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  • £104.99

    Festive Overture - Satoshi Yagisawa

    This work was commissioned by the civilian wind orchestra Shimizu il compagno, based in Shimizu City, Shizuoka Prefecture, Japan, as a commemorative work for their 10th Anniversary. The world premiere was performed by the ensemble, conducted by Hiromichi Hamada in 2017. Having held discussions with the head of the orchestra, Tomohiro Tsuji, and members of the group, Satoshi Yagisawa settled on a central motif for this commemorative work: fellow, or companion, in the sense of the Italian il compagno, which features in the orchestra's name. The work also strives to describe the characteristic friendliness of Shimizu city, a place known for itswarmth and kindness which is visible from both Mount Fuji and the sea. The composition is written in Yagisawa's typical dramatic style with an atmosphere of scintillating light and lyrical warmth, making it an excellent choice for opening a concert.

    Estimated dispatch 7-14 working days

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  • £104.99

    Sketches for Flute - André Waignein

    This solo work for flute and wind orchestra takes the form of musical sketches that deal with specific aspects of the flute within the orchestra, such as tone, technique, range and character. Beginning with soft tones, in due course the piece buildsaround a virtuoso motif. The orchestra also continually plays an important role by providing a harmonically and rhythmically balanced accompaniment.

    Estimated dispatch 7-14 working days

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  • £109.99

    Dublimania - Menno Bosgra

    This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.

    Estimated dispatch 7-14 working days

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  • £164.95

    Tristan Encounters (Prestige Concert Band - Score and Parts) - Ellerby, Martin

    This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £32.95

    Tristan Encounters (Prestige Concert Band - Score only) - Ellerby, Martin

    This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £13.95

    YORKSHIRE OVERTURE, A (Progress Concert Band Extra Score) - Sparke, Philip

    Extra Score. A brilliant example of Philip Sparke's mastery of wind band orchestration, bursting with rhythmic energy. Performance time 5'28" (Recorded on QPRM117D FESTIVAL OF MUSIC 1991 (Massed Bands of the Royal Air Force); QPRM153D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £67.95

    YORKSHIRE OVERTURE, A (Progress Concert Band) - Sparke, Philip

    A brilliant example of Philip Sparke's mastery of wind band orchestration, bursting with rhythmic energy. Performance time 5'28" (Recorded on QPRM117D FESTIVAL OF MUSIC 1991 (Massed Bands of the Royal Air Force); QPRM153D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £53.50

    Four Pictures - Árpád Balázs

    The teachers under whom rpd Balzs (b.1937) studied composition - Ferenc Farkas, Aram Khachaturian and Goffredo Petrassi - each independently formed the opinion that with his lyrical gift rpd Balzs's true creative field would be that of choral music and wind ensembles. Their early predictions are borne out by the roughly two hundred and fifty works for choir and almost twenty for wind orchestra that the composer has since produced. It is interesting that in the suite entitled Ngy kp (Four pictures) the stylistic features of these two related musical fields are united. In it the wind instruments sing! It was not by chance that the expansive second movement was given the title Cantilena, while the slightly livelier but just as lyrical third movement was entitled Arietta. The opening movement of the work is a stridently jolly, energetic Indul (March), but not one of the rigidly military kind: the 6/8 rhythm contributes to its light-hearted character. This music is avowedly akin to the ballet music of Prokofiev. This choice series of four character pieces is crowned by Jtk (Play) in which conveying the effect of the mixture of lines moving in parallel and then colliding with each other may be more technically demanding, but is well worth the effort! (Hungaroton HCD 31353)

    Estimated dispatch 7-14 working days
  • £94.99

    Majesty (Concert Band - Score and Parts) - Deleruyelle, Thierry

    Majesty is a powerful and spectacular overture. Right from the start, the brass open the work brilliantly before making way for a majestic hymn mostly played by the woodwind. The end of the piece repeats the opening fanfare as a monumental finale in the style of an American symphonic march. This work was commissioned by the Bourbourg Wind Orchestra (France), conducted by Claude Deconinck, on the occasion of its 230th anniversary. This piece was premiered by the commissioning orchestra on 19 November 2022, just two months after the death of Queen Elizabeth II. Naturally, this work is dedicated to her.Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £104.99

    Festive Overture (Concert Band - Score and Parts) - Yagisawa, Satoshi

    This work was commissioned by the civilian wind orchestra Shimizu il compagno, based in Shimizu City, Shizuoka Prefecture, Japan, as a commemorative work for their 10th Anniversary. The world premiere was performed by the ensemble, conducted by Hiromichi Hamada in 2017. Having held discussions with the head of the orchestra, Tomohiro Tsuji, and members of the group, Satoshi Yagisawa settled on a central motif for this commemorative work: fellow, or companion, in the sense of the Italian il compagno, which features in the orchestra's name. The work also strives to describe the characteristic friendliness of Shimizu city, a place known for its warmth and kindness which is visible from both Mount Fuji and the sea. The composition is written in Yagisawa's typical dramatic style with an atmosphere of scintillating light and lyrical warmth, making it an excellent choice for opening a concert.Duration: 5.15

    Estimated dispatch 7-14 working days

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