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£101.20Heaven Near the Earth - Afonso Alves
Heaven Near the Earth is a composition by Afonso Alves inspired by the belief that there is a paradise for the soul when the body dies. But as long as we live, it is in our hands to build paradise on earth. The 1st movement is epic with contrasting textures, with the brass section entering into an intense dialogue with the forest. The 2nd movement is quiet, recited, engaging all instruments in colourful sections. The 3rd movement is light and bright, with a melodic ostinato in crescendo until the finale, which creates great tension until the end of the composition. An excellent option for the opening of a concert.
Estimated dispatch 7-14 working days
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£82.80Friendship - Guillaume Détrez
This piece consists of 2 parts. After an explosive introduction, theme A begins on a rock rhythm. The melody as well as the harmonic sequence certainly recalls things already heard like an old friend... It is a lively and energetic image of friendship. Theme B, on the other hand, is calmer. It is a nostalgic side of friendship represented here. The song ends with the same motif as the introduction.
Estimated dispatch 7-14 working days
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£101.20The Dream of Victory - Michael Geisler
The Norwegian Roald Amundsen had actually been planning an expedition to the Arctic for a long time. But at the beginning of September 1909, two other adventurers announced that they had already reached the Pole: Frederick Cook and Robert Edwin Peary. Amundsen changed his mind - if he could no longer be the first man at the North Pole, he at least wanted to be the first to set foot on the South Pole. On 7 June 1910, Amundsen set off on an Antarctic expedition that went down in the annals of history.
Estimated dispatch 7-14 working days
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£79.99Hope Arises - James Barnes
Hope Arises is one of two new works requested in 2021 of composer James Barnes by Colonel Donald Schofield, to be written for the United States Air Force Band. It is a short piece intended to be used as an opener for AFB's tour concerts. It opens with a dramatic brass fanfare, based on consecutive perfect fourths first introduced by horns and euphoniums, followed by a short oboe solo. An ascending line in mallets and woodwind provide a rather celestial transition, taking the listener to a lively, melodic allegro, which is based on the same opening fourths. This allegro theme is developed until a return to the opening fanfare is powerfully re-announced in brass. The work concludes quite dramatically, and includes a return of the ascending line in woodwinds, mallets, harp and piano.
Estimated dispatch 7-14 working days
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£76.99Girl in Satin - Leroy Anderson
This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate transposition in C to avoid some of the technical difficulties bands may encounter with the composer's original key.
Estimated dispatch 7-14 working days
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£132.50Interlude for Band - John Brakstad
"Interlude for Band" is an arrangement based on the theme from "Affinity and Fellowship"."Affinity and Fellowship" was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice)."Interlude for Band" is a piece with elements of ensemble, including an important solo part.Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound.
Estimated dispatch 7-14 working days
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£135.10Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£60.99Apex Predator - Michael Oare
In every ecosystem, an apex predatory is an animal existing at the very top of the food chain; never preyed upon themselves. Michael Oare's programmatic work opens with a haunting flute solo accompanied by various mysterious effects. The pace then quickens as we explore the intensity, danger, and majesty connected with these magnificent natural hunters. Dur: ca. 3:50
Estimated dispatch 7-14 working days
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£87.99Steps - Thomas Doss
This short concert piece with a minimalist character, describes human footsteps that can be heard from an adjacent room and seem to increase in number. The anonymous acoustic observation conveys images of strange people in an increasingly hectic scene. The short middle section reveals a sudden silence and gives rise to a feeling of loneliness. But soon the footsteps from the beginning can be heard again and the anonymous hustle and bustle starts anew.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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