Results
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£102.99Maneskin Greatest Hits (Concert Band - Score and Parts) - Schenk, Markus
Maneskin is an Italian rock band that first set foot on the international stage in 2021, when it won the 65th Eurovision Song Contest with Zitti e buoni. 2021 was an excellent year for the group in more ways than one, since they were also declared best rock band at the MTV European Music Awards. More successes followed: their cover of the Four Seasons song Beggin' became a worldwide hit and even reached the American Billboard Hot 100, as well as the global Spotify hit list. The band's name was definitively established with songs like I Wanna Be Your Slave, The Loneliest and Supermodel. Markus Schenk has brought together all of these hits in a fantastic pop-rock medley for concert band. Sturdy music that is unsuitable for softies, but it will certainly go down well with the audience!Duration: 7.15
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£59.95Christmas Night (Concert Band - Score and Parts) - Wiffin, Rob
This is an arrangement of carols associated with Christmas night. The main song in this arrangement is O Holy Night but it also includes the opening phrase of Franz Gruber's Silent Night as an accompanying motif. The music starts with some lux argentum and then two horns play It came upon the midnight clear as a prelude to the main theme. The first iteration of this beautiful Christmas song should ideally be played on the cor anglais. However, it is cued for oboe or trumpet should a cor anglais not be available.O Holy Night was composed by Adolphe Adam in 1847, originally set to a French poem, Minuit, Chretiens (Midnight, Christians) and published as Cantique de Noel.Duration: 5.00
Estimated dispatch 7-14 working days
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£87.99Steps (Concert Band - Score and Parts) - Doss, Thomas
This short concert piece with a minimalist character, describes human footsteps that can be heard from an adjacent room and seem to increase in number. The anonymous acoustic observation conveys images of strange people in an increasingly hectic scene. The short middle section reveals a sudden silence and gives rise to a feeling of loneliness. But soon the footsteps from the beginning can be heard again and the anonymous hustle and bustle starts anew.Duration: 5.00
Estimated dispatch 7-14 working days
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£73.50Emblazoned (Concert Band - Score and Parts) - Balmages, Brian
As the title Emblazoned suggests, this euphoric celebration will undoubtedly make its mark on your students and audience! Simple polyrhythms combine with an engaging melody, heroic countermelodies, and riveting percussion writing to create an energetic yet exceptionally playable work. Even better, Brian Balmages has orchestrated the piece so that it achieves a high level of power and excitement while leaving students with plenty left in the tank!Duration: 3.30
Estimated dispatch 7-14 working days
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£79.50Keystone (Concert Band - Score and Parts) - Hall, JaRod
Inspired by the march from Holst's Second Suite in F, Keystone is a colourful, original work with an added contemporary flair. JaRod Hall weaves through fanfares, lyrical passages, modulations, and a lilting compound-duple section, ultimately arriving at a cinematic coda that brings the piece to a triumphant close. An incredible festival work.Duration: 4.00
Estimated dispatch 7-14 working days
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£53.95Clutch (Concert Band - Score and Parts) - Balmages, Brian
Fasten your seatbelts for this aggressive and harmonically colourful work! Clutch is an intense experience, using percussion to establish a strong rhythmic pulse that compliments the powerful melodic lines throughout. While the piece has an amazingly complex sound and vivid imagery, Brian Balmages has once again managed to do so with music that sounds difficult but is surprisingly achievable for young musicians!Duration: 1.45
Estimated dispatch 7-14 working days
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£132.00Hobbits (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Johan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fifth movement expresses the carefree and optimistic character of the Hobbits in a happy folk dance; the hymn that follows emanates the determination and noblesse of the hobbit folk. The symphony does not end on an exuberant note, but is concluded peacefully and resigned, in keeping with the symbolic mood of the last chapter, The Grey Havens, in which Frodo and Gandalf sail away in a white ship and disappear slowly beyond the horizon. Duration: 9.00
Estimated dispatch 7-14 working days
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£132.00Lothlorien (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The second movement is an impression of Lothlorien, the elvenwood with its beautiful trees, plants, exotic birds, expressed through woodwind solos. The meeting of the Hobbit Frodo with the Lady Galadriel is embodied in a charming Allegretto; in the Mirror of Galadriel, a silver basin in the wood, Frodo glimpses three visions, the last of which, a large ominous Eye, greatly upsets him.Duration: 7.45
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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