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£289.99Bulgarian Dances (part II) - Franco Cesarini
Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.
Estimated dispatch 7-14 working days
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£179.99
Amazonia - Jan Van der Roost
This major concert work cosists o five movements.1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the "Laguna del Shimbe", one of the countless wells of the immense Amazon stream.2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It's a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, ... . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: MekaronMekaron is an Indian word meaning "picture", "soul", "essence". The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. "Everywhere the white man goes, he leaves a wilderness behind him", wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone,80 tribes have vanished completely).4th movement: KtuajThis is the name of the initiating ceremony of the Krah tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped.
Estimated dispatch 7-14 working days
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£94.99L'Amistat - Ferrer Ferran
This paso doble, in truly Valencian and Spanish character, reflects the traditional dance form with its roots in the movements of the matador as he confronts the bull in the bullring. It's colourful character and driving beat make L'Amistat suitable for use as a concert piece or as a street march. Bring a little Spanish magic to any concert with this fiery new work.
Estimated dispatch 7-14 working days
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£53.50Mountain Country Dances - Johnnie Vinson
Inspired by the musical tradition of early American folk songs, Johnnie Vinson has composed this appealing suite of three contrasting dance styles. The movements include Tar Heel Two-Step, Woodland Waltz, and Blue Ridge Reel. Sureto be an entertaining and rewarding work for young bands. (Grade 2.5) Dur: 5:15
Estimated dispatch 7-14 working days
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£134.99Iberian Trumpets - Ferrer Ferran
Iberian Trumpets is a characteristically Spanish, lively and warm-hearted composition in four movements. The opening cadence is in the form of a cante jondo - a _x005F_x001D_flamenco song. Now follows a fandango, which in turn heralds a gypsy dance with castanets. The middle section is a bolero, an enchanting melody over a continual ostinato, which leads to an energetic repeat of the fandango.
Estimated dispatch 7-14 working days
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£124.95
Sinfonietta - Score and Parts - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£24.95
Sinfonietta - Score only - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£125.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!
In stock: Estimated delivery 1-3 days
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£71.00Tropanka and Patsh Tantz
This two-movement work is sure to be a hit at your next concert! The first movement, Tropanka (pronounced "tro-PAHN-kuh"), translates as "stomping dance" and originated in Bulgaria. One can hear two repeated notes at the end of each phrase - this is where the dancers stomp! The second movement, Patsh Tantz (pronounced "PAHTSH tahnts") is a classic example of Klezmer, or Eastern European Jewish folk music. The title of this movement is Yiddish for "clapping dance", and all the players get the chance to clap at certain points in their individual parts. Both movements should be played rhythmically; adding weight to many of the downbeats will help bring out the "earthy" character of the music.
Estimated dispatch 12-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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