Results
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£159.99The old Fortress of Luxembourg - Georges Sadeler
"The Old Fortress of Luxembourg" is a commissioned work by the Luxembourg Ministry of Culture for the overture of the official ceremony of Luxembourg's National Day. The piece is less concerned with history, but rather draws inspiration from the architecture of the ancient fortress of Luxembourg, known as Lucilinburhuc."The fortress, over 1000 years old and also referred to as the "Gibraltar of the North," primarily consists today of the Bock Rock, the crypt, the casemates (an underground defense system consisting of kilometers of tunnels), and the Holy Spirit Citadel. These elements are portrayed through radiant fanfare sounds, rhythmic orchestral movements, patriotic choral melodies, and at times, somber musical depictions.As an optional highlight, a choir, supported by a boys' choir, interprets the newly composed text of the third verse of the Luxembourgish National Anthem, adding an additional touch of patriotic grandeur to this piece.
Estimated dispatch 7-14 working days
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£229.99Fragments - Georges Sadeler
The work "Fragments" is an extremely powerful and energetic Concertino for trombone, full of different tonal colours and based on two motifs that are broken down into their fragments and processed further. The slightly playful main motif is presented by the soloist after an imposing introduction and gradually develops jazzy elements without abandoning the contemporary spirit. Throughout the work, the last three notes of the introductory motif are presented both as a short, shrill fragment and as a lyrical theme, which supports the constant alternation between leggero and marcato. An ostinato, which is carried through all registers, gives the work the necessary drift and serves as a common thread to connect the different parts."Fragments" was commissioned by the Luxembourg Ministry of Culture in collaboration with the "De klenge Maarnicher Festival" and was a compulsory piece for the final round of the "1st Michel Becquet International Trombone Competition".
Estimated dispatch 7-14 working days
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£62.95Battle Cry - Brian Beck
Battle Cry, by Brian Beck, is an intense and exciting piece for musicians who are not afraid of a fight. The many shifts in style, dynamic markings, and various accidentals in every part help provide a rich harmonic and melodic contrast. Each part's range is very conservative, allowing even the youngest musicians an opportunity for an impressive performance. (2:40) (Correlates to Sound Innovations, Book 2, Level 4).
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£139.99Schola Vitae - Georges Sadeler
Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life.Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register.In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great.Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Ptz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe.
Estimated dispatch 7-14 working days
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£131.00Notes from the Road - Franco Cesarini
"May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds." - Edward AbbeyNotes from the Road was commissioned to Franco Cesarini by the music Federation of the Canton of Thurgau, Switzerland, as compulsory piece for the second category of the Canton Festival in 2023. The piece is written in the typical form of an Italian overture, with the sequence of veloce-lento-veloce tempi. Reflections on life and the street as its metaphor were the driving elements in composing this piece. The way represents a symbol characteristic to many cultures, so much so that the verb "to walk" or the word "path" indicate a way of being in life and of fulfilling oneself. "Making one's way" means affirming oneself; "Having a way" indicates one's own and personal approach. The road is the most beautiful metaphor of life: there is a departure, a destination, and in the middle lies a path that is sometimes winding, with challenges to overcome and directions to take.An introspective piece, an invitation to each of us to reflect on our own "path".
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£74.00Nimrod - Edward Elgar
Nimrod is the name given to the ninth and best-known variation inEdward Elgar's Enigma Variations, an orchestral work of 14 variations on an original theme composed between 1898 and 1899. Each variation is also a portrait of one of 14 members of Elgar's family and circle of friends. A celebrated work, Nimrod is a portrait of Augustus Johannes Jaeger, who in addition to being his best friend was also Elgar's editor.The variations all represent a series of portraits and as such are entitled with a name or initials that identify the person. Biblically, Nimrod is a great hunter of the Old Testament, thus representing his muse through a play on words: Jger in German means 'hunter'. The melody appears to represent a nocturnal stroll during which the two discuss Ludwig van Beethoven's slow movements; the first eight bars, in fact, recall the beginning of the second movement of the Pathtique Piano Sonata.An arrangement of classical music signed by Franco Cesarini which stands out for its skilful and careful instrumentation.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£97.60Proven - Kevin Houben
'Proven' was composed by Kevin Houben on the occasion of the 100th anniversary of the Royal Wind Band 'De Volksvreugd'meaning ' People's Joy' in 2021.As its name suggests the musical band of the West Flemish village , municipality of Poperinge (B), had to bring joy againto the people. At that time there was still a striking industry of woodworkers, including that of slat splitters and hoop cutters.Moreover the cultivation of hops, necessary for the brewing of beer, remained important. Shortly after World War I theassociation was founded in the cellars of the brewer- mayor.Soon the joy was not only experienced by its listeners but also by its members. Already from its foundation onwards, thecandidate musicians flocked in and still nowadays 'De Volksvreugd' can take pride in having more than 100 members in itsyouth orchestra, having a drum band, an ambiance band and a wind band. Participation in tattoo and competitions ensuresan excellent musical level. Moreover musicians of all ages feel like family. For the previous 100 years 'De Volksvreugd' has'proven' to bring joy to the people and by the people. The chant 'Long live the Volksvreugd/ People's Joy' clearly provesits popularity.This energetic and festive composition has a very recognizable and powerful introduction, after which each musician ischallenged concerning technique, rhythm and ensemble playing. Also the magnificent melodic part, which Houben iswell-known for, is very melodious and intimate followed by a lyrical highlight to culminate into an energetic and rhythmicalfinal. Ideal for any concert!
Estimated dispatch 7-14 working days
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