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  • £7.95

    Keep the Faith - Score only - Duncan Stubbs

    Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs

    Estimated dispatch 7-14 working days
  • £75.00

    Der Aufstand - Gavin Higgins

    Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare.Wind Band Grade: 6 (Professional and elite student and 'national' bands)Duration: 10 minutes

    In stock: Estimated delivery 1-3 days
  • £150.00

    East Coast Pictures - Nigel Hess

    East Coast Pictures was commissioned by the British Youth Wind Orchestra with funds from the National Westminster Bank plc. These three short 'pictures' were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people. Movement 1: Shelter Island is a small island situated near the end of Long Island, a few hours drive east of New York. In the summer it becomes a crowded tourist trap; but in the winter it is gloriously deserted and bravely faces the onslaught of the turbulent Atlantic, shrouded in sea mists and driving rain. This 'picture' is a fond memory of a winter weekend on Shelter Island. Movement 2: In upstate New York lie the Catskills Mountains--an extraordinary combination of tranquillity and power, peace and majesty. Once seen, they call you back again and again. Movement 3: New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come!

    In stock: Estimated delivery 1-3 days
  • £76.16

    Temperamental (Concert Band) Fendall Hill

    This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £115.00

    The Ocean Beast (CB) - Pimpanit Karoonyavanich

    If we hear about a beast, we would imagine a powerful and fierce creature. This composition work depicts a beast who's cursed to live under the ocean. Because everyone thinks that he's a heartless and evil beast, they run away from him every time they see him. Sometimes he appears at the surface of the sea and hope that he would be able to make friends with human. But all he got were severe wounds those made by the sailors who thought that he wanted to attack them. Nobody knows... that all he wants, is just only someone who just treat him like the others, not a beast.

    Estimated dispatch 7-14 working days
  • £95.00

    Milord (CB) - Marguerite Monnot & George Moustaki - Mathias Vleugels

    "Milord" is a 1959 song (lyrics by Georges Moustaki, music by Marguerite Monnot), famously sung by dith Piaf. It is a chanson that recounts the feelings of a lower-class "girl of the port" who develops a crush on an elegantly attired apparent upper-class British traveller (or "milord"), whom she has seen walking the streets of the town several times (with a beautiful young woman on his arm), but who has not even noticed her. The singer feels that she is nothing more than a "shadow of the street".

    Estimated dispatch 7-14 working days
  • £58.00

    Distortion

    Distortion is a fun and unique composition written for young band and electric guitar, inspired by the author's grandson Owen, who plays trumpet and guitar. The piece features electric guitar with distortion, offering an exciting and fresh experience for both band and beginning guitarists. The guitar part, which primarily consists of power chords, includes a short solo that can either be improvised or played as written. A drum set part is included, but it's recommended to feature either the drum set or percussion, not both. This piece is a break from traditional wind band literature and allows for a creative, dynamic performance that will excite both performers and audiences.

    Estimated dispatch 12-14 working days
  • £58.00

    ...for Spacious Skies - Samuel Ward

    "...for Spacious Skies" is a dynamic and stirring concert band piece, drawing inspiration from the iconic American patriotic song composed by Samuel A. Ward. This composition takes the familiar melody of "America the Beautiful" and transforms it into a captivating fanfare, marked by unique harmonies and dynamic shifts in mood and texture. A fresh perspective on a well-known melody that not only pays homage to the beauty of the American landscape, but also provides a platform for young musicians to showcase their developing skills in a vibrant and expressive setting.

    Estimated dispatch 12-14 working days
  • £36.95

    Sing Lullaby (Concert Band - Score and Parts) - Wiffin, Rob

    Sing Lullaby, also known as The Infant King, is an arrangement of a Basque Carol. The words were translated into English by Sabine Baring-Gould (1834-1924) an Anglican priest and folk song collector. The melody was harmonized by the English organist and music editor Edgar Pettman (1866-1943) who included it with other Basque carols (also rendered by Sabine Baring-Gould) in The University Carol Book in 1922. I use a little of Pettman's harmony but also take a different look. I also set it in 3/4 time rather than Pettman's 6/8 (starting with an anacrusis) which allowed me more freedom of expression and a chance to use a few hemiolas in poignant moments. It is a beautiful, tender carol as befits a lullaby though not without a few suspensions which allude to the future trials of the Infant King described in Baring-Gould's words.- Rob WiffinDuration: 4.15

    Estimated dispatch 7-14 working days

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  • £144.99

    Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan

    While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00

    Estimated dispatch 7-14 working days

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