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  • £371.99

    Essential Musicianship for Band

    Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read, rehearse, and perform band repertoire with precision and artistry. Using proven methods for superior sound production and ensemble technique, your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert band setting. Masterwork Studies, a first-of-its-kind textbook for high school band, focuses on six landmark compositions for symphonic band*. Two CD-ROMs are included, featuring: 1. Exemplary recordings of each work, performed by some of the world's finest ensembles 2. Practice loops on the more difficult passages for each instrument, along with tempo adjustment software, on-screen assessment, and a built-in metronome 3. Scale, arpeggio, and articulation studies in all keys *Score and parts not included Also available in the Essential Musicianship curriculum: Ensemble Concepts - Designed to help intermediate to advanced ensembles acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. Ensemble Concepts - Fundamental Level (1st and 2nd year students) Ensemble Concepts - Intermediate Level (2nd and 3rd year students)

    Estimated dispatch 7-14 working days
  • £375.00

    Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul

    This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.

    Estimated dispatch 7-14 working days

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  • £70.00

    WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline

    Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions

    Estimated dispatch 7-14 working days
  • £195.00

    Mass, Suite from (Brass Quintet with Concert Band - Score and Parts) - Bernstein, Leonard - Sweeney, Michael

    Bernstein's Mass is a monumental 90-minute work, written in 1971 for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Duration: 15.00

    Estimated dispatch 7-14 working days
  • £199.00

    Suite from Mass - Leonard Bernstein

    Bernstein's Mass was a monumental 90-minute work written for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. in 1971. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Dur: c.14:00 (Grade 5)

    Estimated dispatch 7-14 working days
  • £44.00

    Eye of the Universe

    Boundless mysteries lie at the center of the universe. As the music travels from one end to the other, the vast spectacles of matter and light are described by low melodies and twinkling harmonies with the great eye at the center, peering at the vastness of space. Students will love these dramatic melodies and harmonies that help the young ensemble sound advanced and mature. Straightforward rhythms support emerging ensemble skills, and all sections play melodic phrases, creating a vivid and commanding performance. Incorporate suggested STEAM curriculum ideas to create a vivid and commanding performance.

    Estimated dispatch 12-14 working days
  • £98.00

    Echoes from Within

    This dramatic contest or festival piece will require your ensemble to perform emotionally in a variety of expressive styles. Using multiple meters, cadenzas, changing tempos and expressive musical shaping techniques, the music varies from romantic to light and dance-like. Challenge your entire ensemble, individual players, and audiences with this thought-provoking reflection on the strength and courage every person needs.

    Estimated dispatch 12-14 working days
  • £51.00

    Merry Gentlemen

    This piece is based on the traditional Christmas selection God Bless Ye Merry, Gentlemen. Your ensemble will be able to practice rhythmic accuracy and dynamic contrast and gain exposure to tempo and time changes. The ensemble sound changes from full band to woodwinds and then to brass throughout the arrangement providing interest and texture. A wonderful addition to any holiday concert.

    Estimated dispatch 12-14 working days
  • £75.00

    Passerine - Newfoundland Folk Song

    Based on a Newfoundland folk song, Passerine refers to "the swallow" found in the lyric of this song of lost love. Carl Strommen gives us an exceptionally beautiful setting of this folk song that contains a transparent orchestration to begin the work, contrasted nicely with the later entrance of the full ensemble. Your ensemble will enjoy reflecting the romantic sentiment of Passerine broadly and with great expression.

    Estimated dispatch 12-14 working days
  • £126.00

    Medium Funk Prelude - Paul Richards

    This large full score (11" x 17") is available for this entry in our Wind Band Select series at normal discount. Paul Richards, composition teacher at the University of Florida, works with diverse musical genres, and this is reflected in Medium Funk Prelude, a brief dance in which a small group of figures are transformed and tossed about in the ensemble. Its title was in fact inspired by tempo markings in a jazz fake book. An unconventional yet challenging and exciting work for the advanced high school or university ensemble.

    Estimated dispatch 12-14 working days