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  • £148.99

    Nepotism (Movement II from Symphony No.1, The Borgias) (Concert Band - Score and Parts) - Schwarz, Otto M.

    A sinister legend hangs over the Borgia family, a legend of corruption, abuse of power, orgies, sex and murder. These rumours proliferated especially during the papacy of Alexander VI, a descendant of the family, who was even called the Antichrist. On his death, contemporary witnesses reported that the devil himself prowled around the death chamber and a black dog run along the corridors of the Vatican as his emissary. One might say that this Borgia pope, who ruled together with his family with the greatest brutality, became demonised. Unscrupulousness, poison-toting, incest and other malice are to this day the hallmarks of this pontiffNepotism: Rodrigo Borgia was elected Pope on 11 August 1492. From the very start, the new pope was prepared to use any means to eliminate his opponents, either through the infamous Borgia poison or by excommunication and execution. His son Cesare, who wanted little to do with the church, was appointed cardinal against his will. Alessandro Farnese, broth of Giulia Farnese, the Pope's mistress, also became a cardinal. Numerous Spaniards were brought into the country and were appointed to ecclesiastical posts. This infuriated the opponents of Alexander VI. The Dominican Girolamo Savonarola from Florence demanded the removal of the Pope. He was tortured and banned. Giuliano della Rovere wanted to convene councils to depose the Pope, which Alexander managed to prevent through artful political manoeuvrings. Through great brutality, brilliant political skill and power games, this pope was able to achieve his goal of leaving for his children a great legacy. Alexander VI constantly changed his allies and always acted unscrupulously to improve his financial situation and expand his sphere of influence. At the centre of the second movement of this work is the medieval hymn Dies Irae (Day of Wrath), which acts as a warning in the background condemning the Pope's actions.Duration: 9.15

    Estimated dispatch 7-14 working days

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  • £148.99

    Alexander VI (Movement I from Symphony No.1, The Borgias) (Concert Band - Score and Parts) - Schwarz, Otto M.

    The Borgia family is the subject of a so-called black legend, a pejorative term that has been used since the Middle Ages to refer to Spain and Spaniards. The Borgias' black legend is one of corruption, abuse of power, orgies, sex and murder. These rumours spread especially during the reign of Pope Alexander VI, a member of the family. Alexander was even referred to as the Antichrist. According to eyewitnesses, when he died Satan prowled the death chamber and a black dog, an envoy of the Devil, ran up and down the aisles of the Vatican. The brutal rule of Pope Alexander and his family led to a kind of demonization of the Borgia family. But it is precisely the lack of scruples, the brewing of poisons, the incest and various cruelties that continue to hold a certain fascination for us.Alexander VI: Rodrigo Borgia was born in 1431 near Valencia. He studied law in Bologna and, through his uncle Pope Calixtus III, he rose through the church hierarchy. As vice-chancellor of the Holy Roman Catholic church, he became one of the richest men in Europe. As a cardinal he fathered four children who he later legitimised when he became pope. His election to the papacy was funded by the sale of offices, extortion and bribes of all kinds. Through an alliance with Ascanio Sforza he was elected pope on August 11 1492 and named himself from then on Alexander VI, an allusion to Alexander the Great.Duration: 9.30

    Estimated dispatch 7-14 working days
  • £49.50

    A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael

    Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £79.00

    Variations on a Merry Tune (Concert Band - Score and Parts) - La Plante, Pierre

    Theme from R. Schumann, Op. 68 No.10. The creative genius of Pierre La Plante has never been better showcased than with "Variations On A Merry Tune." Based on a theme from Robert Schumann, known variously as "The Jolly Farmer" and "The Happy Farmer's Return From Work," this delightful work will bring smiles to all! Pierre takes this cheery tune all throughout the ensemble, creating opportunities for every section to shine. A charming selection for concert band, and a wonderful audience pleaser as well. Our highest recommendation! Duration: 5.30

    Estimated dispatch 7-14 working days

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  • £50.00

    The Wand of Youth, Suite No.1 - VII. Fairies and Giants (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

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  • £40.00

    The Wand of Youth, Suite No.1 - VI. Slumber Scene (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

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  • £40.00

    The Wand of Youth, Suite No.1 - V. Fairy Pipers (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

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  • £50.00

    The Wand of Youth, Suite No.1 - IV. Sun Dance (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

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  • £40.00

    The Wand of Youth, Suite No.1 - III. Minuet (Old Style) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

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  • £40.00

    The Wand of Youth, Suite No.1 - II. Serenade (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.

    Estimated dispatch 7-14 working days

     PDF View Music