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  • £142.50

    Fatinitza - Franz von Suppé

    The delightful and charming overture to the comic opera "Fatinitza" is finally available in a wonderful transcription by Andrew Glover. An excellent selection for mature bands seeking an enjoyable work that's also an audience-pleaser. Set includes a large spiral-bound conductor score.

    Estimated dispatch 7-14 working days

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  • £86.50

    Trek! - Herb Bassett

    "Trek!" depicts three phases of a thrilling mountain bike ride: acceleration through the gears, tranquility of the ride, and an uphill climb and descent. While the eighth note remains constant throughout, changing meters, rising ostinati, and widening Doppler-shifts all imply acceleration leading to a break-neck downhill ride for a dynamic ending. Modal harmonies and an optimistic tone make "Trek!" fun to perform and exciting to hear! An energetic program selection or closer for concert or festival. Electrifying!

    Estimated dispatch 7-14 working days
  • £76.99

    Tailspin - Rob Romeyn

    Inspired by a memorable commuter jet trip taken by the composer, "Tailspin" is an aggressive and hard hitting composition capturing the peril of an airliner in rapid descent. Contemporary harmonies and driving rhythms contribute to the unique and fresh sound of this work. Varied dynamics and textures add to the drama and make this the perfect concert or festival work for young bands. This arrangement for the "Build A Band" series ensures success with even the most awkward of instrumentations. An optional keyboard/piano part is included. "Tailspin" Has the excitement and power that students love!

    Estimated dispatch 7-14 working days
  • £76.99

    March of the Guards - Ludwig van Beethoven

    Beethoven's "March of the Guards" from the opera "Fidelio" has been adapted for flexible-instrumentation bands by Andrew Glover. This stately processional march maintains an air of dignity and solemnity throughout, and adapts well to the five-part "Build-A-Band" instrumentation. Careful scoring and minimal percussion requirements make this an excellent choice for very small ensembles, or those with awkward instrumentations. An excellent choice!

    Estimated dispatch 7-14 working days
  • £73.50

    A Mother?s Hymn

    Simple, poignant and beautiful, A Mother's Hymn by Robert W. Smith is an artistic experience for both band and audience. Based on an old Swedish melody also known as "How Great Thou Art," this setting is appropriate for any concert or festival performance. An instant standard in the concert band repertoire.

    Estimated dispatch 7-14 working days
  • £149.99

    Jello, The Colours Of My Soul - Ben Haemhouts

    Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.

    Estimated dispatch 7-14 working days

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  • £106.95

    Catawba Crossing - William G. Harbinson

    Named for the beautiful Catawba River, this piece begins with a brilliant fanfare, revealing the principle motive upon which the entire composition is based. Shifting tonalities and colorful scoring are the hallmark of the opening section. This is followed by an expressive con moto section that provides the piece with dramatic contrast. Once the opening theme returns, Catawba Crossing develops into a rousing march in 6/8 time, followed by a return to the opening material, bringing the piece to an exciting conclusion. An impressive choice for contest or festival performance.

    Estimated dispatch 7-14 working days
  • £67.95

    Zenobia The Warrior Queen - Joseph Compello

    Zenobia the Warrior Queen is an excellent concert piece for young bands. The title refers to an actual historical figure who battled against the Romans in the third century. The music should convey an atmosphere of antiquity but should also be bold and aggressive. A serious work for developing bands.

    Estimated dispatch 7-14 working days
  • £204.99

    Credentium - Jan van der Roost

    A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.

    Estimated dispatch 7-14 working days

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  • £84.99

    Railroad Ramble - Peter Kleine Schaars

    This composition was commissioned by the Concert Band of the NS (the Dutch railroad company) and is intended as an opening piece, bringing the band and the audience on track for an exciting concert! The ascending chords over theostinato bass of the introduction represent the energetic pulling away of the train. The main theme in 10/8 time makes one drift away in the rhythm of full speed. The clownish middle section reflects the seemingly disorderlyactivity in a station hall during rush hour. This is followed by a reprise of the main theme and the introduction, which brings this fascinating musical rail journey to an end.

    Estimated dispatch 7-14 working days