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£164.95Sinfonietta No.2 (Concert Band - Score and Parts) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£32.95
Sinfonietta No.2 (Concert Band - Score only) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£93.10Impressions from a Journey (Concert Band - Score and Parts) - Stahli, Urs
I'm in the mountains... in Switzerland - in the Valais - on the Riederalp. I'm enjoying the view of the surrounding mountain peaks on this late summer afternoon.A alphorn plays a melody. The echo comes back once, twice, no, three times from the mountain slopes! It's getting dark. The melody of the evening blessing from Humperdinck's Hansel and Gretel comes to mind. It is night.A new day begins! I make my way to Riederfurka, to Villa Cassel. There I am greeted by the sound of the orchestra. I enjoyed the music and my lunch. In the afternoon, the musicians invited me to a dance. As waltzing is not really my thing, I walk on to the Riederhorn. There I enjoy the wonderful view! I am happy!- Urs SthliDuration: 8.00
Estimated dispatch 7-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
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£132.00Lothlorien (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The second movement is an impression of Lothlorien, the elvenwood with its beautiful trees, plants, exotic birds, expressed through woodwind solos. The meeting of the Hobbit Frodo with the Lady Galadriel is embodied in a charming Allegretto; in the Mirror of Galadriel, a silver basin in the wood, Frodo glimpses three visions, the last of which, a large ominous Eye, greatly upsets him.Duration: 7.45
Estimated dispatch 7-14 working days
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£132.00Gandalf (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The first movement is a musical portrait of the wizard Gandalf, one of the principal characters of the trilogy. His wise and noble personality is expressed by a stately motif which is used in a different form in movements IV and V. The sudden opening of the Allegro vivace is indicative of the unpredictability of the grey wizard, followed by a wild ride on his beautiful horse, Shadowfax.Duration: 6.30
Estimated dispatch 7-14 working days
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£49.50A Moorside March (Flexible Ensemble - Score and Parts) - Holst, Gustav - Brand, Michael
Holst composed A Moorside Suite for Brass Band in 1928. It is in three movements, this March being preceded by a Scherzo and Nocturne. It is an extraordinary mature work for band from a master composer. There is very little fortissimo writing and there are no semiquavers at all. Instead, Holst has written clean melodic lines with each part being woven into a texture based on the modal lines of English folk music; but these represent its stylistic origin rather than using actual folk tunes as in Holst's earlier band writing. The March is stirring and flowing and is an ideal standalone piece to open or close any concert or festival programme. Duration: 4.15
Estimated dispatch 7-14 working days
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£79.00Variations on a Merry Tune (Concert Band - Score and Parts) - La Plante, Pierre
Theme from R. Schumann, Op. 68 No.10. The creative genius of Pierre La Plante has never been better showcased than with "Variations On A Merry Tune." Based on a theme from Robert Schumann, known variously as "The Jolly Farmer" and "The Happy Farmer's Return From Work," this delightful work will bring smiles to all! Pierre takes this cheery tune all throughout the ensemble, creating opportunities for every section to shine. A charming selection for concert band, and a wonderful audience pleaser as well. Our highest recommendation! Duration: 5.30
Estimated dispatch 7-14 working days
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£50.00The Wand of Youth, Suite No.1 - VII. Fairies and Giants (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier.
Estimated dispatch 7-14 working days
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