Results
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£65.00Big Sky March
Premiered at the Biltmore House in Asheville, NC, this march describes the beautiful mountain views that gave Asheville it's nickname, Land Of Big Sky. Written in the traditional style of Fillmore marches, the piece features exciting parts for all instruments. Flurries of woodwinds and brass flourishes depict the pageantry of the area and repeated arpeggios and chromatic scales represent each of the two ensembles who performed the piece as part of a Memorial Day celebration.
Estimated dispatch 12-14 working days
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£72.00Burst
A tour de force concert opener (or a striking closer) that rips right out of the gate with a four-note motive functioning as the genesis for the rest of the piece. It comes complete with bursts of brass fanfares, woodwind flourishes, percussion interjections, and biting harmonies that build tension only resolved at the final chord. This piece packs an incredible amount of music in a short period of time. Before you know it - wham! It's over. One of O'Loughlin's finest works to date!
Estimated dispatch 12-14 working days
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£64.99Survivors - Thierry Deleruyelle
Survivors is a concert march that is both luminous and tuneful. The brilliance of the brass, combined with the expressiveness of the woodwinds, gives this work a clear modernity. It was composed for and dedicated to those wounded in the army, paying tribute to their courage, resilience, and inner strength. Through a musical style rich in emotion and power, this work celebrates the "survivors" - those who, despite the hardships of war and injury, continue to pick themselves up, overcome adversity, and find within themselves an unshakeable determination. Survivors embodies both the enormity of the struggle and the hope of reconstruction, a march for those who have been wounded but who, through their courage, have become survivors. This concert march was commissioned by the French Army bands on the initiative of their musical director, Maurice Marc.
Estimated dispatch 7-14 working days
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£104.99The Flood - Filip Ceunen
The Flood was commissioned by Music Society Maris Sonores from Biddinghuizen, the Netherlands, on the occasion of its 55th anniversary. In this colourful composition, the name of the society has been inventively woven into the music - Maris Sonores meaning sounds of the sea - by means of key clicks in the flutes and clarinets, wind effects in various brass and woodwind instruments along with timpani, as well as sound effects in the small percussion. In addition, the history of the town is also reflected musically. Many centuries ago, around the year 800, a hamlet by the name of Bidningahusum already existed; unfortunately, it fell victim to the water of the then Zuiderzee. Later, the catastrophic flood of 1170 dealt the final blow. In the 1960s, there was a call for pioneers to once more build a town carrying the name Biddinghuizen in the polder of Eastern Flevoland - and so it happened. This versatile work, which is available for concert band as well as fanfare band, has been written in such a way that many bands will be able to play it. Each instrument group comes out well, so that The Flood will be a joy for players and listeners alike.
Estimated dispatch 7-14 working days
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£106.99The Way to Heaven - Philip Sparke
The Way to Heaven was commissioned by the Royal Air Force Music Services. 2015 was the 75th anniversary of the Battle of Britain, which took place between July and October 1940, when the courageous fighter pilots of the Royal Air Force thwarted Hitler's ambitions to launch an invasion on the UK.The Way to Heaven opens with fluttering woodwind figures and brass fanfares, which build to a climax before a change of key introduces a short quotation for the Polish National Anthem - Mazurek Dbrowskiego. This fades and you can hear the signal to scramble and the throaty sounds of the squadron's Merlin engines bursting into life before theyline up to take off. This leads to the main thematic material of the work, which depicts the heaven-bound flight of 303 Squadron as it climbs to intercept the incoming Messerschmitt 109s. A brief allusion to the Polish national anthem brings the piece to a triumphant close.
Estimated dispatch 7-14 working days
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£74.99Soaring! - David Shaffer
Soaring is a mode of flight in which height is gained slowly by using air that is moving upwards. Written for music educator's Randy Heuvelman's 30 years of service to the Woodland (Illinois) School District, Soaring paints a music portrait of dedication, compassion and intensity, all aspects of this educator's tenure. A slower middle section alternating between choirs of woodwinds and brass paints a serene portrait with lush harmonies and soaring countermelodies. The extensive percussion scoring utilizes timbres that add and complement the completed musical setting. Soaring is truly one of David's best works
Estimated dispatch 7-14 working days
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£74.99Raise Your Joys And Triumphs High
This beautiful setting of one of the most popular hymns ever written, "Christ The Lord is Risen Today," was respectfully commissioned by the Ohio chapter of Phi Beta Mu in memory of James Morgan. Its musical impact is undeniably both breathtaking and stunning beyond all descriptive words. The emotional conclusion of this work allows for the audience to sing the hymn while an antiphonal brass section soars high above with emotional reverence. Both of these creative ideas are purely optional, but they should be definitely thought of as highly effective when applied. Inspiring!
Estimated dispatch 7-14 working days
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£228.70Celebration for Band - John Brakstad
Many Norwegian bands have grown up around factories, but Norwegian factories are often located in the countrysides - by a fjord or lake, by a river or waterfall that provided power for the factory. The factory was the foundation for the existence of the community, but it was also essential for the community's cultural life, choirs, bands etc. (cp. British brass bands and mining). "Celebration for band" tries to give a picture of the environment and life around a band like this, with both factory noise and the natural world (Pastorale), as well as the challenges and development of the band itself. The composition is built up of five connected episodes: - Fanfare and Prologue (concludes with a feeling of the untamed power of the river) - Pastorale I: " At the river" - Intermezzo: " The Factory" (starts with the opening of water for the turbines: snare drum. Factory whistle and bell call to work, and the spinning and weaving machinery starts up.) - Pastorale II: " Summer evening on the fjord." - Finale: " Challenge and Progress"
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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