Results
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£50.50Ciudad de Festivales (City of Festivals) (Concert Band - Score and Parts) - Henry, Larry
Written in A-B-A form, Ciudad de Festivales begins with a rousing introduction using thematic and rhythmic motives. After an initial statement of the melody by a solo trumpet, the piece develops adding instruments and contrapuntal lines. The B section is introduced by a trumpet duet leading to a baritone solo. A short interlude leads to the return of the A section with the addition of obbligato woodwind parts. The introductory themes are used once again as the coda brings the piece to a spirited conclusion. Duration: 3.30
Estimated dispatch 7-14 working days
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£48.95Legacy March (Concert Band - Score and Parts) - Hodges, Steve
You'll find yourself humming this catchy march over and over! Beginning with a fanfare in the trumpets, horns, and saxophones, the low brass soon enters followed by the woodwinds playing a countermelody. The march tune is introduced by the trumpets and saxes, then turned over to the winds. The B section brings a quieter mood, followed by a return of the A theme with a brief coda that brings the piece to a grandiose conclusion. A fantastic addition to the march repertoire. Duration: 2.45
Estimated dispatch 7-14 working days
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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£48.95Canyon Creek Overture (Concert Band - Score and Parts) - Preuninger, Bruce
This fantastic overture is a great way to start your concert or festival. The full-sounding beginning leads to a stately A theme, which is followed by a more delicate, sensitive B section. The return of the A theme with coda brings this fun piece to a rousing conclusion. Duration: 4.15
Estimated dispatch 7-14 working days
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£49.95Cedar Valley March (Concert Band - Score and Parts) - Hodges, Steve
This spirited march begins with a dynamic "echo" introduction that leads to the memorable main theme. All sections share the spotlight before transitioning into the contrasting B section with a minor, more lyrical theme. After an understated presentation, this section builds to a big cymbal crash that leads to a repeat of the A section. The coda features a variation of the echo introduction before ending in a dynamic fashion. The vitality of this work makes Cedar Valley March an ideal concert opener that both the band and audience will enjoy. Duration: 3.30
Estimated dispatch 7-14 working days
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£36.95JOYANCE (Concert Band) - Pearson, Bruce
An exultant 18th century hymn-tune provides the melodic inspiration for Joyance. Written in ternary form, the work opens with a hymn-based maestoso introduction in Eb Major. Following the Allegro A section (also based melodically on the hymn), the mood becomes plaintive as the B Section is presented featuring a relative minor version of hymn motives. Following a return of the Eb Major A section, the work concludes with a coda, during which a victorious exclamation of the complete Darwall composition is heard.
Estimated dispatch 7-14 working days
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£104.99
Praise to the Lord Wind Band Set (Score & Parts)
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage? 05:35
Estimated dispatch 7-14 working days
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£163.0060 Warm-up Chorales for Concert Band
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£127.00Ray of Light - Kevin Houben
Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.
Estimated dispatch 7-14 working days
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£113.00Eternal Vigilance (The Long Brave Line) - Robert Jager
The result of a collaborative commission by the U.S. Air Force Academy Band, the U.S. Coast Guard Band, the U.S. Military Academy Band and the U.S. Naval Academy Band, this major work for band takes its title from a quote attributed to Thomas Jefferson, Eternal vigilance is the price of liberty, and a variation of the West Point motto, The Long Gray Line. Opening with a tribute to those who have gone before in service to our country, a solemn, noble theme is presented that reappears near the end of the composition. The main body of the work is a series of march-like themes and idiomatic fragments culminating in a glorious full-band fanfare. Following a restatement of the noble theme, a stirring coda brings the music to a climactic close. Dur: 8:30 (Grade 5) (E.B. Marks)
Estimated dispatch 7-14 working days
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