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  • £79.99

    Troja (Troy) (Concert Band - Score and Parts) - Schwarz, Otto M.

    The Greek poet Homer wrote about Troy and the Trojan War, which probably took place in what is now Asia Minor, in his Iliad in the 8th century B.C. Nowadays, the term Trojan generally refers to a malware program that is used to gain unauthorised access to computers. This use comes from the legendary Trojan Horse, which saw the turning point in the battle between Greeks and Trojans through the cunning of Odysseus. Let us return to the beginning of the story: Paris, son of the king of Troy, is tasked by Zeus with judging the beauty of the three goddesses Aphrodite, Pallas Athena, and Hera. Aphrodite, the goddess of love, flatters Paris by promising him the most beautiful woman in the world. Soon afterwards, on a journey to Greece, Paris meets the beautiful Helen, who immediately falls in love with him. Since however she is the wife of Spartan king Menelaus, she eventually lets herself be kidnapped by Paris voluntarily. The Greeks then form a large army and go to war against Troy to retrieve Helen, leading to a ten-year siege of the city. The city is eventually conquered not through combat, however, but through Odysseus' cunning ploy. He has the idea of building an enormous wooden horse with warriors hidden inside. The horse is placed at the gates of the city. Thus, the Trojans are tricked into giving up the siege when, despite various warnings, they bring the horse into the city to dedicate it to the goddess Athena. At night, the soldiers climb out of the horse and open the gate for the Greek army. The troops storm the city and burn it to the ground. The royal family and all the Trojan warriors are killed, only Aeneas, the son of Aphrodite, escapes. Later, following many years' wanderings he and his acolytes will become known as the founders of the Roman people. There are various accounts of the fate of the beautiful Helen. She is said to have returned to Sparta with Menelaus and to have ruled there until the end of her life. Or maybe not...Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £60.00

    Skill Stretchers for Band II (Concert Band - Score and Parts) - Hoefle, Heather

    Level 2: Moving Beyond the B-flat Concert Scale. Do you wish your clarinets would practice going over the break? Do you want your trumpets to practice lip slurs and your flute players to remember those high note fingerings? Do your percussionists forget the rudiments? Are you struggling to introduce chromatic fingerings in a heterogeneous classroom setting? Skill Stretchers For Band II is a set of exercises for group practice of all these concepts AT ONCE! A follow-up to Skill Stretchers For Band, this invaluable teaching tool will help your band move beyond B flat concert scale efficiently and effectively. Prepare your students for the next performance level in just minutes a day! Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £85.00

    Neapolitan Ode (Concert Band - Score and Parts)

    Written as a part of the Frank L. Battisti 85th Birthday Commission Project, Neapolitan Ode is a powerful and evocative addition to the repertoire. Utilizing a tone row suggested by "Mr. B." himself, Michael Weinstein incorporates a "Neapolitan" harmonic flavor and a wide range of textures and moods in creating this vehicle of praise (or "ode") for his former conductor/mentor. Duration: 5.00

    Estimated dispatch 7-14 working days
  • £224.99

    Glorioso (Concert Band - Score and Parts) - Van der Roost, Jan

    Glorioso was commissioned by, and is dedicated to, the Siena Wind Orchestra. The work opens after a short aleatoric intro, with an energetic and brassy one tone fanfare. The note F acts as an omnipresent note, and is also used as a bridge into the second, rather static movement. A noble sounding theme leads to an impressive climax, shortly followed by the spectacular and virtuoso finale, which is built on the musical elements that have been heard before. Stylistically, this sparkling finale is clearly influenced by Dmitri Shostakovich, hence the use of the famous signature used by the Russian Master: C, D, E flat, B (or C flat). A glorious finish to a special work that highlights various facets of the modern concert band.Duration: 15.30

    Estimated dispatch 7-14 working days

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  • £57.50

    My Shot (from Hamilton) (Concert Band - Score and Parts) - Miranda, Lin-Manuel - Brown, Michael

    The highly acclaimed Broadway musical Hamilton has taken the country by storm and already garnered a number of awards, including a Grammy Award for the soundtrack and the Pulitzer Prize for drama. Featuring a masterful blend of hip-hop and R&B, here is the show-stopping My Shot in a terrific arrangement for band that can be performed with or without the optional rap.

    Estimated dispatch 7-14 working days
  • £104.95

    The Spirit Of Pageantry (Grand March) (Concert Band - Score and Parts) - Fletcher, Percy

    Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory

    Estimated dispatch 7-14 working days
  • £20.95

    The Spirit Of Pageantry (Grand March) (Concert Band - Score Only) - Fletcher, Percy

    Percy Eastman Fletcher (1879-1932) was born in Derby, England. He made his living as a Musical Director in the London theatre world, directing and orchestrating the long-running musical Chu Chin Chow. Fletcher was a prolific composer and wrote a large number of suites for light orchestra as well as military band marches The Crown of Chivalry, Spirit of Pageantry, V.C. March, and a Sultan's March, extracted from his musical 'Cairo In 1909 the Worshipful Company of Musicians in London, England offered 5 prizes for original military band compositions. This competition attracted the attention of some fine British composers. Holst's 'Suite in Eb' was placed 3rd and this Grand March, ' The Spirit of Pageantry' was awarded 2nd prize. The winning composer was B,Walton O'Donnell, who later became an outstanding Musical Director of the BBC Wireless Military Band. The Spirit of Pageantry is a wonderful evocation of Edwardian England and deserves to be reinstated into the Concert Band repertory

    Estimated dispatch 7-14 working days
  • £44.95

    Starbound (Concert Band - Score and Parts) - Fraser, Bruce

    Starbound is a strong, driving piece and relies on good rhythmic playing from the bass instruments. It is a good introduction to playing triplets for all sections of the band and this could be introduced in the preliminary exercise. The trumpet solo could be played by the whole section if preferred.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45

    Estimated dispatch 7-14 working days

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  • £44.95

    Whirlwind (Flute Solo with Concert Band - Score and Parts) - Fraser, Bruce

    Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £44.95

    Windfall (Concert Band - Score and Parts) - Fraser, Bruce

    Windfall should be taken at a steady march tempo, with full note values and is a useful piece for developing a good band sound. Dynamic changes are particularly important to avoid monotony in the overall sound and young players are introduced to the concept of D.C. al fine.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 3:00

    Estimated dispatch 7-14 working days

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