Results
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£74.00To Honor America (Concert Band - Score and Parts) - Swearingen, James
To Honor America presents an invaluable collection of patriotic songs, sure to become a staple for bands to perform whenever there's an occasion to highlight the accomplishments of our courageous military soldiers, both past and present. Deeply moving, and an all-around "feel good" piece are qualities that best describe the overwhelming sense of pride that you'll gain from hearing this music performed. It is simply spectacular in every sense of the word. Duration: 4.00
Estimated dispatch 7-14 working days
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£60.00March of the Guards (from Fidelio) (Flexible Ensemble - Score and Parts) - Beethoven, Ludwig van - Glover, Andrew
Beethoven's "March of the Guards" from the opera "Fidelio" has been adapted for flexible-instrumentation bands by Andrew Glover. This stately processional march maintains an air of dignity and solemnity throughout, and adapts well to the five-part "Build-A-Band" instrumentation. Careful scoring and minimal percussion requirements make this an excellent choice for very small ensembles, or those with awkward instrumentations. An excellent choice! Duration: 3.45
Estimated dispatch 7-14 working days
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£309.99Ninth Symphony (Concert Band - Score and Parts) - Barnes, James
Premiered on 21 September, 2018 in Lawrence, Kansas by The University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, "This is my last symphony...this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band." The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that "I have always wanted to write a waltz," and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto Flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an "otherworldly" mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color. Duration: 40.00
Estimated dispatch 7-14 working days
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£69.95Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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£134.99Trains of Thought (Concert Band - Score and Parts) - Shapiro, Alex
Evocative train sounds allow listeners' own trains of thought to wander freely, in this emotionally captivating electroacoustic tone poem. As with other signature Shapiro works like Immersion and Liquid Compass, an expansive palette of shifting textures and density creates striking, unexpected contrasts. A remarkably seamless wash of acoustic and digital sounds offers new meaning to the term "prerecorded track," as the piece picks up steam and arrives at a forceful, abrupt end. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the score. Duration: 7:15
Estimated dispatch 7-14 working days
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£75.00Of the Father's Heart Begotten (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Of the Father's Heart Begotten alternatively known as Of the Father's Love Begotten is a doctrinal hymn based on the Latin poem 'Corde natus' by the Roman poet Aurelius Prudentius. The ancient poem was translated and paired with a medieval plainchant melody Divinum mysterium. Divinum mysterium was a Sanctus trope - an ancient plainchant melody which over the years had been musically embellished. An early version of this chant appears in manuscript form as early as the 10th century, although without the melodic additions, and trope versions with various melodic differences appear in Italian, German, Gallacian, Bohemian and Spanish manuscripts dating from the 13th to 16th centuries. Dissatisfied with an earlier translation, Roby Furley Davis (1866-1937), a scholar at St. John's College, Cambridge, wrote a new version for the English Hymnal of 1906. This version was also used in the popular Carols for Choirs series by David Willcocks. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£60.00Tailspin (Flexible Ensemble - Score and Parts) - Romeyn, Rob
Inspired by a memorable commuter jet trip taken by the composer, "Tailspin!" is an aggressive and hard hitting composition capturing the peril of an airliner in rapid descent. Contemporary harmonies and driving rhythms contribute to the unique and fresh sound of this work. Varied dynamics and textures add to the drama and make this the perfect concert or festival work for young bands. This arrangement for the "Build A Band" series ensures success with even the most awkward of instrumentations. An optional keyboard/piano part is included. "Tailspin!" Has the excitement and power that students love! Duration: 2.45
Estimated dispatch 7-14 working days
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£45.00Huracan (Concert Band - Score and Parts) - Lopez, Victor
An original and dynamic beginning band composition that makes the ensemble sound as if they have been playing for several years. A calm introduction followed by an intense melody with thunderous rhythmic accents. An excellent program choice for contest and festival performances. Extraordinary programmatic music for this grade level! Duration: 2.00
Estimated dispatch 7-14 working days
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£49.00Blaze! (Concert Band - Score and Parts) - Romeyn, Rob
Blaze! is an exciting and aggressive, fresh sounding work that harnesses the energy and intensity of young musicians. It begins with an explosion of sound, leading to a memorable melodic theme. Multiple musical styles are explored offering many teaching opportunities for dynamic shaping, contrast and varied styles. An exceptional and valuable piece that will excite performers and bring audiences to their feet! Duration: 2.00
Estimated dispatch 7-14 working days
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£224.99Glorioso (Concert Band - Score and Parts) - Van der Roost, Jan
Glorioso was commissioned by, and is dedicated to, the Siena Wind Orchestra. The work opens after a short aleatoric intro, with an energetic and brassy one tone fanfare. The note F acts as an omnipresent note, and is also used as a bridge into the second, rather static movement. A noble sounding theme leads to an impressive climax, shortly followed by the spectacular and virtuoso finale, which is built on the musical elements that have been heard before. Stylistically, this sparkling finale is clearly influenced by Dmitri Shostakovich, hence the use of the famous signature used by the Russian Master: C, D, E flat, B (or C flat). A glorious finish to a special work that highlights various facets of the modern concert band.Duration: 15.30
Estimated dispatch 7-14 working days
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