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  • £34.95

    Rosehill (Concert Band - Score and Parts) - Jakeway, Albert H. - Horner, Kevin

    March - Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Army's Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.

    Estimated dispatch 7-14 working days
  • £6.95

    Rosehill (Concert Band - Score Only) - Jakeway, Albert H. - Horner, Kevin

    March - Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Army's Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.

    Estimated dispatch 7-14 working days
  • £79.95

    Celestial Prospect (Concert Band - Score and Parts) - Heaton, Wilfred - Wheeler, Alastair

    Wilfred Heaton's compositions have a worldwide appreciation and although his output was small it is work of the highest integrity and calibre. The history surrounding 'Celestial Prospect' is somewhat sketchy. The composer describes it as a 're-casting' of an earlier work written sometime in the 1940's the score of which is now lost. The theme 'Come comrades dear' has been known from Christian Mission days and reflects the composer's penchant for old Salvation Army tunes which are simple and direct in character. The following 5 variations contain much interest and originality including a beautiful 'elegy to departed comrades.

    Estimated dispatch 7-14 working days
  • £15.95

    Celestial Prospect (Concert Band - Score Only) - Heaton, Wilfred - Wheeler, Alastair

    Wilfred Heaton's compositions have a worldwide appreciation and although his output was small it is work of the highest integrity and calibre. The history surrounding 'Celestial Prospect' is somewhat sketchy. The composer describes it as a 're-casting' of an earlier work written sometime in the 1940's the score of which is now lost. The theme 'Come comrades dear' has been known from Christian Mission days and reflects the composer's penchant for old Salvation Army tunes which are simple and direct in character. The following 5 variations contain much interest and originality including a beautiful 'elegy to departed comrades.

    Estimated dispatch 7-14 working days
  • £64.50

    Pass in Review (Concert Band - Score and Parts) - Wagner, Douglas E.

    A Medley of British Military Band March ThemesAlways regal and stately, this collection of British military marches includes; The British Grenadiers, Royal Air Force March Past, A Life on the Ocean Wave, The Vanished Army (They Never Die) and finishes with Colonel Bogey.Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £60.99

    Heroic Fanfare (Concert Band - Score and Parts) - Murtha, Paul

    Originally composed for the acclaimed U.S. Army Band Herald Trumpets, Paul Murtha's dramatic fanfare pays tribute to the heroic men and women of the New York City Fire Department who lost their lives in 2001.Duration: 1:00

    Estimated dispatch 7-14 working days
  • £32.95

    Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob

    The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30

    Estimated dispatch 7-14 working days

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  • £164.95

    Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob

    The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30

    Estimated dispatch 7-14 working days

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  • £110.99

    Second to None (Concert Band - Score and Parts) - Sparke, Philip

    Second to None is a perfectly suitable title for this work, though it actually refers to "Nulli Secundus", the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp's own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!Duration: 6:45

    Estimated dispatch 7-14 working days

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  • £39.95

    Anthem of the free (Concert Band - Score and Parts) - Goffin, Dean - Phillips, Richard

    New Zealand born, Sir Dean Goffin, was son of composer Henry Goffin who has previously been featured in this series as he composed the march - The Red Shield. Dean was a Salvation Army Bandmaster before enlisting into the New Zealand armed forces during the 2nd World War. He became Bandmaster of the newly formed band of the 20th Infantry Battalion and later on the 4th Infantry Battalion. Whilst he was serving in the Middle East he composed this march initially under another name 'Bel Hamid' The march was later adapted and renamed 'Anthem of the Free'.

    Estimated dispatch 7-14 working days