Results
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£110.00Pie Jesu (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
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£625.00Requiem (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
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£110.00Requiem aeternam (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
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£110.00Sanctus (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
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£110.00The Lord is My Shepherd (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
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£74.99Angels and Demons (Concert Band - Score and Parts) - Cunningham, Marc
Angels and demons are just two of the mythical creatures that appear in Marc Cunningham's imaginative three-part composition for concert band. The 'good' are always shown in opposition to the 'evil' in this work. Musically, this conflict is expressed as diatonic versus chromatic, consonance versus dissonance, and darker sounds opposed to lighter-sounding sections. Which is victorious at the end of the piece? You might be in for a surprise...Duration: 6:40
Estimated dispatch 7-14 working days
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£26.99Far and Away, Excerpts from (Concert Band - Score only) - Williams, John - Lavender, Paul
Ron Howard's 1992 film Far and Away starred Tom Cruise and Nicole Kidman in a saga of Irish immigration to American in the 1890s. Drawing on the rich tradition of Irish music as inspiration, John Williams uses original themes, but in an Irish style, in creating a sweeping film score that beautifully captures and enhances the moods portrayed in the film. Includes: Blowing Off Steam; County Galway, June 1892; Far and Away (End Credits); The Fighting Donelly's; Joseph and Shannon. Duration: 8.00
Estimated dispatch 7-14 working days
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£57.50Prelude and Pursuit (Concert Band - Score and Parts) - Sweeney, Michael
John Barnes Chance composed his landmark work for band, Incantation and Dance, in 1960 while in residence at the high school in Greensboro, North Carolina. Commissioned by the Union County (NC) Honor Band, Prelude and Pursuit pays tribute to this important composition and its North Carolina connection. A haunting chant-like theme played by the clarinets sets the tone for the slow section. Similar to Chance's work, the fast section begins with percussion instruments introducing thematic elements later picked up and developed by the winds. Intensifying rhythmic elements, as well as carefully controlled random playing effects, contribute to an overall sense of excitement and anticipation. Themes are woven throughout various sections of the band before the opening chant motif makes a brief dramatic appearance near the end. A great teaching tool for young players, Prelude and Pursuit also provides a rewarding performance experience.Duration: 4:50
Estimated dispatch 7-14 working days
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£75.00Cotswold Dances 1. Seven Springs (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling accompaniment figures. 2.Badminton House is a picture of the world-famous Horse Trials, with an archaic touch here and there to point to the House itself. 3. Pittville Park is the largest open space in Cheltenham, England, with Gustav Holst's birthplace at one end and the famous Pump Room at the other. The composer remembers childhood walks there and varying degrees of catching newts and the like in the central lake. 4. Cleeve Hill is the highest point in the Cotswold chain, just reaching a thousand feet above sea level at one point, making it, officially, a mountain, albeit a gentle one. Nevertheless, the extremes of weather through the seasons are reflected here, with an ominous note or two suggesting Belas Knap, an ancient burial ground sited nearby. 5. The final movement takes the traditional Gloucestershire wassail song, heard at Christmas, and manipulates it through any number of filters and distortions. (Note: Some harp parts are doubled, some are more essential. If no harp, the part can be played either by electronic keyboard or piano.)
Estimated dispatch 7-14 working days
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£75.00Cotswold Dances 2. Badminton House (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling accompaniment figures. 2.Badminton House is a picture of the world-famous Horse Trials, with an archaic touch here and there to point to the House itself. 3. Pittville Park is the largest open space in Cheltenham, England, with Gustav Holst's birthplace at one end and the famous Pump Room at the other. The composer remembers childhood walks there and varying degrees of catching newts and the like in the central lake. 4. Cleeve Hill is the highest point in the Cotswold chain, just reaching a thousand feet above sea level at one point, making it, officially, a mountain, albeit a gentle one. Nevertheless, the extremes of weather through the seasons are reflected here, with an ominous note or two suggesting Belas Knap, an ancient burial ground sited nearby. 5. The final movement takes the traditional Gloucestershire wassail song, heard at Christmas, and manipulates it through any number of filters and distortions. (Note: Some harp parts are doubled, some are more essential. If no harp, the part can be played either by electronic keyboard or piano.)
Estimated dispatch 7-14 working days
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