Results
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£75.00
Hay, Ay (from When Icicles Hang) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter received an early commission for a piece of music that was seasonal for winter, though not necessarily linked to the Christian traditions of Christmas, in the early '70s. The request came from his friend Russell Burgess, a well-known conductor in the English musical scene and head of the Wandsworth School Boys' Choir through the '60s and '70s. Rutter responded with a six-movement work for orchestra, boys' choir, and mixed chorus, called When Icicles Hang. He chose his texts, characteristically, from Elizabethan and other early English poetry, each text dealing with images from the wintery season, be they the cold, ice-bound landscape and its winds; an older man's weariness in the face of the season; or the contrapuntal pleasures of ale and honey love for those safely inside on winter nights. The movements are: I. Icicles; II. Winter Nights; III Good Ale; IV Blow, blow, thou winter winds; V. Winter wakeneth all my care; VI . Hay, ay. With sparkling orchestration which has been faithfully set for Concert/Wind Band, the work may be performed with chorus as originally written, or may be performed effectively by band alone. The work is available as a complete set of six movements, or each movement may be purchased and performed individually.
Estimated dispatch 7-14 working days
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£75.00
Icicles (from When Icicles Hang) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter received an early commission for a piece of music that was seasonal for winter, though not necessarily linked to the Christian traditions of Christmas, in the early '70s. The request came from his friend Russell Burgess, a well-known conductor in the English musical scene and head of the Wandsworth School Boys' Choir through the '60s and '70s. Rutter responded with a six-movement work for orchestra, boys' choir, and mixed chorus, called When Icicles Hang. He chose his texts, characteristically, from Elizabethan and other early English poetry, each text dealing with images from the wintery season, be they the cold, ice-bound landscape and its winds; an older man's weariness in the face of the season; or the contrapuntal pleasures of ale and honey love for those safely inside on winter nights. The movements are: I. Icicles; II. Winter Nights; III Good Ale; IV Blow, blow, thou winter winds; V. Winter wakeneth all my care; VI . Hay, ay. With sparkling orchestration which has been faithfully set for Concert/Wind Band, the work may be performed with chorus as originally written, or may be performed effectively by band alone. The work is available as a complete set of six movements, or each movement may be purchased and performed individually.
Estimated dispatch 7-14 working days
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£75.00
Jerusalem the Blessed (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
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£44.95
Khvarena - The City of Light (Concert Band - Score and Parts) - Mau, Alga
Khvarenah: The city of light is Alga's second wind orchestra piece. Written in 2015 for a competition held by the Abingdon Concert Band in Oxfordshire, UK, it tries to capture the spirit of 'Khvarenah', an Avestan word for the Zoroastrian concept of 'royal glory' and 'splendour'. It opens with a quiet, steady layering of woodwind and brass, depicting an ancient desert city in the vast lands as the sun emerges from the horizon. We are then taken through the bazaars of the city as the markets are filled with joyful shouting and music and dance before entering the central courtyards, the royal army saluting their newly crowned king, heralding in a new era of glory.
Estimated dispatch 7-14 working days
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£100.00
Lament for Jerusalem (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul
Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.
Estimated dispatch 7-14 working days
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£75.00
Lo! He Comes with Clouds Descending (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
From the opening and stirring John Rutter fanfare to the beautifully harmonised final verse with descant, this familiar Advent hymn, Lo! he comes with clouds descending is a perfect piece for combined band and chorus, or for band alone. The arrangement is without technical demands and has sufficient doubling to allow for any size band, and with incomplete instrumentation.
Estimated dispatch 7-14 working days
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£110.00
Macbeth (Fanfare and March) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The following program notes are taken from those by Christopher Palmer, the arranger for orchestra from William Walton's incidental music for John Gielgud's production of Macbeth in 1941-42. The music was recorded and taken on tour with the production. Up to now it has remained in manuscript and unknown. Although this piece is called Fanfare and March, the principal march is in fact the banquet music (with its clever suggestion of bagpipes on the woodwind, hence my ad lib parts for extra flutes and oboes). Walton made several different versions of this for dramatic purposes, and here some of them have been pieced together. The central section of Trio is the March (Show) of the Eight Kings (Act 4, Scene 1) which reveals to Macbeth that Banquo's issue, not his, will rule in Scotland.
Estimated dispatch 7-14 working days
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£75.00
Nativity Carol (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
With words and music written by John Rutter, Nativity Carol is one of his earlier and frequently performed carols for Christmas. The beauty and simplicity lends itself to an arrangement for Concert/Wind Band that offers a variety of tonal combinations to interest a young band, and depth of feeling and meaning for the more experienced players. It may be performed with or without a chorus. The arranger is delighted to add this piece to the catalogue, one that will reach out to the players without stretching the limits of their technical abilities.
Estimated dispatch 7-14 working days
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£64.95
Pioneers of the Medway (Concert Band - Score and Parts) - Phillips, Richard
The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.
Estimated dispatch 7-14 working days
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£85.00
Rejoice and Sing! (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Rejoice and sing! was written in celebration of the 95th birthday of Sir David Willcocks. John Rutter writes: I was delighted to be asked by OUP to compose a new carol in his honour. Writing 'Rejoice and sing!' I recalled the many happy Christmas concerts he conducted with the Bach Choir in London's Royal Albert Hall, thinking also of his fondness for quirky rhythms, hence the lopsided 7/8 which runs through much of the music. This arrangement is written for combined Concert Band and Chorus, but may be performed by band alone. It is compatible with the original version except that it is transposed down by one-half step (semi-tone).
Estimated dispatch 7-14 working days