Results
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£248.99Missa Brevis - Jacob de Haan
Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.
Estimated dispatch 7-14 working days
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£121.00Cityscapes - Rob Romeyn
Rob Romeyn's "Cityscapes" is a brilliantly programmatic and celebratory concert opener for mature ensembles. Audiences will be mesmerized by the sparkling opening measures depicting the hustle and bustle of a large city. Our journey continues with a sensitive and expressive section depicting a sunset over downtown, then leads to a section of building intensity and power, creating an incredible climax. From here, the intensity subsides, building imagery of the beautiful scenes of what a large city has to offer. The piece develops further, eliciting an ending of immense emotion and power as our journey concludes. A part for optional piano is included. A valuable addition to the repertoire for more experienced ensembles, "Cityscapes" is sure to impress!This work is not yet in print. Please check back later to view the conductor score and for purchasing information. In the meantime, please enjoy this recording performed by The Washington Winds, conducted by Edward S. Petersen.
Estimated dispatch 7-14 working days
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£168.50Trois Nuances - Scott L. Hines
TROIS NUANCES is a three movement work composed by Scott L. Hines for the Memphis Ballet Company in 2004. Originally for Piano only,it is a three movement work. The two fast movements surround a blues-like second movement. While it was not the composer's initial intent to write a movement based in the blues, that's what happened and it was very appropriate as Trois Nuances was danced on thestage of W.C. Handy Park on Beale Street, the site of the birth of the blues publishing industry. Hines was given a week to present a draft to the ballet company to be performed as it's opening piece of the 2004 season debut. Once the draft was approved, he had two days to finalize it. The first and third movements reflect the hurried and excited pace at which it was composed. Excellent repertoire from a contemporary American composer! Symphonic Orchestra. Instrument Parts. Grade: 4 Duration: 12:29
Estimated dispatch 7-14 working days
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£36.95Sing Lullaby (Concert Band - Score and Parts) - Wiffin, Rob
Sing Lullaby, also known as The Infant King, is an arrangement of a Basque Carol. The words were translated into English by Sabine Baring-Gould (1834-1924) an Anglican priest and folk song collector. The melody was harmonized by the English organist and music editor Edgar Pettman (1866-1943) who included it with other Basque carols (also rendered by Sabine Baring-Gould) in The University Carol Book in 1922. I use a little of Pettman's harmony but also take a different look. I also set it in 3/4 time rather than Pettman's 6/8 (starting with an anacrusis) which allowed me more freedom of expression and a chance to use a few hemiolas in poignant moments. It is a beautiful, tender carol as befits a lullaby though not without a few suspensions which allude to the future trials of the Infant King described in Baring-Gould's words.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45
Estimated dispatch 7-14 working days
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£159.99Guardian Angels (Concert Band - Score and Parts) - Houben, Kevin
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bahler referring to the use of Psalm 34. North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bahler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest. This composition reflects on this striking personality and in particular on the story of the Angel Guard. 'One evening Reverend Bahler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bahler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bahler is accompanied by two men. The next day it comes to an encounter between Bahler and his opponents. They repent their, fortunately unexecuted, plan. Bahler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bahler.' Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bahler: The Lord's angel gathered round him An invincible heavenly guard, Who tries God's will, around him So he's well guard(ed) A second melodious and harmonic cell is a musical transformation of the name 'Bahler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions. The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds. Duration: 16.30
Estimated dispatch 7-14 working days
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£159.99Carnival (Concert Band - Score and Parts) - Doss, Thomas
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many carnivalesque elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.Duration: 11.30
Estimated dispatch 7-14 working days
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£137.99The Baltic Way (Concert Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way, also known as the Baltic Chain, was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of the first movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas Ciurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and, in rhythmic terms, contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautiska giesm?' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
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£119.99Quarantine (One Village United) (Concert Band - Score and Parts) - Doss, Thomas
Like a dark veil, an ominous sense of foreboding takes hold across the world. A looming danger, one previously unknown to mankind, slowly approaches, bringing our daily lives to a grinding halt. A perilous virus gives us no choice other than to stay in our homes, leaving us unable to work in our offices or even visit family and friends. Something that has only been talked about in history books is coming to pass: a pandemic! The invisible danger expands more and more, and we feel paralysed by fear and fright. The distance between us and our fellow human beings increases. At the same time, we start to better understand something crucial: we have time again! People help each other out. Neighbourly assistance and support within one's own family becomes more apparent. We stand by each other. Suddenly we have the time for things that we did not have before. Time for reflection... A new era commences. Finally, hope reappears. We leave our houses, but nothing is quite the same anymore. With renewed strength, people begin to perceive the future in a positive and optimistic way once again. With greater attention and awareness of the here and now, we feel that, despite it all, we can be happy. Duration: 8.00
Estimated dispatch 7-14 working days
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