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£13.95
Chivalry
1Forgotten Heroes - Concert MarchNigel ClarkeRoyal Northern College of Music Wind Orchestra9.062-5In the Realm of the Sun GodKit TurnbullRoyal Northern College of Music Wind Orchestra I. At Dead of Night 1.32 II. The Ascension of the Sun God 3.06 III. Rite of Sacrifice 3.18 IV. The Rebirth of the Sun God 1.496-10Tales from AndersenMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Overture - The Steadfast Tin Soldier 1.58 II. Soliloquy - The Little Match Girl 2.08 III. Scherzo - The Emperor's New Clothes 1.16 IV. Idyll - The Snow Queen 1.42 V. Finale and Chorale - The Red Shoes 2.2211-14Partita for Concert BandDarrol BarryRoyal Northern College of Music Wind Orchestra I. Introit 4.07 II. Impromptu 2.23 III. Elegy (31/12/04) 4.53 IV. Finale 4.1415-17Three Paintings by LautrecLaurie JohnsonRoyal Northern College of Music Wind Orchestra I. At the Circus - The Equestrian 2.27 II. The Girld with Red Hair 2.46 III. Chocolat - Dancing 2.1018Chivalry - Symphonic Tone Poem for Brass, Wind and PercussionMartin EllerbyRoyal Northern College of Music Wind Orchestra14.0519Skyrider - Concert MarchPhilip SparkeRoyal Northern College of Music Wind Orchestra3.40
Estimated dispatch 7-14 working days
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£205.30Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 7-14 working days
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£183.20Viking Saga - Ray Farr
"Viking Saga" was inspired by my conducting engagements in Norway in the 1980s. Among them was a visit to the Flekkefjord Pike Korps who asked me to write a piece for them. I had just written "Adventures in Brass" which was very popular, particularly with younger bands, so I decided to pursue the creative energy. My teacher, at that time, was Professor Edward Gregson who encouraged me to develop my ideas into a full-scale work. The piece received a few performances in this version but neither I, nor my teacher, were satisfied so the manuscripts lay dormant. In the summer of 2002 a band from Switzerland- Cordula Brass Baden and Christoph Moor, who had played the piece under mydirection in the Swiss National Youth Band, commissioned me to finish the work and make the changes that, I felt, were needed. In 2016 the Tnsberg Wind Band, from Norway, commissioned a wind band version for their performance in the Norwegian Championships held in Trondheim 2017.
Estimated dispatch 7-14 working days
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£109.99Rubies (After Thelonious Monk's Ruby, My Dear) - John Harbison
Composer John Harbison writes: 'Rubies is a version of Thelonious Monk's 'Ruby, My Dear', which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piecereflecting my first musical passions, my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes, I chose to make a version of Monk's tune, first in a chamber-musical, contrapuntal manner, then inthe grand orchestral style I had always heard lurking there.' Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin, guest conductor).
Estimated dispatch 7-14 working days
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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£91.99The Sun Will Rise Again - Philip Sparke
The composer writes:"On March 11th 2011 a massive 9.0- magnitude earthquake occurred off the coast of north-eastern Japan.I'm writing these programme notes barely a week later and the death toll caused by the quake and resulting tsunami already exceeds 6000, with thousands of people still unaccounted for. I have many friends associated with many bands throughout Japan and one of these, Yutaka Nishida, suggested I write a piece to raise money to help those affected by the disaster. I was immediately attracted by the idea and have arranged Cantilena (a brass band piece recently commissioned by the Grenland International Brass Festival, Norway) for wind band, giving it a new title tohonour my friends in the Land of the Rising Sun.I will be donating royalties from this piece to the Japanese Red Cross Society Emergency Relief Fund and am delighted to say that my distributors, De Haske, who will generously also donate all net profits from sales of this piece, have pledged a substantial advance payment to the Red Cross so that what little help this project generates can be immediate.It is my sincere wish that this 'Band Aid' project will allow wind bands around the world support the people of Japan, where bands are a way of life for many, in this difficult time".Philip Sparke
Estimated dispatch 7-14 working days
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£160.00Norsk Kunstnerkarneval Op.14 (Norwegian Artists' Carnival Op.14) (Concert Band - Score and Parts) - Svendsen, Johan S. - Nordhagen, Stig
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in Kunstnerforeningen.An early title for the work was Bryllup paa Dovre. The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Saeterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835, Te voglio bene assai.I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen
Estimated dispatch 7-14 working days
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£242.50Labyrinth for Symphonic Band (Concert Band - Score and Parts) - Aagaard-Nilsen, Torstein
I wrote Labyrinth to celebrate the 450th anniversary for the city of Fredrikstad. The Danish king Fredrik II agreed to establish a new town further down the river Glomma, to make it easier to defend from the Swedes. The piece is a network of quotations mixed with my own pitch material. My versions of the quoted melodies are not authentic, and sometimes hard to recognize. However, the different quotations give the music an aura of tonality. For example, a dance tune composed by the Flemish composer Mattheus Le Maistre (1505-1577). The melody also occurs in the first danish book of hymns written after the reformation. Since Norway for 400 years was a part of Denmark and everybody had to write and read Danish, they used much of the same music, too. I also use regular Danish hymn tunes and quote from a religious folk song from the area around Fredrikstad. The military signals I use are authentic (for example, The Old Danish March), and I am very sure they were used in the Old Town (the fortress) of Fredrikstad. The drums quote from The Downfall of Paris. This could have been heard played by professional soldiers hired by the Swedes from Scotland. This edition is a revised version made in 2020. - Torstein Aagaard-Nilsen. Duration: 23.00
Estimated dispatch 7-14 working days
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£85.00O Little Town of Bethlehem (Concert Band - Score and Parts) - Brooks & Redner - Hannevik, John Philip
The text for this carol was written by the Episcopal priest Phillips Brooks in 1865, and it was inspired by his visit to Bethlehem three years earlier. He asked his organist in the Church of the Holy Trinity in Philadelphia, Lewis Redner, to write a tune to his poem. Lewis Redner himself later told that he found it hard to write a good tune for the text. But the night before the first performance "I was roused from sleep late in the night hearing an angel-strain whispering in my ear, and seizing a piece of music paper I jotted down the treble of the tune as we now have it, and on Sunday morning before going to church I filled in the harmony. Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868." Duration: 2.20
Estimated dispatch 7-14 working days
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£36.95Do you Recall? (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A slow, bluesy solo for trombone with wind band accompaniment. Like many people, I took the opportunity offered by the COVID lockdown in the Spring of 2020 to sort through old paperwork. I discovered a lot of songs that had not seen the light of day for many years and were mostly written with just the melody and chord symbols. Some offered the potential of becoming instrumental solos with a combination of heart-on-the-sleeve melodies the like of which I would not write now, together with maybe a greater sophistication in the instrumental writing. I had the notion in the back of my mind that 'Do you recall?' would work as a trombone solo but it seemed to fight me all the way. However, once finished it has proved to appeal to trombonists and has already been recorded by Brett Baker. It is not intrinsically difficult but needs a sense of the appropriate slow swing style and good control throughout the range. - Rob Wiffin. Duration: 4.15
Estimated dispatch 7-14 working days
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