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£44.95Clarinet Concerto (Ellerby) (Prestige Concert Band - Score only) - Ellerby, Martin
The opening 'Carousel' takes a leaf out of the American minimalist composers' book and is energetic and resourceful throughout, conjuring up images of a fairground ride that is not too much of an intrepid adventure! The central 'Cameo' presents and re-presents a delicate, highly legato, melisma for the soloist. A somewhat brooding central episode provides both a moment of contrast and the opportunity for the soloist to deliver some free cadenza-type material before returning to the security of the opening calm. The closing 'Charabanc' is a freely developed rondo-style finale embracing influences from jazz and other light music forms. Listeners are encouraged to use their own imagination, as it is intended to be whatever you want it to be!Performance time 15'15"This work was commissioned by and is dedicated to Linda Merrick and is featured on the recording QPRM137D LINDA MERRICK, Linda Merrick and the RNCM Wind Orchestra
Estimated dispatch 7-14 working days
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£84.99
Creamy and Crispy Wind Band Set (Score & Parts)
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back to the walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows. 07:45
Estimated dispatch 7-14 working days
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£204.99Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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£150.00East Coast Pictures (Concert Band - Score and Parts) - Hess, Nigel
These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people.Movement 1: Shelter Island is a small island situated near the end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap; but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic, shrouded in sea mists and driving rain. This 'picture' is a fond memory of a winter weekend on Shelter Island.Movement 2: In upstate New York lie the Catskills Mountains--an extraordinary combination of tranquillity and power, peace and majesty. Once seen, they call you back again and again.Movement 3: New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come!Duration: 16.00
Estimated dispatch 7-14 working days
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£202.99
Euterpe Wind Band Set (Score & Parts)
Music is an indispensable element in the lives of human beings. In nature, we see the essence of this principle reflected. Plato imagined the cosmos as a live animal: all parts are connected in harmony. From this point of view, the universe forms a large pentagram in which all notes flow together perfectly. This is confirmed around us every day. The twittering of a canary, the sputtering of fire, the sparkle of a waterfall pattering and falling on stones, the rattle of a snake that takes on a threatening attitude, or even the silence of the desert are expressions of Euterpe (the muse of music). Why not let your flautist shine with this major new solo work. 12:37
Estimated dispatch 7-14 working days
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£67.32Fanfare and Furiosity
Not hard, but very impressive, this David Shaffer original is perfect concert or contest material for mid-level bands. It starts with a stately fanfare introduction which leads directly into the "furious" section. This section features a fast tempo where several playable yet independent melody lines are intertwined to create a very busy yet pleasing musical landscape. An adagio section follows before a reprise of the "furious" section leads to a big finish. A rewarding work that is a welcome addition to any performance!
Estimated dispatch 7-14 working days
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£120.00
ILLYRIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:I. RondeauII. AubadeIII. GigueThis suite of three dances was commissioned by the British Association of Symphonic Bands and Wind Ensembles with funds provided by West Midlands Arts. The first performance took place on 26th September 1986 at Warwick University during the fifth annual BASBWE Conference. As with Gallimaufry, some of the thematic material is adapted from music originally written for productions with the Royal Shakespeare Company.The precise location of Illyria was not important to Shakespeare; what excited him was the resonance of the word itself and the romance of all far away, make believe places. Illyria is Never Never Land and the idea of inventing dances for such a place intrigued me.The opening Rondeau has a seven bar refrain with a rhythmic twist to it, which alternates with variants highlighting most sections of the orchestra. The Aubade is a gentle dance in ternary form featuring the flutes, with a hint of the dawn chorus at the close. The final Gigue is a rondo in six-eight time, with the recurring theme also appearing in counterpoint to the many subsidiary themes.Illyrian Dances is dedicated to my old and good friend Timothy Reynish.-GW
Estimated dispatch 7-14 working days
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£74.99
Introduction & Punk Wind Band Set (Score & Parts)
Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around your head. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. 04:30
Estimated dispatch 7-14 working days
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£224.99
Les Marteaux de la Marine Wind Band Set (Score & Parts)
Les Marteaux de La Marine was composed in 1999 as a commission by the Marine Band of the Royal Netherlands Navy. The composition contains three static elements which interchange. Static in this case means that development of the material is not pursued (by the composer). The first element with which the piece begins is tranquil and colourful. The second element is sharp and incisive, while the third expresses energy. In all elements a repeated tone is the starting point which explains the hammers in the works title.The instrumentation is richly variegated with a harp also determining the palette of colours in the slower movements. The composition opens with an atmospheric Larghetto containing fine harmonies in the soft and subtly moving wood-winds. The introduction breathes an impressionistic atmosphere in which expressive cantilenas and soloistic agile motifs stand out. A strong setting is followed by an Allegro virtuoso containing fast motifs contrasted with short and rhythmic stars of the various instrumental sections. Trumpets and horns add a virtuoso bugle-call motif. After a short stringendosection, the transparent Larghetto returns with a varied setting of the opening elements. The beautiful leading roles in this section are reserved for cornet (trumpet) and horn. Subsequently, the flashing Vivo starts with continuous movements in triplets from both wood-winds and brass. Next, the opening Allegro re-appears once again and thus Les Marteaux de la Marine ends with a fast and virtuoso climax. Les Marteaux de La Marine was selected as a compulsory grade 6 contest piece for symphonic bands in the Netherlands. 17:45
Estimated dispatch 7-14 working days
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£144.99
Scottish Dances Wind Band Set (Score & Parts)
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping I was peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding 07:00
Estimated dispatch 7-14 working days
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