Results
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£62.95Battle Cry (Concert Band - Score and Parts) - Beck, Brian
Battle Cry, by Brian Beck, is an intense and exciting piece for musicians who are not afraid of a fight. The many shifts in style, dynamic markings, and various accidentals in every part help provide a rich harmonic and melodic contrast. Each part's range is very conservative, allowing even the youngest musicians an opportunity for an impressive performance.Duration: 2.45
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£55.00Driving Force (Concert Band - Score and Parts) - Watson, Scott
Opening with an energetic eighth note melody driven by an insistent woodblock, this uptempo composition unfolds playfully, gracefully, and relentlessly. From first note to last, this exciting piece for young band captures the driving force that gets people out of bed and moving through their work, play, or adventure. Throughout, several related themes are developed and passed between all instruments, building to an exuberant climax and musically satisfying conclusion. Duration: 2.45
Estimated dispatch 7-14 working days
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£124.99Shamadan Dance (Euphonium Solo with Concert Band - Score and Parts) - Doss, Thomas
The Shamadan is an old oriental folk dance full of symbolism in which a female dancer, often on the occasion of a wedding, balances a candelabra on her head as a token of spiritual light. In this work, the euphonium takes up the role of the dancer. At the very beginning, the soloist already has the opportunity to shine in an unaccompanied recitative. Next, the soloist and band alternate, and in the course of the work the band also plays an important part with various technical highlights. More variation is created with a solo passage accompanied by percussion and hand claps, culminating beautifully in a grand tutti towards the end of the piece. Challenging music with much to enjoy! Duration: 8.30
Estimated dispatch 7-14 working days
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£159.99Guardian Angels (Concert Band - Score and Parts) - Houben, Kevin
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bahler referring to the use of Psalm 34. North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bahler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest. This composition reflects on this striking personality and in particular on the story of the Angel Guard. 'One evening Reverend Bahler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bahler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bahler is accompanied by two men. The next day it comes to an encounter between Bahler and his opponents. They repent their, fortunately unexecuted, plan. Bahler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bahler.' Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bahler: The Lord's angel gathered round him An invincible heavenly guard, Who tries God's will, around him So he's well guard(ed) A second melodious and harmonic cell is a musical transformation of the name 'Bahler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions. The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds. Duration: 16.30
Estimated dispatch 7-14 working days
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£72.99Legacy (Concert Band - Score and Parts) - Saucedo, Richard L.
Here is an easier version of Richard's dynamic work for band that commemorates the 150th anniversary of Paige's Music in Indianapolis, IN. Legacy features an intense rhythmic drive, creative laying and textural effects, and a soaring melody that serves as an inspirational focal point. Compatible in performance with the Advanced Version. Duration: 4.30
Estimated dispatch 7-14 working days
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£85.00Nimrod (from Enigma Variations) (Concert Band - Score and Parts) - Elgar, Edward - Hannevik, John Philip
Edward Elgar composed his Variations on an Original Theme, Op.36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances. Nimrod (the mighty hunter before the Lord) has become the most played of the variations, and the movement is dedicated to Elgar's close friend Augustus Jaeger (Jager being German for hunter). Duration: 4.15
Estimated dispatch 7-14 working days
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£59.00Where No Band Has Gone Before (Concert Band - Score and Parts) - Neeck, Larry
The title says it all as you and your band embark on an exciting and harrowing musical adventure to the edge of the galaxy! An ethereal introduction leads to a heroic and vigorous, march-style theme, which gradually builds in intensity to a compelling climax. Bold thematic material, along with special instrumental effects, heighten the intensity and drama of the work. Perfect as a contest piece, or even that change-of-pace moment in your concert, "Where No Band Has Gone Before" provides an appealing and dazzling musical showcase for your band. Duration: 3.30
Estimated dispatch 7-14 working days
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£60.99Hudson River Run (Concert Band - Score and Parts) - Sweeney, Michael
Suggesting an exciting boat race on the majestic Hudson River, this energy-filled work features an underlying 8th note pulse and a dynamic percussion score. Even given the concise nature of the piece a variety of textures and styles are used, and the melodic elements are passed around to all sections of the band. As an added bonus, parts are included for beginning players allowing this to be used with a multi-level massed band.
Estimated dispatch 7-14 working days
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