Results
-
£127.30Funky Hedde - Torstein Aagaard-Nilsen
A good friend of mine, trombonist and professor Jesper Juul Windahl commissioned me a trombone quartet. I then wrote Four Nordic Folk Pops. The last of the four is a Norwegian tune called Havard Hedde in a funky version. Then I made a brass quintet version for Lofoten Brass Quintet for a their Australia tour. The trombonist in the quintet asked me for a brass band version to be used in an entertainment contest (SIDDIS Brass). Havard Hedde did not succeed in getting married, but I think this version wil make him dance again. Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
-
£78.99
Flag Patrol - Ronald C. Knoener
Beginning with a jaunty snare drum cadence, followed by a happy-go-lucky melody that says, "I'm glad I'm alive, and I want to march!" This is one of Knoener's earliest and most popular marches. A favorite, forever!
Estimated dispatch 7-14 working days
-
£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
-
£69.00
Goldene Kameraden - James Barnes
"Goldene Kameraden" was commissioned to celebrate the 50th anniversary of Musikverlag RUNDEL. The title of the piece is a combination of the golden anniversary of the company and all my friends who work there - but it is also a humorous pun on one of my favorite German marches: "Alte Kameraden". Although marches are rather out of favor in the U.S. these days - unless they are by John Philip Sousa - I love to write them. And so I was happy to have the opportunity to compose this for Thomas Rundel, his family and the team at Musikverlag RUNDEL. The strict form of marches and the necessary march-like clichs required may seem restricting to other composers, but I perceive this as a musical challenge. It is like completing a crossword puzzle: one must go by all the traditional rules" but still produce something creative.
Estimated dispatch 7-14 working days
-
£183.99Five States of Change - Philip Sparke
Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing band repertoire.The composer writes: "The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing*, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine andastrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times
Estimated dispatch 7-14 working days
-
£84.99Axis - Naoya Wada
I composed Axis as a dedication to my friend Shinya Nakamitsu. He is a wonderful graphic designer who loves wind band music. Some years ago, I made a demo CD to hand out to a number of people. He oversaw the jacket design for that project and I composed this traditional march to thank him. Shinya Nakamitsu runs a design company called AXIS: hence the name of the composition.
Estimated dispatch 7-14 working days
-
£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
-
£76.99The Genius of Ray Charles
The amazing life story of Ray Charles is featured in the movie Ray starring Jamie Foxx. Ray's unique style and passion for music is forever etched in our country's cultural fabric. Michael Brown gives us a masterful blend of theunforgettable hits Georgia On My Mind, I Can't Stop Loving You, What'd I Say, Hallelujah I Love Her So and Let the Good Times Roll.
Estimated dispatch 7-14 working days
-
£76.99Tribute to Whitney Houston
As the world mourns the loss of Whitney Houston, we also celebrate her legacy of marvelous music. Here is a well-paced and effective medley of hits that includes: How Will I Know, Saving All My Love for You, I Wanna Dance WithSomebody, and I Will Always Love You.
Estimated dispatch 7-14 working days
-
£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
View Music