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£289.99
Divertimento - Oliver Waespi
This grand work contains four contrasting movements. The first movement, Prelude, takes the form of an overture: it raises the curtains and marks the beginning of the piece. The brilliant motifs of the opening are contrasted by a calmer and more lyrical central section, after which the triumphant opening returns for the movement's end. The second movement, Meditation, explores the intimate sounds of the oboe, as well as those of the flute and French horn, backed by a rich orchestral accompaniment. The third movement presents a more upbeat Procession, but not a Procession of the Nobles, as written by Rimsky-Korsakov. Quite the opposite, Procession resembles a "second line"procession from New Orleans, whose up-beat rhythms invite everyone to dance in the streets rather than the measured pacing of a march. Divertimento ends with a Hoedown, the tradition American folk dance idiom, when the band has the opportunity for both vivacity and virtuosity and may play as fast as it can. It is important to play all four movements with precision, clarity and, most importantly, enthusiasm.
Estimated dispatch 7-14 working days
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£69.95
Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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£54.95
Three Miniature Nutcrackers (Concert Band - Score and Parts - Tchaikovsky, Peter Ilyich - Story, Michael
Based on Alexander Dumas' adaptation of E.T.A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes "March," "Dance of the Reed Flutes," and "Russian Dance (Trepak)." The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during the holidays or any time of the year.Duration: 3:45
Estimated dispatch 7-14 working days
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£82.95
Pineapple Poll (Concert Band - Score and Parts) - Sullivan, Arthur - Mackerras, Charles
In four charming movements, this cherished work is back in print with all new engraving and a full score for the first time. The movements are entitled: Opening Number, Jasper's Dance, Poll's Dance, and Finale. A real work-out for your top-notch ensemble from the Chappell Army Journal, this one's well worth the energy. Pineapple Poll is an exciting addition to the Belwin Classic Band series!Duration: 12.00
Estimated dispatch 7-14 working days
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£148.00
Aladdin Suite (Concert Band - Score and Parts) - Nielsen, Carl - De Meij, Johan
The large creative output of the Danish composer Carl Nielsen (1865 - 1931) contains six symphonies, chamber music, vocal works and music for the theatre: two operas (Saul & David and Maskerade) and stage music for sixteen different plays. The stage music for Aladdin was written at the request of Johannes Nielsen, the director of the Royal Theatre in Copenhagen. This production was based on the drama Aladdin (1805) by the Danish author Adam Oehlenschlager. Already before the premiere at the Royal Theatre, Carl Nielsen had adapted some of the music for the concert hall: he conducted the first performance of six of the seven movements of the concert suite on February6th, 1919. Johan de Meij's transcription for symphonic band contains the following movements: I. Oriental Festival March; II. Aladdin's Dream / Dance of the Morning Mist; III. African Negro Dance
Estimated dispatch 7-14 working days
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£67.99
Dances Fantastique - David Shaffer
This exciting work for concert band is a set of three delightful dances. Opening with a bold fanfare statement, the first dance reveals the melodic material that is the basis for all three movements. The title of this movement, Double Dance, is derived from the second statement of the melody, appearing in doubled rhythmic values. The second movement, Round Dance, the melody is written as a three part round. You could not have a Round Dance without a Square Dance, which is the title of final movement. Lots of fun percussion instruments add interesting timbres throughout. This interesting and clever composition is perfect for contest and festival.
Estimated dispatch 7-14 working days
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£53.46
Dances Fantastique
This exciting new work for concert band is a set of three delightful dances. Opening with a bold fanfare statement, the first dance reveals the melodic material that is the basis for all three movements. The title of this movement, Double Dance, is derived from the second statement of the melody, appearing in doubled rhythmic values. The second movement, Round Dance, the melody is written as a three part round. You could not have a Round Dance without a Square Dance, which is the title of final movement. Lots of fun percussion instruments add interesting timbres throughout. This interesting and clever composition is perfect for contest and festival.
Estimated dispatch 7-14 working days
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£125.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!
In stock: Estimated delivery 1-3 days
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£159.00
Greek Folk Song Suite No. 2 - Franco Cesarini
After the great success of the Greek Folk Song Suite that has lasted for over twenty years, Franco Cesarini once again ventures into the long and rich tradition of Greek folk music. In his Greek Folk Song Suite No. 2, the three movements that form the piece are named after the three dances reworked by the composer.The first movement, Samiotissa is a kalamatianos, whose most distinctive feature is the irregular 7/8-time signature. It is a festive dance, today considered the Greek national dance, which has roots dating back to antiquity.The second movement, Kato sto jalo is a zeibekiko, a slow-paced dance performed by only one man at a time which was apparently originated among the warriors of Ancient Anatolia.The third and last movement, Chasaposerviko, is the fast part of the hasapiko dance and is characterized by its more extensive form.A new journey into the Greek folk tradition that will delight both performers and audience.
Estimated dispatch 7-14 working days
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£62.95
Chorale and March (from Symphonic Suite) (Concert Band - Score and Parts) - Williams, Clifton - Wagner, Douglas E.
Originally published in 1957, with five diverse movements, American composer J. Clifton Williams' Symphonic Suite includes: "Intrada," "Chorale," "March," "Antique Dance," and "Jubilee." A brilliantly conceived study in motivic repetition, development, and permutation, Douglas Wagner has selected the contrasting "Chorale" and "March" movements in this arrangement designed for successful performance by younger players. Drawn from the original edition, the two movements are presented unabridged, with the composer's unique scoring colourations preserved whenever possible. A cherished setting for the young band repertoire.Duration: 5.00
Estimated dispatch 7-14 working days