Results
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£53.95Marching On (Battle Hymn of the Republic) (Concert Band - Score and Parts) - Steffe, William - Brubaker, Jerry
Gaining popularity during the American Civil War to the present day, the melody was written around 1856 by William Steffe. Julia Ward Howe wrote the current words to the song as "The Battle Hymn of he Republic" in 1861. Jerry Brubaker presents this wonderful and well-known American patriotic song in this easy arrangement scored just for your beginning band!Duration: 2.00
Estimated dispatch 7-14 working days
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£154.99About Reynard the Fox (Concert Band - Score and Parts) - Houben, Kevin
We find ourselves initially at the court of King Nobel, where all the animals have arrived for a court hearing. Reynard the Fox has plenty to answer for but he seems determined to avoid his punishment... Kevin Houben chose this fable as the theme for his programmatic work, in which the musical setting of the fox forms the main theme. But King Nobel, Braun the bear, Murner the cat and Grimbart the badger also take a musical turn. About Reynard the Fox promises excitement and adventure right to the last note!Duration: 9:30
Estimated dispatch 7-14 working days
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£221.00At Kitty O'Shea's (Concert Band - Score and Parts) - De Meij, Johan
For countless years the legendary Kitty O'Shea's, a bar at the Hilton and Towers Hotel in Chicago, has been the favourite meeting place for participants of the annual Midwest Band and Orchestra Clinic. It was at this bar that Johan de Meij met Max McKee, from whom he eventually received a commission to write a work based on the folk music of McKee's Irish forefathers. De Meij immersed himself in the project and received unexpected help when, while purchasing an espresso machine from a neighbour, discovered the owner was Bill Whelan, composer of Riverdance. Time for another round At Kitty O'Shea'sDuration: 16:15
Estimated dispatch 7-14 working days
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£104.99Best of Mika (Concert Band - Score and Parts) - Tinner, Gilbert
British-Lebanese singer and songwriter Mika took the pop-scene by surprise in 2006 with not only one, but two successful albums in consecutive years, proving beyond doubt that he is more than just another one hit wonder. His intoxicating, sometimes even crazy, songs contain melodies and rhythms that have not only brought fl ocks of people to the dance floor, but have also entertained people of all generations. Gilbert Tinner's medley brings together three of Mika's hits: Lollipop, We Are Golden and Grace Kelly.Duration: 5:30
Estimated dispatch 7-14 working days
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£104.99Flight to the Unknown World (Concert Band - Score and Parts) - Yagisawa, Satoshi
Composer Satoshi Yagisawa wrote this fanfare for the anniversary of a concert band whose conductor he knew well. As a result, Fanfare to the Unknown World is a piece that lets the band shine in its full glory. Through a combination of bright fanfare and dramatic chorale, this piece will ensure every concert opens brilliantly. Let your band sparkle with this impressive piece!Duration: 5:45
Estimated dispatch 7-14 working days
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£84.99Golden Pass (Concert Band - Score and Parts) - De Haan, Jacob
The Golden Pass is a rail line in the Swiss Alps that connects Montreux, located by Lake Geneva, to Lucerne, in central Switzerland. This composition echoes the thoughts and feelings of a passenger who watches the changing landscapes he observes on this journey: green meadows full of grazing cows and traditional chalets, beautiful mountain lakes, waterfalls and mountain tops, including the scenic Bru?ning Pass. Is this real or just a dream? We may never know!Duration: 3:00
Estimated dispatch 7-14 working days
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£144.99Pierius Magnus (Concert Band - Score and Parts) - De Haan, Jan
Pierius Magnus is a historical figure from the Friesland area of Holland. He was a farmer who became a resistance fighter against Dutch oppressors in around 1500. Whether Magnus was a hero or barbarian is still debatable, but composer Jan de Haan was fascinated by the exciting story and let it fuel his imagination. The protagonist is introduced with a capricious theme which is followed by "De Arumer Swarte Heap," the troops who took to the battlefields against the Dutch. An eerie calm takes over moments before Pier and his troops let their battle cries sound. The work ends as the disillusioned Pier retreats. A concert work overflowing with excitement!Duration: 9:00
Estimated dispatch 7-14 working days
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£52.95Marche Militaire (Concert Band - Score and Parts) - Schubert, Franz - Harnsberger, L. C.
One of the most familiar and popular marches ever written is Franz Schubert's Military March No.1. Schubert (1797--1828) was one of the most prolific composers of all time, having written symphonies, chamber music, piano works, and over 600 songs, yet he only lived to the age of 32. The march was originally written for piano four-hands, however, this arrangement for young band sounds as if it was first written for military band. Woodwinds, brass, and percussion all shine with fun and interesting parts that work well together. This arrangement is perfect for an opener or closer to any concert.Duration: 2.15
Estimated dispatch 7-14 working days
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£102.99All the Best (Concert Band - Score and Parts) - Schwarz, Otto M.
All the Best is a happy, upbeat piece by Otto M. Schwarz. He has already composed several pieces in this genre, including Fire and Ice, Last Call, and Funky Brass, and is constantly looking for ways to adapt new and interesting sounds and rhythms for concert band. All the Best will be a huge success with musicians and audiences alike, whether as a congratulatory piece, a concert-opener or as a rousing encore at the end of your concert.Duration: 4:00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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