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  • £48.95

    Flight of the Condor (Concert Band - Score and Parts) - Williams, Mark

    This driving original by Mark Williams depicts the flight of the majestic condor along the rugged Pacific coast. Once common, but now endangered, this bird's lonely travels are reflected in the minor tone of this exciting work for young band. Cast in ABA form, a brief slow middle section is followed by a return to the brilliant "Allegro vivo" of the opening. Punctuated by strong horn/sax lines and syncopated percussion figures, this selection is destined to become a favourite of students and audiences. Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £118.99

    Elisabeth (Concert Band - Score and Parts) - Levay & Kunze - De Meij, Johan

    The world premiere of the musical Elisabeth took place in Vienna on September 3, 1992. From the great acclaim with which the musical was received, it became clear that the life of the Empress of Austria still appeals to the imagination. Although Elisabeth's life (1837-1898) as an Empress has a fairy-tale-like beginning, it takes a gloomy turn. In this production, Luigi Lucheni, the man who finally takes her life, tells her story. Death plays a major role throughout Elisabeth's life. In the musical, an equally mysterious and attractive man portrays the phenomenon of death, seducing her to the realm of death time after time. Elisabeth's life resembles a fairy tale when she marries the Emperor Franz Joseph at the age of sixteen. Her mother-in-law, Archduchess Sophie, does not make it easy on Elisabeth. But it is life itself that puts the Empress to the test. First, her youngest daughter dies. Then, not long after her son Rudolf is born, her happiness is clouded when her mother-in-law decides she must take pity on him. After her husband's unfaithfulness and Sophie's death, Elisabeth is so disillusioned that she chooses a travelling existence without realizing her husband and her son, Rudolf, miss her. Rudolf's loneliness is one of the reasons he commits suicide. The accumulation of disappointments in Elisabeth's life almost drives her into the arms of Death. In the end, however, it is Lucheni who kills her.Duration: 8.30

    Estimated dispatch 7-14 working days

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  • £84.95

    Japanese Slumber Song (Concert Band - Score and Parts) - Wood, Gareth - Brand, Geoffrey

    Originally written for brass band in 1981, this work always provokes a strongly favorable reaction when performed. This highly talented composer has captured the mood of Japanese modes as well as the tranquillity, but transferred it to the western concert band with stunning effect.

    Estimated dispatch 7-14 working days
  • £16.95

    Japanese Slumber Song (Concert Band - Score Only) - Wood, Gareth - Brand, Geoffrey

    Originally written for brass band in 1981, this work always provokes a strongly favorable reaction when performed. This highly talented composer has captured the mood of Japanese modes as well as the tranquillity, but transferred it to the western concert band with stunning effect.

    Estimated dispatch 7-14 working days
  • £84.95

    Panache (Concert Band - Score and Parts) - Fraser, Bruce

    The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

    Estimated dispatch 7-14 working days
  • £16.95

    Panache (Concert Band - Score Only) - Fraser, Bruce

    The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

    Estimated dispatch 7-14 working days
  • £53.95

    Overture 1812 (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Story, Michael

    Most musicians dislike the term "watered-down," so we asked Michael Story to present this classic overture with musical integrity and honesty but to simplify the complicated orchestral writing to be playable by a very young band or ensemble. We think you will agree: This arrangement succeeds admirably! Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £42.50

    Geoge of the Jungle (Concert Band - Score and Parts) - Allman & Worth - Bocook, Jay

    Not only is he a cool character with a hit movie, but he's got a great theme! This clever version for band features timpani throughout (cross-cued) and gives your band a great novelty spot for most any concert.

    Estimated dispatch 7-14 working days
  • £62.95

    Angels, from the Realms of Glory (Concert Band - Score and Parts) - Smith, Robert W.

    Angels, from the Realms of Glory by James Montgomery was first published in 1816 under the title Nativity. Through the years, it has undergone transformations and revisions, but none more powerful than this stunning setting for your concert band. Using a five-note motif (the first five notes of the traditional carol), the work proceeds from gentle beginning to dramatic finale. Individual instruments and instrumental choirs are showcased, allowing for bracing timbral shifts and tonal modulations.Duration: 5:00

    Estimated dispatch 7-14 working days

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  • £139.99

    Aroldo (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco

    Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from "the genius of Busseto." Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, which told a story of adultery and which was censored for its "indecent" content. Verdi found the censorship of Stiffelio unacceptable, and with a performance in Verona approaching at the start of 1851, he wrote to his editor, Ricordi: "If my libretto is censored, it will not be possible to obtain the effect I desire, so I would rather wait until I can rewrite the last scene." But the modifications to Stiffelio did not stop there. The setting, the historical period and the finale were also completely changed. In the process of converting Stiffelio to Aroldo, Verdi no doubt succeeded in strengthening certain moments. However, the fame of the three operas he had written in the meantime - Rigoletto, Il Trovatore and La Traviata - did not allow Aroldo to receive the recognition it deserved. The opera's symphony is indeed a superb work and contains moments of outstanding lyricism. The trumpet solo in the introduction is the longest written by Verdi for this instrument.Duration: 8:45

    Estimated dispatch 7-14 working days

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