Results
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£75.00Cotswold Dances 4. Cleve Idyll (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling accompaniment figures. 2.Badminton House is a picture of the world-famous Horse Trials, with an archaic touch here and there to point to the House itself. 3. Pittville Park is the largest open space in Cheltenham, England, with Gustav Holst's birthplace at one end and the famous Pump Room at the other. The composer remembers childhood walks there and varying degrees of catching newts and the like in the central lake. 4. Cleeve Hill is the highest point in the Cotswold chain, just reaching a thousand feet above sea level at one point, making it, officially, a mountain, albeit a gentle one. Nevertheless, the extremes of weather through the seasons are reflected here, with an ominous note or two suggesting Belas Knap, an ancient burial ground sited nearby. 5. The final movement takes the traditional Gloucestershire wassail song, heard at Christmas, and manipulates it through any number of filters and distortions. (Note: Some harp parts are doubled, some are more essential. If no harp, the part can be played either by electronic keyboard or piano.)
Estimated dispatch 7-14 working days
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£75.00Cotswold Dances 5. Wassail Song (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The program notes are included for each of the five movements: 1.The first movement refers to the source of the River Thames, with its rippling accompaniment figures. 2.Badminton House is a picture of the world-famous Horse Trials, with an archaic touch here and there to point to the House itself. 3. Pittville Park is the largest open space in Cheltenham, England, with Gustav Holst's birthplace at one end and the famous Pump Room at the other. The composer remembers childhood walks there and varying degrees of catching newts and the like in the central lake. 4. Cleeve Hill is the highest point in the Cotswold chain, just reaching a thousand feet above sea level at one point, making it, officially, a mountain, albeit a gentle one. Nevertheless, the extremes of weather through the seasons are reflected here, with an ominous note or two suggesting Belas Knap, an ancient burial ground sited nearby. 5. The final movement takes the traditional Gloucestershire wassail song, heard at Christmas, and manipulates it through any number of filters and distortions. (Note: Some harp parts are doubled, some are more essential. If no harp, the part can be played either by electronic keyboard or piano.)
Estimated dispatch 7-14 working days
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£77.50One Thousand Cranes (Concert Band - Score and Parts) - Sheldon, Robert
An ancient Japanese legend promises that folding 1,000 origami cranes will make your wish come true. If those cranes are folded in honour of someone, it shows that person is held in high esteem.The composition is an elegy that begins with a four-note theme. This motive is used in various ways throughout the piece as a unifying factor. Although its initial appearance is somewhat haunting, the motive becomes quite comforting by the end of the piece. References to cranes in flight are frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan.Duration: 6.45
Estimated dispatch 7-14 working days
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£242.00Dutch Masters Suite (Concert Band - Score and Parts) - De Meij, Johan
For this exciting work Johan de Meij took his inspiration from Rembrandt's The Night Watch, Vermeer's Love Letter and Steen's Prinsjesdag. In the first movement the solo trombone keeps watch at night, whilst in the second movement lyrical lute music accompanies Vermeer's Love Letter. The third movement takes place in a tavern, where the drinking, singing and (increasingly inarticulate) music take place. An epilogue from the watchful trombone brings the piece to a peaceful end. This work by Johan de Meij was the set-piece for 2nd division concert bands at the 16th WMC in Kerkrade 2009. Duration: 21.00
Estimated dispatch 7-14 working days
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£99.99Almshouse Street Blues (Concert Band - Score and Parts) - Sparke, Philip
In 2007 Philip Sparke was appointed composer-in-residence to Monmouth School, situated on the Welsh/English border. The school, which has a venerable history dating back to 1614, has a thriving music department which boasts two concert bands, in co-operation with the nearby Haberdashers' Monmouth School for Girls, and a brass band.This exciting and innovative appointment involved three visits by the composer during the year as well as the commissioning of a new piece for each of the bands, all of which were premiered in a concert at the end of the year.Almshouse Street Blues was written for the brass band, whose members were allowed to vote for which type of piece they would get! Monmouth School is based in Almshouse Street and the town has a thriving summer festival which, alongside blues bands, features a wide variety of music including jazz, soul, rock and bangra.Duration: 4.45
Estimated dispatch 7-14 working days
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£191.99Sunrise at Angel's Gate (Concert Band - Score and Parts) - Sparke, Philip
This piece depicts the refined beauty of the Grand Canyon at sunrise and sunset. These are the best times to view the Canyon with the sun low in the sky casting shadows that give depth and form to the vast panorama. Angel's Gate is one of the many named rock formations in the canyon. The composer has tried to depict the sights and sounds of dawn, birdsong in the early morning sky and the gradual revelation of the Canyon itself as sunlight reaches into its rocky depths.Towards the end of the piece, to the sound of a tolling bell, we are however reminded of the dangers that the beauty of the Grand Canyon so cleverly hides.Duration: 10:40
Estimated dispatch 7-14 working days
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£84.95Panache (Concert Band - Score and Parts) - Fraser, Bruce
The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.
Estimated dispatch 7-14 working days
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£202.99Missa Tornacum (Choir with Concert Band - Score and Parts) - Waignein, Andre
Felicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of the piece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, a dialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colours characterising each of its three parts. The fourth part, Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passage marking the end of the Mass. Choir parts are available separately.Duration: 17:00
Estimated dispatch 7-14 working days
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£84.95A Fugal Concerto (Flute, Oboe And Small Wind Band) (Concert Band - Score and Parts) - Holst, Gustav - Brand, Geoffrey
This work was originally written for flute, oboe (or two violins) and String Orchestra in 1923. This arrangement was premiered by the Stockholm Symphonic Winds in September 1993, conducted by the arranger. The style of A Fugal Concerto is very much neo-classical - all the rage at the time, although whether Holst had heard Stravinsky's examples is not known. In so far as the work is fugal, the adjective applies more to the texture than the form, although the second movement is canonic. The contrapuntal texture is not straightforward as phrases are displaced across barlines and cross rhythms are a feature. Nothing is allowed to settle until the folk tune is introduced toward the end. Yet, within this musical web, fascinating patterns and cross references reveal themselves.
Estimated dispatch 7-14 working days
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£104.99Ceremonial March (Concert Band - Score and Parts) - Van der Roost, Jan
In the course of the two centuries following the death of Henry Purcell in 1695, no British composer of any statue was apparent. Consequently, the break-through of Edward Elgar (1857-1934) as an internationally known and respected composer at the end of the last century, was of considerable importance. As a composer Elgar was largely self-taught and he looked towards the continent for his inspiration. He is without doubt on par with his contemporaries such as the somewhat younger Richard Strauss. The Belgian composer Jan Van der Roost is a genuine admirer of Elgar's music and on the occasion of the fiftieth anniversary of the composer's death in 1984 he composed the "Ceremonial March". Van der Roost was inspired by the most famous and frequently played works from Elgar's catalogue of works, the characteristic "Pomp and Circumstances" marches, and decided to add his own, sixth march to the existing collection.Duration: 5:30
Estimated dispatch 7-14 working days
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