhibited. This is followed by a fast movement, Chasing Light, in which previously heard thematic material is incorporated. Characteristic of this middle movement is the driving motoric movement that galvanises the aforementioned hunt. An extended Euphonium solo bridges the gap to the final movement. Here ethereal sounds dominate. Harp and Mallets dominate the soundscape, symbolising the light that has finally been achieved.The title Chasing Light can be seen as a metaphor for striving to solve major problems facing the world today, such as the Corona pandemic and the climate problem, among others.Chasing Light was composed on behalf of Stadsfanfaren Izegem, conducted by Hans Demeurisse for the World Music Contest 2022 in Kerkrade.
Estimated dispatch 7-14 working days
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£149.40Song for Frances - Øystein Olsen Vadsten
"Song for Frances" is a classic love ballad, written for concert band and brass band, with a soloist on euphonium.The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of "Song for Frances", the basic melody is clearly presented, while the rest of the piece is more of a written "as if improvisation" with various melodic and technical "whims". The piece will be perfect for any euphoniumist looking for a challenge.
Estimated dispatch 7-14 working days
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£144.99Serenata - Jan van der Roost
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
Estimated dispatch 7-14 working days
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£124.99Shamadan Dance - Thomas Doss
This work has been written within the framework of the Obertne project by the Bezirksblasmusikverband Linz-Land (Austria). It was dedicated to Anton Forstner as a thank you for his years of support to wind music in the Linz-Land District. The Shamadan is an old oriental folk dance full of symbolism in which a female dancer - often on the occasion of a wedding - balances a candelabra on her head as a token of spiritual light. In this work, the euphonium takes up the role of the dancer. At the very beginning, the soloist already has the opportunity to shine in an unaccompanied recitative. Next, the soloist and band alternate, and in the course of the work the band also plays an important part with various technical highlights. More variation is created with a solo passage accompanied by percussion and hand claps, culminating beautifully in a grand tutti towards the end of the piece. Challenging music with much to enjoy!
Estimated dispatch 7-14 working days
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£57.50The Old Boatman - Florence Price
Originally for piano, this lyric work is a shining presentation of Price's signature style. The first statement is in E-flat Major, then modulates to F Major. Although short, the piece requires mature musicality, secure intonation and vibrato from your ensemble, with delicate dynamics and rubato. There are brief solos for oboe and euphonium.
Estimated dispatch 7-14 working days
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