Results
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£50.50Fanfare and Festival - Robert Sheldon
by Robert Sheldon is a bright and tuneful opener that makes a bold statement, yet is playable by the youngest of bands. This pieces uses only the first six notes taught, no dotted rhythms and no rolls in the percussion! (2:05) Correlated to , Level 4. This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£48.95A Patriotic Festival
This useful medley combines four rousing patriotic numbers (I'm A Yankee Doodle Dandy, America, and America The Beautiful, and Battle Hymn Of The Republic) into one glorious choral work. The optional band accompaniment is easy and effective. A fine choice for choir and band, combined choirs or choir alone. Or use the SoudTrax cassette to replicate the full band sound.
Estimated dispatch 3-5 working days
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£70.50Court Festival (Suite for Concert Band) - William P. Latham
A suite in the style of instrumental dance music of the late 16th and early 17th centuries, used at various European court festivals and other ceremonies, William Latham's joins the revered Belwin Classic Band series. The four movements are "Intrada," "Pavan," "Galliard," and "The Horses Branle." Metered and precise, this cherished work will bring acclaim to your concert or contest program. A bold and regal choice! This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£110.00Fiesta (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
Despite its Spanish title, the concert overture Fiesta is really Italian, recalling a festival that I saw several times as a child in the late 1960s while holidaying in a village at the southern tip of the bay of Naples. The date is August 15, the occasion the feast of the Assumption of the Virgin Mary, celebrated with colourful processions and ritual (some, one imagines, pre-Christian in origin), all rounded off with brass bands and home-made fireworks. - Matthew Curtis. Fiesta was originally written for the orchestra of St. Paul's School in London, It has had performances in London's Queen Elizabeth Hall and the Royal Festival Hall where it opened a live broadcast concert in the BBC's International Festival of Light Music, and has made intermittent appearances on the radio ever since. This arrangement for Wind Band will make an excellent festival opener for accomplished bands and is a sure crowd pleaser with its dynamic flare and energy.
Estimated dispatch 7-14 working days
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£132.50Intrada for a Festive Occation - Idar Torskangerpoll
This piece was commissioned by Torskangerpoll Musikklag as a massed-band item for their "Storm Festival" in 2016. The "Storm Festival" is a festival for from bands all over Norway with concerts, parades and a lot of fun in the small Western Norway town of Mly.The music is built around two motifs used throughout the piece. This piece is a good concert-opener or a character piece.Beware of the changing articulations in this piece, the contrast between marcato and legato is a vital part of the character of the piece.
Estimated dispatch 7-14 working days
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£89.99Fanfare for Korea - Jacob de Haan
Fanfare for Korea was commissioned by the first Korea International Concert band Festival, which took place in 2010, on the occasion of the 60th anniversary of the Korean War. In this triumphant fanfare, composer Jacob de Haan uses the melody of Arirang, the most popular folk song in Korea. The Korea Festival Concert band performed the premire at the festival, conducted by de Haan himself.
Estimated dispatch 7-14 working days
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£89.99Fanfare for Korea (Concert Band - Score and Parts) - De Haan, Jacob
Fanfare for Korea was commissioned by the first Korea International Concert band Festival, which took place in 2010, on the occasion of the 60th anniversary of the Korean War. In this triumphant fanfare, composer Jacob de Haan uses the melody of Arirang, the most popular folk song in Korea. The Korea Festival Concert band performed the premiere at the festival, conducted by de Haan himself.Duration: 2:45
Estimated dispatch 7-14 working days
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£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£98.00Fantasy on "O Come, O Come, Emmanuel"
This fresh interpretation of the Christmas standard will develop your player's expressive and technical abilities while still engaging and delighting audiences. Not your usual holiday selection, this fantasy also works well as a concert, contest or festival opener or closer. Beginning with a chorale statement of the original hymn, the ensemble soon encounters an expanded percussion section, changing time and key signatures, unique rhythmic patterns and various musical styles, while individual players are challenged with syncopation and dynamic demands. A truly inspiring and rewarding composition for holiday concerts, contest or festival.
Estimated dispatch 12-14 working days
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