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  • £75.00

    English Dance Suite - VI. Pavan (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £125.00

    English Dance Suite - VII. Reel (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £64.95

    Pioneers of the Medway (Concert Band - Score and Parts) - Phillips, Richard

    The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.

    Estimated dispatch 7-14 working days
  • £12.95

    Pioneers of the Medway (Concert Band - Score Only) - Phillips, Richard

    The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.

    Estimated dispatch 7-14 working days
  • £56.50

    Djembe Laya (Concert Band - Score and Parts) - Gassi, Vince

    Add some spice to your next concert with this flavorful mash-up of ingredients. Start with one part catchy tune, toss in a generous portion of djembe beats, and of course, saute additional percussion rhythms over medium heat. Add a pinch of seasoning, stir as needed, and what do you have? A recipe for fun your band and audiences will savour for some time. Just try to sit still for this one!Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £57.00

    Carried on the Wings of Hope (Concert Band - Score and Parts) - Wagner, Douglas E.

    Inspired by the poet, Joseph Addison, who's words tell us that the Three grand essentials to happiness in this life are something to do, something to love, and something to hope for. Establishing four-bar phrasing and developing sensitivity to balance, this work makes an excellent introduction to ballad-style playing.Duration: 2:45

    Estimated dispatch 7-14 working days

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  • £84.99

    The Soldier and the Princess (Concert Band - Score and Parts) - Appermont, Bert

    This work is based on the story of the soldier and the princess from the film Cinema Paradiso. The story is about a poor soldier who fell in love with a beautiful princess. He had nothing to offer her, but he managed to meet her and declared his love for her. Do you want to know what happens next...? Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £56.50

    Hsien (Concert Band - Score and Parts) - Fox Jr, Earl J.

    In popular Chinese religion, Hsien (shyuhn) are benevolent spirits that roam the earth spreading goodwill.This piece depicts a kindly invisible force roaming the earth seeking to do good and promote acts of kindness for those in need, portraying the essence of Hsien.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £94.99

    Stratosphere (Concert Band - Score and Parts) - Schwarz, Otto M.

    What do the American Joseph Kittinger and the Austrian Felix Baumgartner have in common? They both jumped from over 30km high with a parachute. While Kittinger's attempt on 16 August 1960 was from a height of 'only' 31,333 meters, Felix Baumgartner broke this record on 14 October 2012 with a breath-taking 38,969 meters. This composition Stratosphere describes the adventure, from climbing into the capsule with help of a balloon, to the short pause in the stratosphere, and the jump, the turbulence during the free-fall descent, and finally the opening of the parachute and the safe landing.Duration: 6:00

    Estimated dispatch 7-14 working days

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  • £64.50

    Man of Steel, Selection from (Concert Band - Score and Parts) - Zimmer, Hans - Story, Michael

    Recreating the excitement from the blockbuster Hans Zimmer film score, this medley includes Look to the Stars, If You Love These People, Goodbye My Son, Oil Rig, and What Are You Going to Do When You Are Not Saving the World? Contrasting tracks are all combined in this energetic through-played medley.Duration: 5:15

    Estimated dispatch 7-14 working days

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